ArtfulDodger

saying "it's okay. I'm only human" before glancing at a nonexistent audience with a slight smirk and a twinkle in my eye (the twinkle is an asterisk) (when you go to read the footnote attached it just says "in the beautiful garden of his imagination he is also another thing as well")

just got tingles down my spine this is some crazy poetry

saying "it's okay. I'm only human" before glancing at a nonexistent audience with a slight smirk and a twinkle in my eye (the twinkle is an asterisk) (when you go to read the footnote attached it just says "in the beautiful garden of his imagination he is also another thing as well")

i do think what gets ignored about carrie as a character is that she’s an incredibly easy target to bully; she’s a chubby, sheltered acne ridden teenage girl who wears frumpy grandma clothes and regurgitates the jesus freak shit her violently abusive mother tells her. she has violent thoughts about her classmates and is uncomfortable to be around. she’s far more interesting being a victim that’s somewhat uncomfortable to be in the head of than a tragic waif. she’s not a martyr, she’s a child and a child who’s been victimised her whole life shouldn’t have to be kind and angelic to be recognised as a victim. suffering teenage girls shouldn’t just be presented on screen as toned down glamorous thin ophelias, suffering teenage girls can be fat and poor and think violently. i do think we need to examine why culturally we need teenage girls to be beautiful and kind to valorise their suffering and treat it as bad

GINGERBARTSSSS You amaze me 💖💖💖❤️‍🔥❤️‍🔥

just got asked "sorry, are you a man or a woman?" over the phone and I just said "ahh that's not important right now" but when I got off the phone I went TEEEE HEEE HEEEEE and skipped around. very masculine behaviour. never beating the nonbinary allegations am I

Something I had to unlearn: giving your character a tragic backstory is not the same as giving them a wound. A backstory is just information. A wound is the thing that makes them flinch at something totally unrelated fifteen chapters later and the reader goes "oh." If the backstory doesn't leave a nerve ending somewhere in the present-day plot, cut it. Nobody needs the trauma. They need the flinch.

If you see this you’re legally obligated to reblog and tag with the book you’re currently reading

the mad ship, in the Liveship traders trilogy by robin hobb. AMaazing Read would deeply recommend. As always with her stuff it is ruining my life. I am non functional until I finish them

damn they ain't lying, it is like talking to a fucking genie with you people.

jensen ackles doing so much in that hanging himself gif he shouldve been a mime instead of the world’s first omega