Bruce Wayne's favourite children:
The nostaligia-fueled version of Robin Dick that exists in his head
Jason Todd's corpse
Cass
I'd rather be in outer space 🛸

Love Begins
taylor price
YOU ARE THE REASON
noise dept.

Kiana Khansmith

JVL
Lint Roller? I Barely Know Her

𓃗
ojovivo
The Bowery Presents
"I'm Dorothy Gale from Kansas"
Mike Driver
Cosimo Galluzzi
EXPECTATIONS
Keni
hello vonnie
Monterey Bay Aquarium
occasionally subtle
seen from Vietnam
seen from United States
seen from Canada

seen from Netherlands
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seen from United States

seen from Singapore

seen from Germany

seen from United States

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@randomdcstuff
Bruce Wayne's favourite children:
The nostaligia-fueled version of Robin Dick that exists in his head
Jason Todd's corpse
Cass

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My Issue #6 analysis is up!
Read on Substack
Read on Ao3
Here's some bits:
These little snippets into Kal’s life during this year and a half alone in space are so evocative; they tell so much using just body language. I wonder what sorts of things he does to cope. Does he daydream, or pace, or read/watch anything Sol’s got stored in his archives? Does he hear the voices of his parents comforting him, imagining they are here with him?
Everything he knows he knows and loves about his homeland is “foreign”; it’s too dangerous to share, he can’t let himself be close to anyone. And this carries through throughout the rest of his life- like in issue #13, when he says “because I showed the world something I cared about. Never do that again. Never again.” There’s some great parallels between Issue #6 and the Battle of Smallville. Both times Kal comes here, the one thing he views as home is ripped from him by Lazarus. The first time, it’s the Kents. The second time, it’s Sol. In issue #12, he calls Sol his “safe place”. His home.
To me, it’s this kid who’s weeping: Kal in Issue #5. He’s realized he’s already failed; it’s already too late. Absolute Kal is taken into the darkest depths of hopelessness and despair and he’s still Superman. Even when there are times he’s completely given up, when he believes this world is impossible to save and he just wants to die and leave it all behind, it doesn’t erase who he is. He doesn’t become evil and start slaughtering everyone and decide to rule the world. He’s still his kind and gentle self, even if he’s angry and broken. Eventually, he keeps going.But right now, he is hopeless.
Absolute Diana: This is the Nemessis Lasso. It hurts all those who touch it, but only proportionally to their own sins
Wally (accidental murderer) 'Sin' like under what definition
Bruce (premarital sex-haver): 'Sin' like under what definition
Jo (gay adulterer): 'Sin' like under what definition
Kal-El (english is his second language): 'Sin' like under what definition Jon (FBI Agent): I'm not touching that
I feel like some people are misinterpreting Absolute Dinah. I don't really see her as a bland neutral party or reader stand-in at all, and I feel like you have to ignore the majority of her dialogue to interpret her as such?
Dinah spends much of #1 referencing studies showing how much rich people suck. She hates billionaires with a burning passion. She's upset and hates herself so much for resorting to protecting them because she needs to pay for her dad's medication. She doesn't think that the lower classes can do anything about it. She's also against murder. She's also scared that she's happy to see billionaires suffer.
These things can and do coexist. There are so many people who are just like this. You probably know someone like this! Maybe you're like this! So many people are fully aware of how shitty the world is, who hate the assholes with all the power, but don't think we can do anything about it. And yes, are still against murder even if it's the worst people on the planet. She can be against murder and anti-capitalist.
Being against murder doesn't erase everything else she's thought in the last 3 issues. It sure as hell doesn't make her liberal as I've somehow seen people complain. Come on, liberals are NOT that aware. Maybe she was a liberal cop once upon a time, but you think she's one NOW??? Now, she's the pinnacle of disillusionment and working class fatigue!
Maybe by the end of this comic, she will have come around and agreed that murdering billionaires and rapists is good. Maybe she'll remain too afraid of her own bloodlust towards them to go through with it, or stick to her guns in seeing murder as purely bad no matter who does it. Neither makes her political opinions 'lesser' than the (likely male) Green Arrow.
Dinah is an ex-cop who was likely radicalized by something her cop mom did that shook her and her dad. She's a lower class woman who had to quit a job she loved and suck up to rich people to pay for her dad's meds. She dated what seemed to be a fellow socialist who wanted to make the world a better place and they broke up because he cheated on her, and then he became rich. She scrolls on Tiktok to see people's reaction to Slade's death. She consumes online studies about psychology, and theories about her exes' death. She tries so hard to suck it all up and bear it, to hide her true feelings when she's on the job. The first time we see her talk much on the job is in her fight with Mia.
Her and Mia are foils. Mia quotes studies she read online, just like Dinah. She feels the same way as her. She just doesn't hide it the way she does. In fact, she's extremely vocal about it, in real life and online. She even has the same sort of job Dinah used to have and liked. They go off the topic of Oliver's death pretty quickly, because they both know what's really going on here. They don't ignore it. And this conversation instantly leaves Dinah's partner extremely uncomfortable, because he either hasn't realized it or just wants to ignore it. (Genuinely, this moment is my favourite in the series so far)
She's not a generic plot device whose only point is to get radicalized by Green Arrow, tell you that you should be against murder, ease you into the radical message of the story, convince dc to publish the comic, or whatever other excuses people have come up with. She is a full fledged character! Just because the story centers around political messages doesn't mean that the characters in the story aren't written like real people with their own lives and opinions.
And isn't one of the biggest compliments about Abs GA that it portrays the way working class Americans feel about our economic situation really well? Please explain to me why we can't extend this opinion to the female protagonist who is spearheading it.
Maybe, just maybe, you're supposed to pay attention to the protagonists thoughts that are being actively shown to you!
*screaming into my pillow*
BATMAN DIDN'T BUILD OR CREATE TITANS TOWER. VICTOR'S FATHER, SILAS STONE, WAS THE PERSON RESPONSIBLE FOR CREATING AND FOUNDING THE TOWER. THE TITANS OWE BATMAN NOTHING AND THEY DON'T NEED TO RESPECT HIM BECAUSE HE "CREATED THE TOWER THEY USE," BECAUSE THAT NEVER HAPPENED.
STOP SPREADING MISINFORMATION. I HATE THESE BAT-FANONS, GO READ THE COMICS.
(Seriously, the information about how Titans Tower was built is so easy to find because it's in practically every Titans comic. Donna literally talks about it in the new Titans annual)

