Mariame Kaba's dedication to her father;
From 'We Do This 'til We Free Us'
[Image description: To my father, Moussa Kaba, who taught me that failures are always lessons and that everything worthwhile is done with others.]

@theartofmadeline
Mike Driver

JBB: An Artblog!
Claire Keane
ojovivo
PUT YOUR BEARD IN MY MOUTH

pixel skylines
will byers stan first human second

blake kathryn
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

#extradirty
Cosmic Funnies
d e v o n
I'd rather be in outer space 🛸
h
macklin celebrini has autism
AnasAbdin
Not today Justin

seen from Türkiye

seen from Japan

seen from Iraq
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Singapore

seen from United Kingdom
seen from France

seen from Iraq
seen from Malaysia
seen from France
@plenilunada
Mariame Kaba's dedication to her father;
From 'We Do This 'til We Free Us'
[Image description: To my father, Moussa Kaba, who taught me that failures are always lessons and that everything worthwhile is done with others.]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book’s seven chapters—each one of the directions—look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak.
Estrada discusses how the cinema brings into focus the ways that many Indigenous genders do not conform with the male/female binary, genders and sexualities that may or may not overlap with contemporary constructions of gay, lesbian, bisexual, transgender, intersex, and two-spirit (LGBTQI2+) identities.
Highlighting the struggles and resistances of two-spirit peoples, Estrada’s analysis engages with films that represent the diverse and sovereign identities of queer Indigenous peoples. Estrada provides a framework for understanding how queer Indigenous media producers confront colonial trauma and reclaims space for the spiritual and bodily sovereignty of LGBTQI2+ peoples.
yes, India made legal gender change impossible but the doctor down the street who gives me my T shots in a clinic so small that it's just two rooms was excited for me when she said my voice had dropped yes, India made legal gender change impossible but the receptionist who could see that I was a man didn't bat an eyelash when I asked to see the gynecologist and called me sir when he asked how I wanted to pay yes, India made legal gender change impossible but the barber cuts my hair exactly how I want it and never gave me strange looks for being in a men's salon not even back when I didn't pass as one
yes, India made legal gender change impossible but my friends have always gendered me correctly and stick to it even when it confuses other people and my friend's little sibling calls me older brother in Kannada yes, India made legal gender change impossible but my dog learned my new name quicker than the humans and she runs to give me a kiss when she's told to without being confused about who's being referred to
yes, India made legal gender change impossible but I can feel the Adam's apple growing in my throat and my muscles getting stronger, and my smile more real and I'm growing a beard, and I talk more freely
yes, India made legal gender change impossible but I'm here, and I'm alive, and so are you and there are good people, people who care and don't let them make you forget that-- you are not alone.
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
the thing about piracy is that i know i deserve everything for free forever

