art blog(derogatory)
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PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open

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@projectburnt

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Friday Advice
log off enter river of choice become unbothered mammal
"What does this have to do with politics??" *Posts soviet suprematist painter Malevich*
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed, "Everything which we loved is lost. We are in a desert. . . . Before us is nothing but a black square on a white background!" "Withering" words were sought to drive off the symbol of the "desert" so that one might behold on the "dead square" the beloved likeness of "reality" ( "true objectivity" and a spiritual feeling). The square seemed incomprehensible and dangerous to the critics and the public... and this, of course, was to be expected. The ascent to the heights of nonobjective art is arduous and painful... but it is nevertheless rewarding. The familiar recedes ever further and further. into the background... The contours of the objective world fade more and more and so it goes, step by step, until finally the world-"everything we loved and by which we have lived" becomes lost to sight. No more "likeness of reality," no idealistic images-nothing but a desert! But this desert is filled with the spirit of nonobjective sensation which pervades everything. Even I was gripped by a kind of timidity bordering on fear when it came to leaving "the world of will and idea," in which I had lived and worked and in the reality of which I had believed. But a blissful sense of liberating nonobjectivity drew me forth into the "desert," where nothing is real except feeling... and so feeling became the substance of my life. This was no "empty square" which I had exhibited but rather the feeling of nonobjectivity. I realized that the "thing" and the "concept" were substituted for feeling and understood the falsity of the world of will and idea. Is a milk bottle, then, the symbol of milk? Suprematism is the rediscovery of pure art which, in the course of time, had become obscured by the accumulation of "things." It appears to me that, for the critics and the public, the painting of Raphael, Rubens, Rembrandt, etc., has become nothing more than a conglomeration of countless "things," which conceal its true value the feeling which gave rise to it. The virtuosity of the objective representation is the only thing admired. If it were possible to extract from the works of the great masters the feeling expressed in them-the actual artistic value, that is-and to hide this away, the public, along with the critics and the art scholars, would never even miss it. So it is not at all strange that my square seemed empty to the public. If one insists on judging an art work on the basis of the virtuosity of the objective representation-the verisimilitude of the illusion and thinks he sees in the objective representation itself a symbol of the inducing emotion, he will never partake of the gladdening content of a work of art.
Suprematism
Kasimir Malevich, 1927
Чистый Красный Цвет (Pure Red Color)
A. Rodchenko, 1921
And so the Constructivists working with the surface plane, despite themselves, confirmed the representational, of which their constructions were an element. And when the artist really wanted to get rid of representation, he achieved this only at the cost of destroying painting and only at the cost of destroying himself as a painter. I am referring to the canvas which Rodchenko offered to the attention of an astonished public at one of this season's exhibitions [5x5 = 25, 1921]. This was a smallish, almost square canvas painted entirely in a single red colour. This canvas is extremely significant for the evolution of artistic forms which art has undergone in the last ten years. It is not merely a stage which can be followed by new ones but it represents the last and final step of a long journey, the last word, after which painting must become silent, the last 'picture' made by an artist. This canvas eloquently demonstrates that painting as a figurative art - which it has always been - is outdated. If Malevich's Black Square on a White Background, despite the poverty of its artistic meaning, did contain some painterly idea which the author called 'economy', 'the fifth dimension', then Rodchenko's canvas, which is devoid of any content, is a meaningless, dumb and blind wall. However, as a link in the chain of development, viewed not as a self-contained value (which it isn't) but as a stage in evolution, it is historically significant and 'marks an epoch.’
From the Easel to the Machine
Nikolai Tarabukhin, 1922
the issue with growing up in the 2000s and 2010s was like there was this really big push toward "accepting your weirdness" overall but they meant like idk wearing mismatched socks or something not being tangibly beyond the norm in any way shape or form

