Finally I sewed cuffs!
Above you can see examples of different women portraits I used.
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@racinetandthecostume
Finally I sewed cuffs!
Above you can see examples of different women portraits I used.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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After researching other paintings from the first half of the 17th century, I decided to make one of these beautiful headpieces.
However the really interesting thing is the metal frame underneath. These were called "oorijzer / Ohreisen" (eariron).
These examples are originals which I used as a template. Looking for suitable material I ended up using a wire from the hardware store (ðŸ¤ðŸ˜„) ...
I attached glass beads to the wire. In the end, these are the only visible.
For a long time, my mother and I wanted to sew a second dress from the 17th century. So I started researching and initially decided on this type of bodice.
However, this is from the second half of the 17th century and I wanted to orientate more in the middle of the century. I searched for more paintings that fitted in the time span I set and quickly fell in love with Vermeer.
We decided to work mainly with these two paintings, although I could find other paintings in which women wore very similar yellowish bodices.
These are the results:
Robe a la francaise ca. 1755
From the Museo di Roma
Robe à la française, 1760-75
From Historic Deerfield Museum

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Working on a ruff.
Hairstyle after Wenzel Hollar, 1645.
Robe à l’anglaise retroussée ca. 1780
From Cora Ginsburg
Carnevale 2019 Venice

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