Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 Ă— 13 1/4 Ă— 6 1/2 in. (43.5 Ă— 33.7 Ă— 16.5 cm). Whitney Museum of Ameri
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Show & Tell
Peter Solarz
Xuebing Du

titsay

ellievsbear
Cosimo Galluzzi
Sweet Seals For You, Always

Product Placement

oozey mess
sheepfilms
dirt enthusiast

❣ Chile in a Photography ❣
YOU ARE THE REASON
d e v o n

Andulka
Sade Olutola
Misplaced Lens Cap
Not today Justin
seen from United States
seen from Ireland

seen from Germany
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from Indonesia

seen from TĂĽrkiye
seen from Germany
seen from United States
seen from United States
seen from Germany
seen from Iraq
seen from Algeria

seen from United States

seen from United States
seen from United States

seen from United Kingdom

seen from United States
@pppots
Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 Ă— 13 1/4 Ă— 6 1/2 in. (43.5 Ă— 33.7 Ă— 16.5 cm). Whitney Museum of Ameri

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Made in Cortona by Giulio Lucarini using a local ancient glazing technique.
Mai-Thu Perret
A Magnetizer II, 2019
glazed ceramic
24 7/8 x 24 7/8 x 16 1/2 inches
(63 x 63 x 42 cm)

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Cathy C. Lu, “Peach”
KATHY BUTTERLY
Bold Green, 2019 Clay, glaze
10 x 8 Âľ x 9 ÂĽ in. 25.4 x 22.2 x 23.5 cm
http://turiheisselberg.dk/projects/balustre-series
Toshiko Takaezu
Jar with Simulated Basket Weave
Qing dynasty (1644–1911)
China

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Small Cup
Jin dynasty, (1115–1234), 13th century
Isa Melsheimer Walherz 2018 Ceramic, glaze 80 x 120 x 80 cm
Ceramic life-sized heart of a blue whale.
Martin Dörr
Fett auf BĂĽrostĂĽhlen
120 x 60 x 50 cm; Anzahl variabel Atelierhaus GeleitsstraĂźe, Offenbach am Main, 2014
via Ilja Karilampi:
Gilbert & George

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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#ditto #berlin https://www.instagram.com/p/BnqooPvhIaA/?utm_source=ig_tumblr_share&igshid=1825r668oihm6
Fun fact: did you know that standard gallery climates came about during WWII when artworks were stored in slate caves and found years later to still be in good shape!!
Now as SFMOMA moves toward becoming a sustainable building, we’ve had to take creative approaches to protect the artwork with safe climates — while still going green! CONTINUE READING→
I think that is Robert Arneson’s “A Nuclear War Head” (1983)