A Passing Tale

First of all: If there is any chance at all, you need to watch it on the big screen. It was made for the big screen. It's so, so epic!

I went in with high expectations. And I was still blown away!

If you've read the book: The movie is nothing like the book. But at the same time, it's still clearly The Legend of the Condor Heroes. The movie takes bits and pieces of the book, really just a small part of the whole, and not even the main parts, rearranges them, re-interprets them, adds something new, and just makes the story its own. It's still Legends of the Condor Heroes. But it's also a brand new story. I'm glad I read the books, because I think some of the flashbacks might have made more sense to me, and some of the relationships made have had more of an impact for me. But because so much was so different, the storyline was still surprising for me. Familiar, but also not at all, in the best way possible.

Same for Xiao Zhan's Guo Jing. He was undeniably Guo Jing, but Xiao Zhan - with the help of the script and director, obviously - made Guo Jing his own. Turned him into his own character, his very own, fresh version of Guo Jing. (Side note: I tried watching one of the TV versions not long ago, but had to give up a few episodes in, because the story was almost 100% faithful to the book, but felt wrong. Here the story was different from the book, but felt right).

I did not expect the movie to put such a focus on the love story. The first part basically has the love story at the heart of everything, and builds the rest of the story around it. And it works! Because it's really well done, and because all characters involved, Guo Jing, Huang Rong and also Huazheng, are all amazing characters in their own rights. Love, love, love the interactions between the two girls in particular. Love both girls, period.

All the important characters are memorable, actually: Temujin, Tolui, Guo Jing's mother, Ouyang Feng, the beggar clan...

The movie is surprisingly funny at times, even at times when you don't expect it, but even then it just works and fits seamlessly into the moment. My very favourite surprisingly funny moment: Guo Jing's "I cannot believe that actually worked" face. You'll know it when you see it.

And it's super, super epic. The fight scenes, the effects, I don't think I've ever seen anything quite like it before.

Also, don't forget to stay through the credits.

There's so much more, but that's all I have for now. I'm still feeling pretty overwhelmed and very, very grateful I got to see it on release day, on the big screen. And that I'll get to see if several more times, so I can pay more attention to the details, and give everything more time to truly sink in.

In order to make sense of and come to terms with this issue we each need to find the right balance between upholding our own values and respecting the values of others. That's bound to be a tricky process because we're each coming from a different region, with different backgrounds, experiences and perspectives on the world.

Each of us will have a different degree of empathy and alignment toward one or more of the various stakeholders in the situation as well, based on our own experiences, interests and values.

In other words, it's complicated.

It is true that for some people, hearing so many white Westerners say that a Chinese man half a world away 'needs to be educated' on any topic might legitimately feel distasteful and wrong. There is this Western conceit that our values and way of life are superior and obviously correct, and that other nations are just 'behind us' in heading toward the same goals*.

*Although the same is also true going East to West.

It would be totally understandable if some people were to reject the Westerners' characterization of this issue and say that the choices that led to blackface being used in this film are not our choices to make. After all, the filmmakers are telling a Chinese story to a Chinese audience, and they know best how to go about that.

Fair enough. But...

Speaking of colonialism

While we're on the topic of colonialism shouldn't we also be talking about China and its role as a neocolonial power in Africa? As I said in my previous post, it's not really fair for us to look at things solely from our own perspective and in the context of the cultural environment we are in rather than considering the cultural environment this film was made in.

Have you heard of the Belt and Road Initiative? Actually you don't need to answer that question, because almost every turtle has definitely heard of it. GG sang a beautiful song in celebration of that initiative not that long ago, complete with a video highlighting some of the major projects involved.

I didn't post that video on my blog, but you can watch it here. All the bridges, trains and other infrastructure you can see in the video are projects from the Belt and Road Initiative; China investing across Asia, Africa and other regions to improve transport and trade (and to build on China's power globally).

I'm no @potteresque-ire, so I'm not going to break it all down in a meticulous, intelligent, well-cited masterpiece, but you can learn a bit more about it here. There are also countless online articles, papers, analyses, critiques, accolades, etc. from every possible angle out there if you want to dig deeper.

Some of the core strategy of the initiative involves proposing massive infrastructure projects in poor regions, loaning them the money to make the projects happen (loans in the billions), and stipulating that the contracts must be completed by Chinese companies. Resulting in countries with shiny new railways and hospitals built and paid for by the Chinese government and Chinese corporations, with these countries massively in debt to China for many decades to come and with deep trade ties to China.

Depending on who you ask, Belt and Road is either an exploitative, environmentally disastrous neocolonialist power/resource grab, or it's an innovative unifying effort to improve the lives and trade of its member nations.

I personally feel its a bit of both.