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Do you ever think about how it must have felt for Jason to find out exactly how Bruce 'lost it' after his death? I see so many people act like Jason would find it comforting to know that Bruce was a total mess; like that proves he really loved Jason, and if he loved Jason then all else can be forgiven.
But let's look at what Bruce actually did: He got more violent. Specifically, he got more violent with petty criminals, the kind of people who probably turned to crime to survive. People like Jason's father, who Jason loved and admired. Bruce was putting people like Willis in the hospital, and he claims he was doing it for Jason? I don't think that would make him feel more loved. I think that would horrify him, actually.
Why the hell would Bruce think Jason would want that from him? Did he really not know Jason at all? Or did he just not care what Jason would have wanted?
adding my two cents reticently into the nonsense Batman spouts about "taking Jason in as Robin because I saw so much anger and violence in him, and I wanted to steer him right and keep him away from a life of crime.”
I’m not even annoyed or angry about it, my feelings on the matter are best described as sheer bewilderment. holding up a big sign that says "ABSURD." the whole thing is so ridiculous that I just can't wrap my head around it.
look, I’ll be straight with you: I’ve read the story of Jason’s first meeting with Batman. in that scene, and in the ones that followed, I didn't see a single interaction suggests Batman seemed to detect "anger and violence" or a "risk of him becoming a criminal” in Jason. let’s try and take a look at those interactions:
1. the famous scene where Jason steals the tires off the batmobile. damn, the kid’s got the guts. and Batman was clearly amused by it. he literally laughed out loud. when he leaned down and asked if Jason was there to finish the job, he was obviously just teasing him (and look at Jay’s face here god he’s just a baby).
some other people's reactions to him stealing the tires. Ma Gunn was basically like, "this kid is incredible."
I think my biggest problem with New Teen Titans reunions, retreads, and nostalgia bait is how often they just miss the point. Why is Jericho always ignored? Why are the Titans insecure about the JL when that wasn't a thing in the 80s? Why are they written like high schoolers when most of them were college age in the 80s? Why are they treated like they were all kid sidekicks when Kory, Vic, and Raven were never sidekicks. Hell, Gar barely counts in that regard. And even Dick and Donna moved past their sidekick gigs in NTT.
I hope that Absolute Batman's eventual parenthood status is either-
1- he never gets any children (and thus is hopefully safe from some of the abuse apology bs fans do with mainline Bruce)
2- Steph and Duke become his children while Dick, Jason, and Tim permanently remain side antagonists (bc they're the batkids who aren't normally his children)
3- only Cass gets to be his kid (to spite the people who ignore her existence)
4- he somehow adopts a completely different person who is normally someone else's kid (because that would just be hilarious)
WAIT WAIT WAIT
WHAT ABOUT ONE OF THE WE ARE ROBIN ROBIN'S (BESIDES DUKE OBVIOUSLY)
You want Batman to have his own Robin that is in no way shape or form similar to any previous sidekick main Bruce has had? Riko. Riko is your girl. Or maybe it would be more fitting for her to be Batgirl? Batgirl Riko???
I LOVE WALLY WEST SO MUCH RAGHH

