not enough bad things have happened to Neil Gaiman. more bad things should happen to Neil Gaiman

if i look back, i am lost
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YOU ARE THE REASON
Xuebing Du
he wasn't even looking at me and he found me
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@play-piano
not enough bad things have happened to Neil Gaiman. more bad things should happen to Neil Gaiman

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This sexy thing right here is a recording of a rehearsal made by Paul and John at Paul’s house in 1960. (That’s why its really shitty quality and I’m missing a lot of words :/)
Paul - P, John - J
P- Well oh Johnny, oh Johnny, oh god Johnny boy
How are we gonna tell him
Why don’t we go somewhere where he don’t own me
Where can i go?
Oh Johnny boy you wore me out.
Oh Johnny, oh Johnny, oh Johnny boy
Oh Johnny, you got me, you be my boy
Well, a long time ago, I called you Johnny boy.
J- Hey little boy, I’m packing my shoes, and I’m leaving you.
I told my Mama I’m going to see my sister
She don’t see me, I don’t know what I’m going to do.
P- A long time ago I called you Johnny boy.
I don’t know what to tell the fellas.
Please, oh please, Johnny.
J- Well I’ll tell the fellas that I do love you.
P- I don’t know what I’m gonna do.
I don’t know what I’m gonna do when I tell my father
You love me Johnny, I love you Johnny
I’m not gonna let you go.
P- I don’t know what I’m gonna do when I tell my father
You wore me down, you wore me down.
You’re gonna leave, you’re gonna leave me
Please, oh, I’m not gonna let you go
J- Take the next bus out of town
Then you won’t let your father down.
I don’t know what good I am since I see life in front of us.
P- Well get out of town,
don’t hold me down.
I don’t care.
J- Get out of town,
I don’t know (3x)
I want to leave right now
To get out of town.
P- You know I want to do it all.
I want to go far away, far away,
I want to go far away.
J- No, no, no, no
P- Yeah, I’m going far away.
Yeah, we’re going far away.
We’re gonna leave.
J- We’re going away,
Yeah, we’re going away,
Gonna leave town right now.
And my friends, if that isn’t McLennon, i don’t know what is.
jfc these boys
can i ask WHAT THE FUCKING HOLY HELL JESUS CHRIST IN MY FUCKING ASS WHAT THE FUCK IS THIS???? MCLENNON FUCK’S SAKE KILL ME NOW @reallyoutofmymind LISTEN TO THIS HUN OMFG TEXT ME WHEN YOU’VE LISTENED TO THIS LIKE WTF I KNOW IT’S OVER 5AM BUT JEEZ FML
EVERYTIME SOMEONE SAYS MCLENNON ISNT REAL I SHOW THEM THIS
“We nearly always went up to his little music room that he’d had built at the top of the house, Daddy’s room, where we would get away from it all. I like to get away from people to songwrite, I don’t like to do it in front of people. It’s like sex for me, I was never an orgy man. So John and I would sit down and by then it might be one or two o'clock, and by four or five o'clock we’d be done.”
—
Paul McCartney
FUCKIN INNUENDO!
(via amclennonblog)
Tell me about it…
Tell me about it.