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A spokesperson for U.S. Health and Human Services confirmed to Stateline on Friday that the agency is canceling 53 out of 67 grants, worth about $68 million, under the Teen Pregnancy Prevention Program, affecting grantees in more than two dozen states.
A list obtained by Stateline of canceled grants includes those awarded to universities, community organizations, city and state health departments and Planned Parenthood affiliates in states such as Arizona, Montana, Michigan, Texas and West Virginia. The grants were canceled two years before their expiration dates because the programs did not align with agency priorities, according to one of the grantees who received a termination notice.
The program is part of the agency’s Office of Population Affairs and is a “national, evidence-based grant program that funds diverse organizations working to prevent teen pregnancy across the United States,” according to the HHS website. The agency provides funding to programs that develop and evaluate innovative approaches to prevent teen pregnancy as well as to prevent sexually transmitted infections among adolescents, and to promote positive behaviors.
Ayana Bradshaw, president and CEO of AccessMatters in Philadelphia, told Stateline her organization received the termination notice of its $1.2 million grant on Friday, and it was effective the same day. Bradshaw said the letter cited a misalignment with agency priorities, specifically that the program “normalizes or promotes sexual activity for minors.”
AccessMatters’ Adolescent Health Initiative is entirely funded by the federal grant and provides free sexual and reproductive health programs to more than 1,100 teens between the ages of 13 and 19. The program provides information, education and referrals for healthcare as needed.
The Trump administration identified the teen pregnancy program as one to cut in its 2025 budget request, and it was included in the final 2026 appropriations bill. The language accompanying that bill said grants for sexual risk avoidance must use medically accurate information and teach youth about risky behaviors “without normalizing teen sexual activity.”
(continue reading)
the phrase "but i didn't mean to!" in the context of causing harm is kind of redundant to me, because almost nobody means to cause harm. most of us just want to do the right thing. and i don't mean that in a wishy-washy "oh, we're all good deep down" way, i mean that even people who regularly do the most heinous shit imaginable will have a way of justifying it to themselves. the world is not populated by hollywood sadists and psychopaths.
actually i have been thinking about this some more and i want to add on to it:
abuse in caregiving professions (like teaching or nursing) is not solely a result of power dynamics. it's also because people who go into those professions often have a idea of themselves as Good People, and are consequently incapable of recognising or acknowledging when they've hurt someone else. instead, they mentally put 'people who have inconvenienced me' into the Bad People box so they can freely abuse them while maintaining their moral high ground.
i read ross greene a lot when i was working with "difficult" or "behaviourally challenged" children. his refrain is "kids do well if they can" - meaning, in short, that most kids act out only when the demands of a situation exceed their capabilities. punishing them for this is not only cruel but also completely pointless, because they also don't want to be doing what they are doing.
a teacher who believes that there are two categories of people - Good People who Mean Well, and Bad People who Cause Problems on Purpose - is not going to see it that way. they're gonna put themselves in the first category, and the misbehaving kid in the second category. and once they have effectively depersoned the child and placed themselves on a pedestal, the world becomes simple again. because abuse is something that only Bad People do.
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!
I love treating each stage of my life with care and respect even if I don’t like it at the time. So I can look back later and know I didn’t take it for granted. And refusing to be jealous of where others are at. It’s a self-respect thing
MOVE began in the early 1970s as a non-violent, predominantly black, counterculture activist group. It originally called itself "the Movement," later shortened to MOVE. Its founder, John Africa, was the philosophical leader. He advocated an anti-technology approach, respect for animal life and communal living. on May 13, 1985, an assault on MOVE'S Osage Avenue head quarters began. Police shot 10,000 rounds of ammunition in ninety minutes and finally dropped a bomb from a helicopter incinerating five MOVE members and six children, and destroying sixty-one homes.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
There are no arguments to be had with people who use r-slurs in their life
#I wonder if this is gonna help people take better care of themselves#like that anime with the blood cells kinda did
so really cool thing about this is that the #1 thing that is reported as motivation post near-death-experience is the experience of sympathy with the body
most people do not see themselves as a body or if they do they feel animosity towards the body, which, jokes on them, is themselves.
a lot of ppl who have had NDAs or other spiritual experiences go through altered perspectives like being outside of their body or being 'inside' their body on a cellular level; even non-spiritually, I've read reports of people who during medical treatment saw imagery of their own organs and realized for the first time that these things are inside you pumping away, living, trying to keep you going no matter what kind of shit you're doing with your life
so yeah it does. I posted this however long ago bc I found it funny but one really common response is "Oh now I feel bad for my cells and want to do better"
so yeah, having to think of your holobiont components, from your beating heart to your tireless cells to the tiny little dudes that walk around carrying proteins along your DNA strands does indeed inspire self-empathy in people who were otherwise living fully in the ego concept of self.
I'm reading a study on how nurses define the term 'drug seeking', and what makes them more likely to put the 'drug-seeker' label on a patient's charts and. well. let me just throw down some quotes
"Needy, unable to cope" (<- you try coping with chronic pain)
"Comfort seeking" (<- you mean.. having a preference for not being in pain.. how criminal)
"Using or trying to obtain drugs on a long-term, chronic base" (<- do you understand what 'chronic pain' means.)
"Asking for pain med then returning to sleep."
"States he’s level 10 pain, but does not appear to be in pain (or ‘5= on appearance)." (<- it is well-known that chronic pain patients tend not to display pain in the same way as acute pain patients)
"Dramatic response to pain" (<- notice how this directly contradicts the comment above. you cannot win)
"Gets IV med, then leaves unit to smoke or walk around" (<- wow requiring medication and then going off to do something you needed pain meds to be able to do is so suspicious)
the article itself put it best when it says: “some comments depict patients trying to apply sound pain management principles, such as continuing to take medication for persistent pain”. no wonder all the other literature on the matter says that women of colour are the most likely group to be labelled drug-seeking. this shit is entirely vibes-based (read: based on the prejudices of nurses and doctors)
If You are trying to Date Men and feel like you're performing desirability for the least interesting person you've met in your life you should try lesbianism. They won't make you shave your bush

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
it is the 37th anniversary of the USS vincennes shooting down the civilian airliner Iran Air Flight 655, an action that killed 290 innocent passengers, 65 of which were children. the US never issued an apology and as part of a legal settlement the US refuses to ever admit liability for their violent and reckless actions.