Lutz Bacher Burning the Days WIELS, Brussels March 28 – August 9, 2026

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@provisional-sculpture
Lutz Bacher Burning the Days WIELS, Brussels March 28 – August 9, 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Manuel Cornelius
Untitled, 2026 silicone, fiberglass, pigment, polyethylenterephthalat, tights 61 x 38 x 48 cm
Manfred Pernice, Installation view of apart 4-6. April 11 – May 16, 2009 Regen Projects, Los Angeles
Manuel Cornelius Boolean, 2020 agar jelly (freshly cast and decayed after several weeks) , food dye, 3D-printed support structure 25 x 15 x 14 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jim Lee
David Fesl
B. Wurtz
Sarah Rapson
Claudia Pagès at Àngels Barcelona

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Heinrich Dunst
B. Ingrid Olson
Lynn Hershman Leeson
She Who Laughs Last, 1968-2022
Wax cast, glass eyes, wig, custom sensors, sound file, makeup, butterflies, glasses
Manuel Cornelius
Praying for Dust, 2023
silicone, pumice powder, polyethylene terephthalate, lacquer, pigment, stainless steel, tights
71 × 68 x 40 cm
Shown on a concrete plinth at the 90. Herbstausstellung, Kunstverein Hannover, 2023. Photo: Mathias Völzke.
#manuelcornelius #art #sculpture #contemporary
Manuel Cornelius Safe Arch, 2018
resin, pigment, foam 250 x 107 x 31 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
become a stranger to yourself, Olga Belema, 2017, Fabric, latex, photographs, silicone,soft PVC, steel, water, 7.6 × 139.7 × 76.2 cm, installation view Ungestalt, Kunsthalle Basel, 2017
Thomas Houseago | Squatting Man (Toad), 2006
tuf-cal, plaster, hemp, iron rebar and graphite