Whichever it is, it does have a very dark side. There have been many stories coming out of these regions, telling about slave-like working conditions and horrific abuse from the Chinese contractors toward their African workers. I made the mistake of researching this and let me just say that what I've seen cannot be unseen. There is a reason people make snide jokes about the "belt" in Belt and Road.

And that's just the Belt and Road Initiative. There are a lot of other Chinese individuals and companies going into regions across Africa to take advantage of the people and resources for their own monetary gain. I posted about one such example the other day.

So in considering imperialistic attitudes it's only fair to reflect on what it might mean for a Chinese person to wear an African ethnicity like a costume, in a country that is frequently racist toward Africans and which is thought by many to be exploiting African nations with a form of neocolonialist debt slavery.

Particularly when said costume leads to a massive increase in the amount of racist posts on Chinese social media, and with a tone of raucous mockery and disdain.

We should consider the impact of this film on Chinese attitudes toward Africa and Africans. Based on what I've seen on Weibo, in various articles and on international social media it seems like there is a strong colonialist 'white savior' narrative coming out of this film; glorifying China as swooping in and saving these helpless Africans.

Taken alongside the horrible racism of Chinese audience reactions to the blackface, I don't think looking at it through 'the other lens' gives us a prettier picture.

If the primary category of people who are not offended by this tend to be audiences who are reacting with racist mockery, then a deeper reflection needs to happen.

All that aside, DD isn't working in a vacuum. He has been actively cultivating an international audience and working closely with international brands. He doesn't have the luxury of ignoring Western values if he wants to continue down that path.

And let's not forget that the culture he's so enamoured of is black American culture. If he loves Western hip hop culture so much it would behoove him to better understand and support the people at the root of that culture. The people who literally made it possible for him to find and enjoy that culture.

DD is a good person at heart. I feel that participation in cultural harm is beneath his dignity, and not something he'd consciously choose to do if he had a better understanding of the impacts.

When it comes to culture clash and differences in values it's also important to remember that while everyone is free to make their own choices about what they say and do, so too is everyone else free to make their own choices about how to respond to what that person says and does.

DD is a massive star, so his behavior and choices go far beyond his own cultural environment. It's inevitable that some people are going to have different takes on it all.

And I don't feel like people are telling DD what to do, so much as they're talking about what he needs to do in order to maintain their support. They're drawing out the boundaries of what they deem acceptable as fans. From there everyone has their own choices to make, including DD.

My own position

Here's the thing: I've come under loud, vehement fire from black fans for not taking a strong enough stand on this issue, while some other fans feel I'm being too hard on DD. Now you're saying I should consider the colonialist angle and reflect on whether it's even appropriate for me to think DD has anything to learn.

I can only ever be myself, and speak and act from my own values. I will always think for myself and take my own positions, no matter how unpopular they are and no matter how harshly people attack me for it (and they have).

I am capable of holding multiple conflicting perspectives in my heart and feeling compassion for them all.

I empathize with black people who ***for fuck's sake!!*** have been so thoroughly fucked over on every level and in every possible way by people around them who just don't get it about racism. Who just don't get how deep and broad and far-reaching it is and about how soul-destroying it is to live in a world where this shit is normalized.

I can't even begin to imagine how hard it must be to be a black fan who loves DD and then see him in blackface, and then watch all the fans try to gloss over it as though it doesn't matter.

I empathize with Chinese fans who are in most cases probably not at all ill-intended, whose reactions came honestly even if they were jarring to Western fans, and who have mostly found this story and its telling both exciting and moving.

I empathize with diaspora fans who are having to deal with a whole bunch of sanctimonious lectures about who DD should be and what he should think, say and do.

I empathize with the filmmakers, who after all were probably just trying to give an accurate retelling of something that actually happened in real life.

I empathize with DD, who was likely doing what was requested of him and probably didn't realize that it would turn out to be so controversial or negatively impact so many people.

Anyone who can say with a straight face that they think DD would ever intentionally or knowingly do something that would be this controversial or that would be hurtful to so many of his fans can KMA. That's not the kind of person DD is at all.

Blackface is a huge deal here in the West, and even people in this region are constantly getting it wrong. How can we expect people in regions where it's seen differently to do better than people here who are steeped in awareness*?

*And before anyone says that cultural relativism is such that only people in the West really think blackface is wrong, why not try talking to some of the African fans who've been deeply upset by this?

This is what it is to live in the world. Life is complex, and people are messy. Like I said before; nothing is black and white. Everything is a million shades and hues. As much as people will try to oversimplify the issue and try to intimidate us into taking 'their side', or try to punish and attack us for not doing so, we can only ever live by our own conscience.

No matter how much pressure I come under to condemn one of the individuals or groups I listed above, I will refuse to do so. My conscience tells me to be compassionate and understanding to all of them, and that everyone is always doing their best.

Merci pour cet échange d'idées intéressant. 💛.