when the film has themes of complicated relationships and the place you grew up and the cyclical nature of having a suicidal parent and sibling relationships and grief
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@rainbowofeelings
when the film has themes of complicated relationships and the place you grew up and the cyclical nature of having a suicidal parent and sibling relationships and grief

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Sentimental Value (2025)
Frankenstein (2025) dir. Guillermo Del Toro
I'd like to think that the leaf is a metaphor for their love.
Mary Shelley, Frankenstein
Mary Shelley, from her novel titled "Frankenstein," originally published in 1818

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let's talk victor, his red gloves, war and the angel.
I think the anti-war nature of Del Toro's Frankenstein is more than obvious. I also think the near-constant presence of Victor's leather gloves was a great detail. Aaand I'm quite sure I know the angel from his visions. And I may have a theory on how all those things are connected.
At first, I assumed the gloves' symbolism was obvious: red like blood, but also the constant concealment of Victor's palms as a metaphor for detachment, especially since we know how important hand-to-hand contact is in the movie.
But, given the way GDT draws from the Bible, would it be such a great stretch to bring up another (quite famous) pair of metaphorically bloodied hands?
The tide that brought me here now comes to take you away, leaving me stranded. FRANKENSTEIN (2025) dir. Guillermo del Toro
WHO ELSE UP FRANKEN THEY STEIN RN
Frankenstein (2025) dir. Guillermo del Toro

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Something something people not knowing the history something ...
I love little camera tricks like this. This is art.
The way they show Carmy come into the shot so your focus is drawn to him, and then show him close up and slowly pan the camera over the crew to land on the beat on Sydney, lingering on her just a bit more at the line "you've been waiting" before panning to Tina.
It's like another version of the same thing they did at Marcus' mom's funeral with that sydcarmy "look closely at each other" shot.
Brilliant.
someone pointed out that carmy's cousin michelle may be divorced from her husband. I couldn't stop thinking about seeing him and claire at the wedding and how they both were so giddy to say 'oh it's going to be a s*itshow and that's just what Bearzattos do' but it was a quiet calm progressive event. and they're all still close and still family and whatever, but it's so interesting that claire and this man are both so regressive and I wonder if claire is going to also have her relationship end
I don't think they're divorced, he told Frank he's married to Michelle. I think she just had to go back to work. They implied she's an actress in New York. I think he just said he stayed and she left as in she left the wedding, not left him. I think it's most likely that they both weren't available to film on the same day and Sarah Paulson had to leave, cause she wasn't under the table.
They showed Michelle and Donna at the start and made it seem like shit would go down.
Then Carmy started panicking right before running into Donna and you could see how things could quickly turn bad.
But Syd saved the Bears, once again. She got Carmy out of there, talked to Donna and made her feel normal.
That was kind of the whole point of the "Bears", Syd always saves the day and keeps everyone in check and keeps the Berzatto's together. She's the peace that was missing from that family.
Syd is the bear. Syd is the peace. While Claire could barely even manage to get on kid out from under the table, Syd basically saved Richie, Carmy, and Donna from a crash out.
Just noticed that when Sydney mentions Claire, the background noise for Carmy becomes horns, sirens and vehicle buzzing. And after she says she appreciates him, the background noise for him is mostly the birds chirpingđĽş
My hobbies include reading, writing and doing neither of those things

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Guys.
Does the blue bear on the floor next to a dish have a torn bleeding heart, or am I seeing things?
That must be deliberate [The dish Sydney ate at Empire (bleeding heart)]
"I like this"
One of the things I noticed about The Bear is that every first episode has a SydCarmy moment that defines the rest of the season. It is always a moment where it is just the two of them, and what happens usually has a major effect on how the season turns out. First season it was the meeting between Carmy and Sydney, and it was her being hired on at The Beef that finally got the restaurant moving in a direction of professionalism. In the second season, it was Carmyâs failed attempt at asking Sydney out in the first episode, and that failure lit a fire in him that helped kickstart a speedy reconstruction of their new restaurant. Third season, it was Sydney and Carmy together after he got out of the freezer, and it was her disapproval of Carmy contacting Claire and trying to make up with Richie, that ended up building up his guilt towards Claire, which added on to so many of his other traumas that he was refusing to deal with.
This time around, the defining SydCarmy moment of season 4 epi. 1 was a very poorly timed confession. In the start of their conversation, Carmy apologizes for not being good enough, which Sydney disagrees is the source of the problem. Here, she speaks frankly. Itâs the chaos that the article speaks of, and she tells Carmy how she does not like it either. Who is the main source of the chaos- Carmy. Carmy is hearing a double meaning. You donât like Chaos and IâM the chaosâŚso you donât like me? He tries to get confirmation. Does she really associate me with chaos, which she just admitted to not liking? He then asks her if she thinks he likes chaos. She pretty much confirms his fears when she tells him how he could be so good if he didnât have this need for mess. He is the chaos, the thing she openly states that she doesnât like. And that hurts him. Badly. He tells her:
âCongrats. That knocked the wind right out of me.â
Sydney is confirming his worst fears. That she doesnât feel the same way about him. And that hit him right in his soul. Sydney, at that moment, doesnât understand the enormity of what this moment is feeling like for him, and she continues on with the conversation about his love of chaos:
âYou donât need it.â
And Carmy really replies with âAir?â because the dude is truly stunned at this moment.
As the conversation continues, Carmy tries again to defend himself about how he doesnât like dysfunction. He is trying to convince her that that is not him, do not associate me with something you donât like. When Sydney asks what does he likes, he takes it upon himself to push further, further than he ever gone before with her because he truly thinks that she is confessing her dislike of him. He tells her âI like thisâ, what they have, being together at this moment. He likes HER. But Sydney scoffs at it and criticizes his deliveryâŚand Carmy took that as confirmation of his worst fears. He ducks his head and tells her âThat hurtâ, and after she walks off, he stares longingly at her, eyes slowly watering.