the universe sings for you, and you sing for it too.
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@qiitian
the universe sings for you, and you sing for it too.

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â  because i prayed this word :  i want  â
â want is a dangerous word, âÂ
but then what isnât? do, not do; love, not love; hate, not hate; kill, not kill â each with their distinctive butterfly effect, too shapeless to grasp. eyes glow â no, in fact, they burn â as focus sharpens, all landing on the mortalâs lop-sided smirk. â what if you do get what you want? what then? â
depending on his answer, wukong just might grant his wish.
no party for cao dong is a whole wukong mood
[ID: excerpt from âThe Brown Menace Or Poem to the Survival of Roaches,â Audre Lorde
âyour itch to destroy the indestructible part of yourself.â]
I am healing from the emptiness I once felt.
juansen dizon (via juansendizon)

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hngdmrgoâ:
  before margo could turn away completely, wukongâs pleads quickly brought her back around with a sulking cringe stewn across her expression as she looked from him to the unconscious police officer at wukongâs feet and then back at wukong again.  "  dude !  i  donât  like  cops  either,  but  you  canât  just  clock  'em  in  the  face !  "  margo hissed urgently, she blew out an anxious breath and clapped her hands together in front of her.  "  okay.  okay,  we  can  fix  this.  first  .  .  .  we  need  to  make  sure  his  vest  cam  didnât  just send  your  face  to  every  cop  in  the  city.  "
â in my defense, i knew that. â he holds up a finger, as though knowing what he did was wrong gets him brownie points. â okay, that probably makes it worse, but what is done is done. â he steps back to allow her enough space to inspect the situation, and the unconscious grunts. it took immense restraint not to kick him, hard. ( you know, just to make sure he stays unconscious. ) wukong crouches then, looking for the camera margo mentioned. he taps along the manâs vest until he hits solid. â this thing? â he glances up. â do i take it or break it? â
please say break, please say break, please say break--Â
princess iron fan
â memories have texture, â he tells the other, a rare trace of serenity in his dark eyes. â memories have taste. distinctive, unmistakable. even after eons. â he pauses at every few words, eyes closing before sucking in a deep breath. â i had this friend, bull, and he had a wife, iron fan. she was a princess with quite a temper. when i think of her, i smell fire. i taste bread. rough, burnt, charcoal bread. she didnât like me much, thought i meddled with her family business. and i did, i guess. i tried to stop bull from killing people, and then their child, red.â
he stops there, and does not continue for a small moment. â i did break up her family, after all. and i never apologised. â
Well, didnât you get my text?

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       â well . . . SHIT. â  margo held her hands up and provided a full body shrug as she leaned back and blew out a raspberry for added effect. eloquence, thy name be margo. the witch smiled and placed her hands on her hips while surveying the situation with all of the professional attention of a third party watching a disaster happen right in front of their eyes.  â i see you have this all handled so iâm just gonna . . . go. â
open starter
â wait, wait, wait-- margo, my sweet, sweet margo, â not many have brought wukong to plea, fewer still have pressed his hands together as though praying to a god. â i need a way out of this without alerting the cops. â he tilts his chin towards the side, where an officer lays face down, blacked out, next to his feet. he gives her a shrugging grin, â my bad, i know. please? â
Like a god, / I believe in nothing.
Tracy K. Smith, from âNocturne: Andalusian Dog,â Duende (via lifeinpoetry)
Like a god, / I believe in nothing.
Tracy K. Smith, from âNocturne: Andalusian Dog,â Duende (via lifeinpoetry)
i love him
A lifetime to you is a blink of an eye to me.

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iâve killed myself many times. i havenât died yet. iâve died for men. many times. they do not call me savior. i donât know this song. the words donât translate. the melody, a pianistâs trembling hands. or was it dancing. i familiar the wind. that wind, a kind of language. you can touch. the language escapes me.
â George Abraham, from âArs Poetica With Waning Memory,â published in The Shallow Ends
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