the universe sings for you, and you sing for it too.
Stranger Things

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@qiitian
the universe sings for you, and you sing for it too.

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❛ because i prayed this word : i want ❜
“ want is a dangerous word, ”
but then what isn’t? do, not do; love, not love; hate, not hate; kill, not kill – each with their distinctive butterfly effect, too shapeless to grasp. eyes glow – no, in fact, they burn – as focus sharpens, all landing on the mortal’s lop-sided smirk. “ what if you do get what you want? what then? ”
depending on his answer, wukong just might grant his wish.
no party for cao dong is a whole wukong mood
[ID: excerpt from “The Brown Menace Or Poem to the Survival of Roaches,” Audre Lorde
‘your itch to destroy the indestructible part of yourself.’]
I am healing from the emptiness I once felt.
juansen dizon (via juansendizon)

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hngdmrgo:
before margo could turn away completely, wukong’s pleads quickly brought her back around with a sulking cringe stewn across her expression as she looked from him to the unconscious police officer at wukong’s feet and then back at wukong again. " dude ! i don’t like cops either, but you can’t just clock 'em in the face ! " margo hissed urgently, she blew out an anxious breath and clapped her hands together in front of her. " okay. okay, we can fix this. first . . . we need to make sure his vest cam didn’t just send your face to every cop in the city. "
“ in my defense, i knew that. ” he holds up a finger, as though knowing what he did was wrong gets him brownie points. “ okay, that probably makes it worse, but what is done is done. ” he steps back to allow her enough space to inspect the situation, and the unconscious grunts. it took immense restraint not to kick him, hard. ( you know, just to make sure he stays unconscious. ) wukong crouches then, looking for the camera margo mentioned. he taps along the man’s vest until he hits solid. “ this thing? ” he glances up. “ do i take it or break it? ”
please say break, please say break, please say break--
princess iron fan
“ memories have texture, ” he tells the other, a rare trace of serenity in his dark eyes. “ memories have taste. distinctive, unmistakable. even after eons. ” he pauses at every few words, eyes closing before sucking in a deep breath. “ i had this friend, bull, and he had a wife, iron fan. she was a princess with quite a temper. when i think of her, i smell fire. i taste bread. rough, burnt, charcoal bread. she didn’t like me much, thought i meddled with her family business. and i did, i guess. i tried to stop bull from killing people, and then their child, red.”
he stops there, and does not continue for a small moment. “ i did break up her family, after all. and i never apologised. ”
Well, didn’t you get my text?

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“ well . . . SHIT. ” margo held her hands up and provided a full body shrug as she leaned back and blew out a raspberry for added effect. eloquence, thy name be margo. the witch smiled and placed her hands on her hips while surveying the situation with all of the professional attention of a third party watching a disaster happen right in front of their eyes. “ i see you have this all handled so i’m just gonna . . . go. ”
open starter
“ wait, wait, wait-- margo, my sweet, sweet margo, ” not many have brought wukong to plea, fewer still have pressed his hands together as though praying to a god. “ i need a way out of this without alerting the cops. ” he tilts his chin towards the side, where an officer lays face down, blacked out, next to his feet. he gives her a shrugging grin, “ my bad, i know. please? ”
Like a god, / I believe in nothing.
Tracy K. Smith, from “Nocturne: Andalusian Dog,” Duende (via lifeinpoetry)
Like a god, / I believe in nothing.
Tracy K. Smith, from “Nocturne: Andalusian Dog,” Duende (via lifeinpoetry)
i love him
A lifetime to you is a blink of an eye to me.

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i’ve killed myself many times. i haven’t died yet. i’ve died for men. many times. they do not call me savior. i don’t know this song. the words don’t translate. the melody, a pianist’s trembling hands. or was it dancing. i familiar the wind. that wind, a kind of language. you can touch. the language escapes me.
— George Abraham, from “Ars Poetica With Waning Memory,” published in The Shallow Ends
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