Renee Engeln, Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women
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Renee Engeln, Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women

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The street you lived on as a child seems more real than the one you live on now. – Michael Lipsey
ON SUNNY DAYS I GO OUT WALKING. I END UP ON A TREE-LINED STREET. I LOOK UP AT THE GAPS OF SUNLIGHT. I MISS YOU MORE THAN ANYTHING
ON SUNNY DAYS I GO OUT WALKING. I END UP ON A TREE-LINED STREET. I LOOK UP AT THE GAPS OF SUNLIGHT. I MISS YOU MORE THAN ANYTHING

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Marilyn Monroe in Amagansett, New York, 1957. Photo by Sam Shaw.
ronan at the barns (napping with cows)
Growing Up & Losing Friends
Fernando Pessoa, “A Little Larger Than The Entire Universe” | A. Timofeev, “Spring” | Mikko Harvey, “For M” | F. Scott Fitzgerald | Adele “When We Were Young” | Willem Haenraets, “A Letter for Two Friends” | Alain de Botton | Hishaam Siddiqi, “Where Did You Go?” | @honeytuesday | Edward Hopper, “Pensive Lady in Pink” | George R.R. Martin, “A Game of Thrones”

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I.
this never happened but i used to daydream about it a lot. 4.19.13
when i was a sophomore, there was a senior in my photography class who seemed to be made entirely of cigarette smoke; his hair was always in his eyes but it was short on the sides and in the back. i would ask him the time just so he would speak to me and his breath smelled like chapstick and menthols. i touched his hand in the dark room once accidentally and i apologized. he pushed me up against the wall and put his mouth on my mouth hard and fast and i could tell he had chain-smoked four cigarettes on the way to school. i grabbed the collar of his soft flannel and pulled him into me. his hands went up my shirt and i had his lip in my teeth when the bell rang. as i was fixing myself up he leaned into me and told me i should probably            get a watch.
Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019)

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I’m crying on the train because I keep looking at people and they’re not looking back and I’m worried because I’m pretty sure that’s the only way you can know you’re really there
Bret Easton Ellis, American Psycho