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Absolute Batman animated series will likely mean that Absolute Harley Quinn will forever be known as "The Cooler Rod Hood".
in-before Jason Todd fans start taking AB!Harley's traits and applying it to their favourite corpse-cop, like they often do to female characters.
Reminder that I'm animating an Asolute Wonder Woman issue bc no way a DOG is getting an animated series BEFORE HER.
it is crazy that they just did a full 180 on cassie sandsmark. they took that little tomboy who refused to wear dresses and liked having short hair who had multiple plot points where she was deeply uncomfortable in more girly clothes and just. took that all away and instead made her “grow up” and grow into liking girly things and calling her tomboy phase terrible like why WHY
...okay, I like most of #2, but my opinion on Abs Green Arrow is really going to depend on how the kids are handled. And on whether or not Connor gets revived.
It's pretty clear that he died- I have no hope that he didn't. But do keep in mind- we know for a fact that #4 introduces Solomon Grundy. He died and was revived in the mainline, and there's clearly something fucked up going on with this one too. Just look at him. I can very much see Dinah coming across a way to revive Connor on The Island (tm) or something, and bringing him back. Just, please don't make him stay dead for the love of god.
And I'm really hoping that Dinah is referring to Roy and Mia as Oliver's "friends" because she doesn't know he adopted them, and not because he didn't adopt them. If you kill the poc kid off immediately and then claim that he was Oliver's only kid because the other two were adopted, that's just fucking all 3 of them over.
Mia saying that Oliver gave her a family gives me some hope, though. Love what we have seen of her so far. That fight scene between her and Dinah was fucking awesome. 10/10 characterization.
I'm also a bit worried that they're going to completely remove Roy's Navajo origins. Please don't reference an insanely obscure character like Tom Hallaway and then conveniently 'forget' about this.
second version

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Mini discussion on the DCblackout as a black woman. If you don’t want to hear the honest opinion from the POV of a black woman please scroll
Do I wish I was represented in comics more? Yes. Yes I do. Do I know why we’re not mainstream like other heroes like Batman and Wonder Woman? Yes! Yes I do.
It’s because when we do get comics with Black leads. WE DO NOT READ THEM even in the black community. So why are we still complaining when what do get, we still dismiss? Absolute Green Lantern? Least talked about of the absolute universe, always in stock at comic stores. We have been given these mini series as little taste tests of what COULD be.
But guess what? They do not sell. And why would DC spend the money and resources to lose money on a comic? If we actually wanted to get these black characters back into the mainline comics PLEASE GO BUY BACK ISSUES! TPB’S! ANYTHING. they will see that people want these characters back.
We’ve seen it with the revival of Blade with marvel. He came back. People learned his name through marvel rivals and Deadpool and Wolverine, realized woah this guy is a badass let me go check out his old runs. Now he’s got a dc collab with supergirl, and he’s going to have a comic with moon knight coming out in July.
If you don’t get what I’m saying. People need to be recommending the comic runs with the black characters that we want to see make a comeback.
I really want people to realize these decisions ultimately are decided by the people who comics are catered to. Comics thst get longer series are the ones that we talk about. That sell. The ones that get cancelled and cut short are the ones that are going negative. Ones that readers ignore. So if we want to see more representation we have to make it clear we want it and also SUPPORT WHAT WE ALREADY HAVE.
Because I can guarantee a lot of these people participating in this blackout haven’t purchased an issue with a black main character. And haven’t even thought about it. They just saw a social justice movement and hopped on the bandwagon. It’s truly a psychological concept of the bandwagon fallacy which I can see in how people are approaching this topic.
In the end. Yes we should be getting more representation. But also we have to do our part as consumers to make it clear that we are interested in reading these stories by going back and reading what has already been given to us. DC won’t give us a whole new mainline series just because people are talking about wanting one. You need to actually prove it. Go out and read absolute Green Lantern. Go pick up the old Mr. Terrific run. Recommend these to your friends.
TDLR: this boycott actively did more harm to the black comic community than good
i’m AMM10 posting again but idc. i wanted to elaborate on agent rainbow being a "bad ending" for john like i mentioned in the tags of another post. what i meant by this is john is becoming the man rainbow used to be. his mind is expanding, he's learning more about the world and its injustices, he’s leaving behind the sense of white complacency he was trapped in, he's becoming a leftist in principle. however, if he continues on the trajectory that despair-the-zero sets him on (assuming he doesn't swerve into traffic or eat his pistol like it keeps suggesting), he'll probably end up back at his job with the bureau and give up all the idealism that the green martian inspired in him. rainbow agrees with D-O in thinking that this is all just a phase. he's been there before. it's why he keeps trying to talk to him. he's trying to get through to john, he's trying to make him see the way he sees. he hates that john is like this because deep down, john reminds him of a version of himself when he actually stood for something.