Game of Thrones Daily

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Sweet Seals For You, Always

izzy's playlists!

Kaledo Art

Andulka
"I'm Dorothy Gale from Kansas"

shark vs the universe

titsay
noise dept.
we're not kids anymore.
Show & Tell
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$LAYYYTER

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@quixoticshadow

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May you have the courage to disappoint people who benefit from your self-abandonment.
becoming an adult cheat sheet!
learn to coupon
what to do when you can’t afford therapy
cleaning your bathroom
what to do when you can’t pay your bills
stress management
quick fix meals
find out if you’re paying too much for your cell phone bill
resume workshop
organize your closet
how to take care of yourself when you’re sick
what you should bring to a doctor’s appointment
what’s a mortgage?
how to pick a health insurance plan
hotlines list
your first gynecology appointment
what to do if the cops pull you over
things to have in your car in case of emergency
my moving out masterpost
how to make friends as an adult (video)
how to do taxes (video)
recommended reads for surviving adulthood (video)
change a flat tire (video)
how to do laundry (video)
opening a bank account (video)
laundry cheat sheet
recipes masterpost
tricks to help you sleep more
what the fuck should you make for dinner?
where should you go for drinks?
alcohol: know your limits
easy makeup tips
find seat maps for your flight
self-defense tips
prevent hangovers
workout masterpost
how to write a check
career builder
browse careers
birth control information
financial management software & app (free)
my mental health masterpost
my college applications masterpost
how to jumpstart a car
sex ed masterpost
reblogging for whomever needs it
Hélène Cixous, from The Laugh of the Medusa
Text ID: Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies ... Writing is for you, you are for you; your body is yours, take it.
“Visible Light” series by Alexander Harding

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Milena Jesenská’s obituary for Franz Kafka
Joy Sullivan, "Howl", Instructions for Traveling West
Ph. Maisie Cousins
Ghosts on a Tree (1933)
— by Franz Sedlacek
Miller's Girl (2024)

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Sally Wen Mao, from "The Peony Pavilion"
(by __s____o)
Bless the Daughter Raised by a Voice in Her Head, Warsan Shire
[Text ID: I’ll rewrite this whole life and this time there’ll be so much love, you won’t be able to see beyond it. /End ID.]
Jeremy Radin, from "Lazar Wolf the Butcher" (poem written during staging of Fiddler on the Roof at Paper Mill Playhouse, shared on his IG page) [ID'd]
“Fairy tales — the proper kind, those original Brothers Grimm and Hans Christian Andersen tales I recall from my Eastern European childhood, unsanitized by censorship and unsweetened by American retellings — affirm what children intuitively know to be true but are gradually taught to forget, then to dread: that the terrible and the terrific spring from the same source, and that what grants life its beauty and magic is not the absence of terror and tumult but the grace and elegance with which we navigate the gauntlet.”
— Maria Popova, “The Importance of Being Scared: Polish Nobel Laureate Wisława Szymborska on Fairy Tales and the Necessity of Fear” (via soracities)

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Absolutely insane lines to just drop in the middle of an academic text btw. Feeling so normal about this.
[ A Critical History of English Literature, Vol. 1, Prof. David Daiches, first published in 1960 ]
Danser avec son fantôme, Elisabeth Perrault, Pangée, Montreal, 2023