No offense but do y'all have to be validated for EVERY fucking thing?
Jules of Nature
Cosmic Funnies
Sade Olutola
i don't do bad sauce passes

Origami Around
$LAYYYTER
Sweet Seals For You, Always

JBB: An Artblog!
Alisa U Zemlji Chuda
noise dept.
2025 on Tumblr: Trends That Defined the Year

YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

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@pradafiles
No offense but do y'all have to be validated for EVERY fucking thing?

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Lindsey Wixson for the @allureâ January 2017 issue, photographed by Nicolas Kantor and styled by Catherine Newell-Hanson
Natalia Vodianova / W Magazine December 2012 Â âSleep No Moreâ Â by Mert & Marcus

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Louis Vuitton Cruise 2016 Lookbook by Juergen TellerÂ
Alexander Wang S/S 2017 Beauty

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imagine getting dragged this hard by your own brother
Promotional Imagery for YSL Beauty
Amazing!!!
đŤđˇ
#Gone Girl (2014)
RNC attendees tried to hide a demonstratorâs âNo racism, No hateâ sign with an American flag. Clearly they failed to see the irony. The protester was from the Code Pink group â who havenât been slowed down by this at all.
Using an American flag to cover up someone calling for an end to racism and hate is the best metaphor Iâve seen in a long time for the GOP.
âMerica! Where a message reading no hate is deviant

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GIRLS ON FIREÂ
Banks Fuck With Myself (2016) Tinashe for Dazed (2015) Megan Fox in Jenniferâs Body (2009)
What effects on fashion did AIDS have? Did people start to express their sexuality through their clothes instead of actual sex? (Thanks, Tom Ford)
The idea of âactingâ your sexuality is interesting, but Tom Ford is way, way post-AIDS. Or at least post AIDS hysteria. The place to look at is the early to mid 1980s, when you had the cartoonish sexuality of Mugler and that hard, aggressive Montana woman, who looked like her sexuality could kill you. And there was also Yohji and Comme, whose clothes were desexed; and Westwood and Lacroix, escaping into history. Which fashion often does. I think Gaultier is very interesting in that cultural landscape, because he was articulating an overt gay sexuality at a time when it wasnât just seen as subversive and different, but actually threatening. But he also cast real people as his models - he championed reality, and humanity. I wonder if that was a reaction to AIDS, even if unconscious? What Gaultier did in the 1980s was very powerful, and very different.Â
herb ritts and bruce weber, too, are very important in the aesthetic landscape of AIDS