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Reblogging this manually. Op doesn't want credit for fear of being terminated.
amen. Nobody can see it under my hoodie so put it on the front!
USAmericans, how proud are you of the US/of your American-ness?
10/10! Best place on Earth!
9/10! Extremely proud, there are almost no faults
8/10, very proud, there are a few issues here and there
7/10, moderately proud but aware of several problems
6/10, proud but I acknowledge there are significant issues
5/10, neutral/equal amounts of issues and redeeming qualities
4/10, somewhat critical, more issues than there are things to be proud of
3/10, very critical, the glaring issues overshadow the good qualities
2/10, highly critical, there are very few redeeming qualities
1/10, I'm not really proud to be an American, major systemic issues
0/10. Worst place on Earth.
I'm not from the US/show results
We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
“temple to gods i no longer worship.” Slaps so hard. That’s some king in yellow shit right there. The deity has long passed but this corpse lives on as something else.
cant stop thinking about this video
For context this was in response to someone saying their cybertruck was heavy duty
oh no no NO no no I am sorry my dear @thebirdtm you are NOT underselling one of the most seminal pieces of television of my entire childhood like that on MY watch.
"How is claiming they drowned a Hilux possibly underselling it" GREAT question.
To start with a little disclaimer, Top Gear's Hilux did not start off, as in the video above, in pristine condition. It started off with nigh-on 300k kms (for you yankees, that's about 8.4 million Boeing 737 wingspans) and a condition to match.
And it's only once careless driving around town yielded zilch in given shits...
(look, I found a local newspaper picturing it being driven around!)
...that they decided to drown it. Now, the underselling part: if you told me that they drowned a pickup the first place my mind would go to would be "driving it through a river a bit too deep for it, perhaps as deep as its height, until it stalls and then tugging it back out. You will concede that's rather different from tying it down on the seashore with the second highest tide in the world...
...and leaving it there until it engulfs the whole truck...
...only for the ropes to snap...
...and for the truck to be lost to the tides for FIVE HOURS.
(and for those wondering, yes, just as promised, well within an hour and the mandatory limits of basic tools and no spare parts, up the mechanic made the thing fire and away the presenter drove it - I must imagine doing a number on his clothes in the process.)
Oh also I would have mentioned the caravan.
Or at least the wrecking ball.
But hey, at least the fire was mentioned.
Still, I feel it's criminal to leave out how they celebrated it surviving all it did: by parking it at the top of a 23 story building for all to see! :)
Wait NO-
Well, that was uncalled for. Given what it survived, it deserved to rest in a museum instead of being unceremoniously cleared out with the other chunks of public housing that buried it.
Or at least, given that buried it wasn't...
...to be tumbled down from the rubble utop which it sat...
...and be fueled up.
"be fueled up", pfft, what for?, I hear you say. And you are right.
Look at that thing, you say.
Let's be serious now, however pretty of a story it would be that's not a truck that will do anything remotely in the ballpark of firing up, let alone running.
And again, you are right.
The battery was disconnected.
Sorted that, tho
"You can't be serious." Oh darling I sure can! "Well the presenters can't then" no no, I assure you, it lived. Go see it for yourself! It's at the National Motor Museum in Beaulieau, England!
I grew up watching Top Gear and it shaped me in many ways. My adoration of old Toyota Hiluxes is one of them.
The Toyota Hilux is absolutely the small god of endurance and defiance (and possibly masochism).

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been listening to a lot of Terry Pratchett audiobooks at work lately, the latest being The Last Continent, one of my favorites. So I had to draw Rincewind and his Luggage
just a wizzard and his mystical trunk
stole a baby goat. they call that kid kidnapping.
as newspapers today dont tend to hire children, a modern day Tintin would run a clickbait YouTube channel, except the clickbait is 100% real every single time
he starts off as an irritating conservative pundit at 14, meets Chang then leaves the think tank paying him and launches his own independent channel and blows up shortly after. Chang helps with video editing and managing his socials and they often chat on video calls between adventures. Haddock, his foster dad, has absolutely no knowledge of his earlier videos.
Clive Barker (b. 1952) - Wild Dog, 2005

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