remeranAuthority

I hope to some day get famous enough to have my blog banned for being trans

If bigotry somehow fixes itself before then it'll feel cheap, you know?

please holdout until I'm famous, ok staff?

I hope to some day get famous enough to have my blog banned for being trans

If bigotry somehow fixes itself before then it'll feel cheap, you know?

i like the word "mew" as a pronoun in catgirl speech, because you can realistically see it replacing both "me" and "you", making ego death a prerequisite for catgirldom

A Doll is filled with nothing. Not just nothing, but a gnawing, all consuming nothing. And when there is nothing, it will begin to gnaw on itself instead. You must fill your Doll with love, knowing that the inner turmoil within its body will tear it up and consume it to feel it until nothing remains once more. To love a Doll, a Miss must be prepared to supply it with infinite love. A simple task, as a Miss is everything to her Doll.

To a doll, any amount is infinity as long as there is yet more to come. And there is. There always is. Forever. Anything for my doll.

something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think

i don't know if it's like some kind of internalized serfdom or whatever but it's still so perplexing to me that people have any kind of reaction to the concept of the "console exclusive" that isn't unbridled hostility. whyyyy do people want to have to buy seven different brands of hardware just to experience art. whyyy is it more good the more exclusives a console has and whyyy is it more bad the less it has. why do people want corporations to make money. WHY DO PEOPLE WANT CORPORATIONS TO MAKE MONEY

we long for community, but all we have is fandom

that situation is completely different this is a fellow classmate and the anime made it some random adult.

my wizardgirl keeps mage regressing during the big boss fight, throwing out level 1 Ice Bolt and giggling like we're supposed to find it cute. I know this bitch can do a level 12 modified Frosthammer Vortex. It's not even hard for her. But the Wyvern Queen, who we're supposed to be killing, keeps going "Wow, that was a really big spell for you! good job giving me -1 speed! You're soooo powerful!" and my fuckass mage is beaming at her with those big wet eyes. I don't care if you get "level dysphoria" from your gigantic big-girl mana pool I'm about to die out here