Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 Ă 13 1/4 Ă 6 1/2 in. (43.5 Ă 33.7 Ă 16.5 cm). Whitney Museum of Ameri
trying on a metaphor
Show & Tell
đŞź

noise dept.
Fai_Ryy
Sade Olutola

ellievsbear

bliss lane

gracie abrams
Cosimo Galluzzi

PR's Tumblrdome

Cosmic Funnies
Monterey Bay Aquarium
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"I'm Dorothy Gale from Kansas"

romaâ
cherry valley forever
RMH

seen from Azerbaijan
seen from United Kingdom
seen from CĂ´te dâIvoire
seen from Philippines
seen from Canada

seen from Bangladesh

seen from Chile

seen from Syria
seen from Iraq
seen from Argentina
seen from Iraq
seen from Italy

seen from Netherlands

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@pppots
Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 Ă 13 1/4 Ă 6 1/2 in. (43.5 Ă 33.7 Ă 16.5 cm). Whitney Museum of Ameri

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Made in Cortona by Giulio Lucarini using a local ancient glazing technique.
Mai-Thu Perret
A Magnetizer II, 2019
glazed ceramic
24 7/8 x 24 7/8 x 16 1/2 inches
(63 x 63 x 42 cm)

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Cathy C. Lu, âPeachâ
KATHY BUTTERLY
Bold Green, 2019 Clay, glaze
10 x 8 ž x 9 Ÿ in. 25.4 x 22.2 x 23.5 cm
http://turiheisselberg.dk/projects/balustre-series
Toshiko Takaezu
Jar with Simulated Basket Weave
Qing dynasty (1644â1911)
China

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Small Cup
Jin dynasty, (1115â1234), 13th century
Isa Melsheimer Walherz 2018 Ceramic, glaze 80 x 120 x 80 cm
Ceramic life-sized heart of a blue whale.
Martin DĂśrr
Fett auf BĂźrostĂźhlen
120 x 60 x 50 cm; Anzahl variabel Atelierhaus GeleitsstraĂe, Offenbach am Main, 2014
via Ilja Karilampi:
Gilbert & George

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#ditto #berlin https://www.instagram.com/p/BnqooPvhIaA/?utm_source=ig_tumblr_share&igshid=1825r668oihm6
Fun fact: did you know that standard gallery climates came about during WWII when artworks were stored in slate caves and found years later to still be in good shape!!
Now as SFMOMA moves toward becoming a sustainable building, weâve had to take creative approaches to protect the artwork with safe climates â while still going green! CONTINUE READINGâ
I think that is Robert Arnesonâs âA Nuclear War Headâ (1983)