No offense but do y'all have to be validated for EVERY fucking thing?
d e v o n
Monterey Bay Aquarium


if i look back, i am lost
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PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies
will byers stan first human second
"I'm Dorothy Gale from Kansas"
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Kiana Khansmith
he wasn't even looking at me and he found me
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taylor price

Origami Around
noise dept.

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2025 on Tumblr: Trends That Defined the Year
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@pradafiles
No offense but do y'all have to be validated for EVERY fucking thing?

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Lindsey Wixson for the @allureā January 2017 issue, photographed by Nicolas Kantor and styled by Catherine Newell-Hanson
Natalia Vodianova / W Magazine December 2012 Ā āSleep No Moreā Ā by Mert & Marcus

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Louis Vuitton Cruise 2016 Lookbook by Juergen TellerĀ
Alexander Wang S/S 2017 Beauty

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imagine getting dragged this hard by your own brother
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Amazing!!!
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#Gone Girl (2014)
RNC attendees tried to hide a demonstratorāsĀ āNo racism, No hateā sign with an American flag. Clearly they failed to see the irony. The protester was from the Code Pink group ā who havenāt beenĀ slowed down by this at all.
Using an American flag to cover up someone calling for an end to racism and hate is the best metaphor Iāve seen in a long time for the GOP.
āMerica! Where a message reading no hate is deviant

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GIRLS ON FIREĀ
BanksĀ Fuck With Myself (2016) Tinashe for Dazed (2015) Megan Fox in Jenniferās Body (2009)
What effects on fashion did AIDS have? Did people start to express their sexuality through their clothes instead of actual sex? (Thanks, Tom Ford)
The idea ofĀ āactingā your sexuality is interesting, but Tom Ford is way, way post-AIDS. Or at least post AIDS hysteria. The place to look at is the early to mid 1980s, when you had the cartoonish sexuality of Mugler and that hard, aggressive Montana woman, who looked like her sexuality could kill you. And there was also Yohji and Comme, whose clothes were desexed; and Westwood and Lacroix, escaping into history. Which fashion often does. I think Gaultier is very interesting in that cultural landscape, because he was articulating an overt gay sexuality at a time when it wasnāt just seen as subversive and different, but actually threatening. But he also cast real people as his models - he championed reality, and humanity. I wonder if that was a reaction to AIDS, even if unconscious? What Gaultier did in the 1980s was very powerful, and very different.Ā
herb ritts and bruce weber, too, are very important in the aesthetic landscape of AIDS