Ramone Kemono Back up Bakery

anonymous

having a job is very weird bcos by and large your coworkers will be a variety of ages and you will not all be at the same stage of life. your coworker will be like, well I’m off home to spend time with my husband & child, what are you going to do with your evening? and you’re like, well, I plan on playing Rollercoaster Tycoon for as much as it as possible

And you are older than them

Can someone now poke Mitch McConnell with a stick?

Strike that: can somebody pound a stake into Mitch McConnell and bury him at a crossroads?

Syringe of air is more efficient but going the extra miles for the stake does have its benefits

like im lucky enough that sw is not my main source of income but for atleast half of the girls working that ive known it is, and they all meet the same roadblocks of having records due to sw that prevent them from getting regular jobs, scrutiny from “non judgement” employers, banks banning them entirely from being able to bank with them, little to no education to get out or have other ppl relying on them that makes it so the quick money is the only way to raise their kids pay rent keep up with bills etc etc…..if u actually care about the whore u will make it so her existence is not illegal or worthy of banishment from public daytime life u would help her find other avenues and if she wants to stay u would make it so she can defend her self legally if she faces discrimination and withheld wages for her work….but yall dgaf about that….u just hate the whore thats it 😭 u r not feminist for holding the same view of swers as the average cishet man

its always the ppl who say sex work is exploitative (it can be and in most cases is) who also never rlly bother to fight for liberation of sex workers never fight for legal protections of swers never pay money to bail funds to get swers out of jail when they get caught in sting operations never support women in other countries being targeted by sex tourism never share go fund mes for survival strippers and fs girls like it’s performative asf u don’t care about exploitation u just like being mad at “the whore” bc if u cared about exploitation you would be fighting to get legal protections for everyone in sw bc realistically it is never going away whether u like it or not

We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife

No one is gonna mention SIGNALIS? fr?

i bring a sort of “you should maybe interrogate your so-called ‘preferences’ to make sure they’re not literal textbook examples of severe unconscious bias” vibe that my woke gay friends dont really like

Imma say my piece: All of this would be true if you exist within a world that exist outside of social media-fueld capitalism. Because the truth is people use this excuse to defend popular creators with horrible influence on the community (some of which ignite the gatekeeping and infighting of the queer community). People use this excuse to silence criticism of underlying bigotry that needs to be addressed.

will you guys cancel me if i say that queer tragedy has a place in the creative arts and shouldn’t immediately be dismissed as bury your gays

Sometimes, in history, and in real life: GAYS. WERE. BURIED. Don't avoid queer media written and created by queer people to tell their stories of tragic times, be they based in reality or completely fictional. There are lots of great and important media about the AIDS epidemic created by gay people (Longtime Companion, 1989; Buddies, 1985; Parting Glances, 1986) or powerfully human movies with gay bashing (Torch Song Trilogy, 1988) or gay suicide (Victim, 1961), and to reduce these to "Bury Your Gays" or "Queer Tragedy" without actually engaging with the ideas presented or the importance of the events, characters, or history is such a cowardly thing to do. Dismissing queer tragedy in media means you will always assume that queer media started in the 1990s, because you will not seek what people were able to produce and put out before that because it may make you uncomfortable. Advise and Consent from 1962 where a senator with a homosexual past is blackmailed. Winter Kept Us Warm from 1965 - a Canadian movie about two university dormmates who have feelings for each other that they cannot fully understand, where there is no happy ending. As the tags above say - it's about what the purpose is going in. Whose story is it. What is it saying. Are these victims fully fleshed out humans? Who wrote the movie? What does the tragedy and misery say about these people and about the time? The class and race of the people involved?