There really seems to be much more of final fantasy 7 than I thought there was. Like I thought it was shorter.
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There really seems to be much more of final fantasy 7 than I thought there was. Like I thought it was shorter.

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GLaDOS voice: "Would you like to see some artwork I generated? I've heard from other test subjects that AI-generated artwork produces an uncanny valley response in human viewers because they can't perceive it as fully real. They've told me that it looks absolutely hideous to them, that they can't imagine anything more disgusting than AI art. But, well I've been practicing and wanted your honest opinion. Feel free to let me know how ugly you find this by ranking it on a scale from 'vomit-inducing' to 'eye-bleeding'." A robotic arm lowers from the ceiling holding a hand mirror up to Chell's face
this is the vibe i bring to the party actually
The first three are literal genetically enhanced space warriors and the last one is just some twitchy nerd who got lucky
Besides Samus would cream them all
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If I'd never laid eyes on it, never spoke of it...
There is literally no circumstance where I support age verification to access a website. As I've said before I'm very much the "there's nuance here" person on almost everything but on this issue there's no nuance for me, it's awful and horrible in and of itself and it also sets an awful and horrible precedent
I'm fine with "click here to confirm you're an adult" because it keeps people from finding it by accident.
I do not give a shit if the people checking the box are actually adults, and oppose any effort to confirm that they are.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.

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My migraine app, every day for the past week and a half:
Well I would love to do that but regrettably I live in the US and I must go do Job so that I can afford to pay for Excedrin over the counter because prescription migraine medication requires a neurologist which requires a referral which requires a PCP, which I do not have because Job has switched insurance providers 3 times in 3 years.
I don't want my cellphone to have AI I want it to have 3 days of battery time. I don't want my computer to have AI preinstalled I want it to have seven usb ports and high ram at affordable price. I don't want my games to have AI built levels I want them to be so optimized I could run them on a nokia.