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Norman Lindsay, Enter the Magicians, 1927
Emile Robert circa 1900, wrought iron gate in the shape of a butterfly

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Edward Burne-Jones [English. 1833-1898] The Wheel of Fortune c.1875-1883 ___
“My wheel of fortune is a true image, we take our turn and we are broken,” is not that a strange consideration of Edward Burnes Jones?
The man is condemned to the wheel … Old torment, allegory revisited, hidden esotericism, the human condition turns on itself. Fall in perpetuity, dreamlike ascent, only the ancient Fortune decides, eyes closed. In turn, king, poet, slave, a camouflage of brown ochres rhythm the turn of destinies.
Burne-jones was a theological student in Exeter where he met William Morris, and together they met Rossetti, a painter of Italian origin by his father. They will form the first nucleus of the Pre-Raphaelite group. This movement favored the emergence of various personalities because the differences in style between these artists are considerable even if they all refer to the same periods of the art of painting, medieval, first renaissance mainly. This group of English artists is called the Pre-Raphaelites.
3409 ] p h o t o m a r c [ © 2017
Lalique Limited Edition Colorless and Opalescent Blue
“Northern Light, Sweden“ (Norway, 1893) Oil on canvas, By Fritz Thaulow

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French crossbow attributed to Francois Aubert, circa 1720.
On display with the Wallace Collection
Tiffany handgun
Relógios - Antique Clock in London, England.
Sunburst, early 20th century (gilt and cold-painted bronze, onyx base)
Demétre Chiparus (1886-1947)

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Medallion with the Bust of Athena
circa 150 BC From the Archaeological Museum of Thessaloniki; On view in the exhibition, “Power and Pathos: Bronze Sculpture of the Hellenistic World” at Palazzo Strozzi and after the Getty
Womb and Fetus Drawing by Leonardo da Vinci.