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I'VE WAITED SO LONG FOR BAD THINGS TO HAPPEN TO KIMI ANTONELLI THE WAY THEY'VE BEEN HAPPENING TO GEORGE RUSSELL
i think the reason im so unmoved by kimi antonelli and his success this year is that in his f1 career, there has been little to no struggle and that makes him fundamentally unrelatable to me. dont get me wrong, im completely astounded by his ability to perform on track (even if its helped by his luck and having the fastest car) but being the championship leader in his sophomore season is infinitely less compelling to me than his counterpart, george, who has clawed his way up from lower teammate and earned his spot at a top team only to be brushed off as automatic second seat to his seven time champion teammate but then when he finally has the opportunity to prove himself as a first seat driver at an incredibly fast team, hes pushed to the side by his prodigy teammate. george winning would be an amazing case of proving everyone wrong and being the best DESPITE the people hes been measured up again, DESPITE what people think and say about him, DESPITE every obstacle put in his way. winning in the face of adversity, of hardship, of extreme unluckiness, thats such a testament to keep trying, to continuing on, to getting up and getting closer when youve been pushed aside time and time again... is that not far more relatable to any regular person rather than being the best from the jump? i dont know. to me, it is.
George WALKING UP TO THE FIA HIMSELF to plead his case regarding penalties istg he's a one-man team atp. Like there's not 11 F1 teams, there are 12 and George is SOLOING IT
Pride sharks! Happy pride month :D more super cute pride flags themed sharks coming soon đ

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insane to me how, to some people, this is not a common sense
đ©·đđ©”HAPPY PANSEXUAL VISIBILITY DAYđ©”đđ©·
The only way a bisexual house episode would happen is house makes a weirdly specific and knowledgeable joke about gay sex and Wilson asks if thatâs true/how he knows that and house goes âfrom fucking menâ. Wilsonâs initial reaction is a bit weird so he spends the rest of the episode trying to show how good of an ally he is by trying to support houseâs bisexuality by âchecking outâ men with house like he would with women but itâs just weird. House wants to see how far Wilson will go with his allyship and it gets to the point where house brings Wilson to a gay strip club, where Wilson is extremely uncomfortable. They get back to houseâs place and house finally tells Wilson heâs just fucking with him, Wilson doesnât need to do all that weird shit, just treat him like he normally does. Wilson actually takes it to heart and asks what kind of men house is into and house answers by describing Wilson exactly. Wilson low key freaks but then he realizes house is fucking with him and heâs like âoh youâre messing with meâ and house is like âfucking obviously. I like twinks with big butts, why do you think I hired Chase?â Wilson turns to his drink on the table and laughs, camera shows house looking lovingly at Wilson, end of episode
I FOUND THE LEGENDARY TUMBLR POST ON PINTEREST POST HOLY SHIT I THOUGHT THIS WAS LEGEND
THEY PUT MY ASS IN PINTEREST????
Since this is back on my dash I'll have y'all know this scenario was a joint effort that started as a manic volley at midnight in our discord chat. Most notably, I'm responsible for the Chase quote. Here are some other gems.
This is the money Marge. Reblog for good fortune
Reblog In 5 seconds for good luck
âthis worked last night lets go for round two
I really need some good luck rn
Really need this luck
Iâm doing it.
Iâm goin for it!!!!!

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people on this website be like âitâs actually schoolâs fault that i donât know how to read because i wanted to write my essay on the divergent trilogy and that BITCH mrs. clarkson made us study 1984 instead. anyway hereâs a 10 tweet thread of easily disproven misinformation about a 3 year old news story and btw, who is toni morrison?â
i KNOW most of yâall are lying about being in the gifted program as children because none of you could pass the basic reading comprehension assessment they give third graders today
this post is mean and I never read divergent or whatever the fuck but 1984 sucks and is rape apologism so if somebody wanted to write about divergent or whatever good for them
this reply is like literally exactly what op is talking about lol. like firstly ops point isnât â1984 is goodâ, ops point is that analysing complex stories teaches you how to form opinions and think for yourself. and like secondly in 1984 youâre supposed to think damn itâs fucked up that heâs thinking that way about her, i wonder if this ties in with the central theme of âa society like this will fuck you in the headâ? (this is the thinking for yourself part). like do you think orwell just put that in for fun? do you think that just because winston is the protagonist youâre supposed to agree with everything he does?
You know I feel like this post just gave me an epiphany for what is wrong with how Tumblr Fandom/Internet Fandom responds to media-or not *wrong* but makes it very hard to respond to anything but a morally correct, and heroic protagonist.Â
When an English teacher, or reader, taught or picked up 1984, it wasnât with the intention they were going to love the protagonist. They picked it up with the intention of reading a whole story and trying to grasp the theme or catharsis from the story. If the protagonist was a *shitty* person it played into the the themes or the story, because it wasnât about morally judging the book or *liking* or feeling attachment to the protagonist. Sometimes and often times, books were just about gaining another perspective.Â
No one read Lolita expecting to endear, or like, or be inspired by Humbert. You are supposed to be upset by his behavior, you donât read Lolita with the intention of being inspired. You read it to learn more about what the fuck is going on inside someoneâs head when they behave like that. How children get sucked into abusive situations. Or read âThe Great Gatsbyâ not because they want to fall in love with Gatsby or Nick, but to better understand and analyze the experience of the 1920s or destitution of the American Dream.Â
A lot of internet and fandom culture has changed that though. When we say something like âI love the Great Gatsbyâ it comes with the idea or association that means you must *love* or relate to one of the characters. And maybe you do, but the first assumption is not longer about the quality of the work or themes, or cathartic impact-itâs about character admiration. And with that character admiration, in tumblr stan culture, or kin culture, or exalting characters with fanart/romance/so on you donât just âadmireâ or find that character âcompellingâ it now translates to âyou LOVE that characterâ or you âDIRECTLY relate to that character.âÂ
You canât say âI love how Humbert is written, itâs so fascinating and darkâ, without it directly translating you somehow relate to a child abuser or condone his actions. Taking in media has become an act of worship and connection. We no longer watch meant to just see the story as a whole, we watch expecting to connect to a character and if we offer them our âworshipâ as itâs become, as opposed to just attention or interest study as it traditionally was, it means we are condoning the character or saying we directly empathize with all their actions.Â
I think thatâs why there is often now so much fuss over *toxic* characters or not. Or whether that classical novel is showing good or bad things anymore. Weâre treating the characters as people we should love or want to draw or write about. Sometimes a story is just about getting the the theme or catharsis or learning another perspective. We donât NEED to like the character. Or we donât HAVE to like a character to be impressed by how theyâre written or intrigued by their behavior.Â
I think if internet culture could learn to view stories as small insights into other lives or single takes of one perspective instead of purposeful moral inspirations weâd be a lot less worried about how toxic or not toxic they are.Â
I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Reblogging because itâs a damn potato and I want to encourage people to assume potatoes are magical.
w-what if potato is actually lucky
rbing this cause it gives me the same satisfaction "She told him that she loved him" (put "only" in front of any word in the sentence to change the meaning) gives me
i'm begging you guys to start pirating shit from streaming platforms. there are so many websites where you can stream that shit for free, here's a quick HOW TO:
1) Search for: watch TITLE OF WORK free online
2) Scroll to the bottom of results. Click any of the "Complaint" links
3) You will be taken to a long list of links that were removed for copyright infringement. Use the 'find' function to search for the name of the show/movie you were originally searching for. You will get something like this (specifics removed because if you love an illegal streaming site you don't post its url on social media)
4) each of these links is to a website where you can stream shit for free. go to the individual websites and search for your show/movie. you might have to copy-paste a few before you find exactly what you're looking, but the whole process only takes a minute. the speed/quality is usually the same as on netflix/whatever, and they even have subtitles! (make sure to use an adblocker though, these sites are funded by annoying popups)
In conclusion, if you do this often enough you will start recognizing the most dependable websites, and you can just bookmark those instead. (note: this is completely separate from torrenting, which is also a beautiful thing but requires different software and a vpn)
you can also download the media in question (look for a "download" button built into the video window, or use a browser extension such as Video DownloadHelper.)
if the "Complaint" links are not visible for you:
Option 1: try the DuckDuckGo search engine instead (bonus: dedicated to privacy! doesn't track your data!)
Option 2: go directly to LumenDatabase.org (the website that collects the complaints--and therefore the removed links) and search for the title you want. look for results titled "DMCA (Copyright) Complaint to Google" featuring the media you're looking for. Proceed to Step 3 (above).
personally, i'm a huge fan of r/FREEMEDIAHECKYEAH. they keep their links up to date and they also rank them, basically. they also have all kinds of little pages explaining how to safely pirate shit.
^^^^what they said. I'm surprised people are still reblogging this post now that google's flushed itself down the toilet. so here is your
2026 UPDATE:
just go to r/FreeMediaHeckYeah and r/Piracy. it's easier, more reliable, and will take care of all your piracy needs!

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I do not care what the SessRin shippers have to say about this.
Taking a strong and magnificent character like Sesshoumaru, making him go through ALL that character development, and turning him into what is essentially a groomer and pedo is on the same level as GoT's final season for me. Taking art and turning it into trash.
Imagine taking one of the most GOATed characters of all time, showing him start off as an implacable teen with a temper tantrum, slowly gain more understanding about the world around him, change his views, go through so much, and then be able to not only regenerate a whole lost limb but also a freaking sword from his own body (unlike his father's fangs that had to be forged into weapons) and truly surpass his sire, have him aid in the destruction of one of the most evil villains - only to have him fall in love with the girl he took in when she was 8 years old, and go as far as to have children with her. I have not come across a single Fanfic/fanart of that ship that hasn't made me feel absolutely sick.
I have always and will continue to treat the sequel as just another SessRin Fanfic that had the budget and backing to turn it into an anime. Never anything else. It's not a sequel, to me.
P.S: I have my own issues with the InuKag ship and hence believe Inuyasha and Kagome would have been better off as friends and SessKag could have been a real thing in a real sequel.