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SOME LEGIT MCLENNON QUOTES:
“One of my great memories from John is from when we were having some argument. I was disagreeing and we were calling each other names. We let it settle for a second and then he lowered his glasses and he said, ‘It’s only me…’ and then he put his glasses back on again. To me, that was John.” -Paul
“We were each other’s intimates.” -Paul, The Beatles: A Biography
“Paul and I know each other on a lot of different levels that very few people know about.” -John
Q Magazine - 1998 Q: “If John Lennon could come back for a day, how would you spend it with him?” Paul: “In bed.”
“I have had two companions in my life. Paul McCartney and Yoko Ono. That’s not bad” –John
Interview of 1975 for Hit parader Q: “Yeah, your friends…” John: “Yes, all your best friends let you know what’s going on. I was trying to put it ‘round that I was gay, you know– I thought that would throw them off… dancing at all the gay clubs in Los Angeles, flirting with the boys… but it never got off the ground.” Q: “I think I’ve only heard that lately about Paul.” John: “Oh, I’ve had him, he’s no good.” (laughter)
John talking about when Paul first joined The Quarry Men: “But he was good, he was worth having. He looked like Elvis. I dug him.”
“Whatever bad things John said about me, he would also slip his glasses down to the end of his nose and say, ’I love you’. That’s really what I hold on to. That’s what I believe. The rest is showing off.” -Paul
“A song by an old estranged fiancee of mine called Paul” -John speaking of “I Saw Her Standing There”
“She (Yoko) recalls hearing people in the Apple office who called McCartney ‘John’s Princess.’” -Unknown (Cant find who said this but it was someone who worked at Apple)
“One time Paul had a chick in bed and John came in and got a pair of scissors and cut all her clothes into pieces calling her a whore and what not. He got like that occassionaly.”-George
“I just saw a girl who said she saw John Lennon walking down the street in New York wearing a button that said, “I love Paul.” she asked him, “Why are you wearing an ‘I love Paul’ button?” and he said, “Because I love Paul.”-Harry Nillson
“He was always saying, ‘I wonder what Paul is doing.’ When John and I were together, and this is about a week or two before our relationship ended, I remember him saying, ‘Do you think I should write with Paul again?’ I said, ‘Absolutely. You should because you want to. The two of you as solo performers are good, but together you can’t be beaten.” -May Pang
“We were recording the other night, and I just wasn’t there. Neither was Paul. We were like two robots going through the motions. We do need each other alot. When we used to get together after a month off, we used to be embarrassed about touching each other. We’d do an elaborate handshake just to hide the embarrassment… or we did mad dances. Then we got to hugging each other.” -John
Im just saying if they aren't your OTP they should at least be your BROTP because hell they loved each other SO fucking much and that is obvious. Even after the break-up of the Beatles when they both were so stubborn and angry with each other they still cared for each other so much. Their friendship is golden and a beautiful, beautiful thing.
About the “John’s Princess” quote, iy is briefly mentioned in the book “Apple To The Core”, by Peter McCabe & Robert Schonfeld, as some “understanding” that Yoko was…threatening to Paul: “With Yoko present, Paul McCartney’s reign as Lennon’s princess was doomed.”
And is also mentioned in the polemic “John Lennon: The Life” by Philip Norman, now from Yoko’s pov. “Around Apple, in her (Yoko) hearing, Paul would sometimes be called John’s princess.“
So, it’s not one-sided.
Also, continuing in this quote in Norman’s book we can find:
“She had also once heard a rehearsal tape with John’s voice calling out "Paul … Paul … “ in a strangely subservient, pleading way. ‘I knew there was something going on there,’ she remembers.”
And THIS IS IMPORTANT!
Yo, color me convinced.
john. john. john look at the cup. john. You’re going to pour milk all over the floor. john
The Beatles in front of the Capitol
Paul has his hand in johns hair
There is no reason for an outfit to make this lady pause her phone call. She sees outfits every damn day. Its her job. When she DOES like an outfit, she will nod or nod twice. Only once did she smile for an outfit and that was back in 2002.
Whoever dressed Andy, if she did it herself or not (seems too soon in the plot) did not impress Miranda Priestly enough to get a smirk, a lip lick and an ass check from her
It. Was. Not. The. Clothes.
There is no reason for an outfit to make this lady pause her phone call. She sees outfits every damn day. Its her job. When she DOES like an outfit, she will nod or nod twice. Only once did she smile for an outfit and that was back in 2002.
Whoever dressed Andy, if she did it herself or not (seems too soon in the plot) did not impress Miranda Priestly enough to get a smirk, a lip lick and an ass check from her
It. Was. Not. The. Clothes.

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Judith Slaying Holofernes - Artemisia Gentileschi <BERSERK FANART EDITION>
Casca will kill Griffith, not Guts.
I left the Berserk fandom for good when I saw that people thought Griffith's death would be the result of Guts' revenge.
While it will be Casca's
I'm going to be very blunt, but even though I deeply despise the depiction of her rape during the eclipse, one thing was well portrayed: Femto used her as a tool to hurt Guts. She was so dehumanized that Femto had only one obsession: torturing Guts' mind.
The last thing Casca says before losing her mind is to not look because she KNOWS that she is only a tool directed at Guts and that her own suffering is a weapon that is not intended for her.
That's why she becomes what she is, an empty doll.
Femto didn't even consider it a necessary sacrifice for his transformation; Guts’ suffering was, the deaths of Falcon's troop were.
Casca was a weapon
So if anyone should behead Griffith to remind him that she is part of this confrontation, it is her.
Femto raised awareness of the existence of others, because that is where the whole notion of sacrifice lies.
Casca did not even grasp the concept of sacrifice.
Casca, who fought her whole life to be worthy of the Falcon troop, was not considered a full member; she was just a body. She was not sacrificed; her existence was DESTROYED.
So when the spirit fades away, only the body remains
This Casca is exactly how Griffith envisioned her while triggering the eclipse. A body without reason
So when Casca, that body without a soul, sees Griffith again, she is obviously moved, more sad than afraid, because only one question remains: Did Griffith ever see me even once ?
Griffith wounds Casca while paradoxically saving her, because in the graveyard created by Rickert, he once again denies her role as the sacrificed and dead member of the Falcon Troop: he doesn't have the nerve to save her, he has the nerve not to consider her part of this graveyard.
The complexity of Guts' reaction is that, on the one hand, he had this dark side, where when he attacks Casca, his obsession with Griffith takes over, denying her existence once again. That's why Guts does it unconsciously and literally doesn't see her: because Casca doesn't exist at that moment.
But the beauty in the care with which he treats Casca lies in the fact that Guts is constantly mourning her loss, constantly lamenting the absence of the warrior, her courage, her strength.
That's why he's a dog dragging a coffin: it's not just to symbolize Casca's suffering, the coffin symbolizes above all that Guts buried Casca like all the other members of the band because his fight against Griffith is about that: reminding him that Casca exists and that she was sacrificed and is also DEAD to this day.
Yes, Guts, who constantly saves Casca and does everything he can to ensure her survival, is constantly reminding her that she has disappeared within herself.
And the darker it gets, the more darkness surrounds Casca and, paradoxically, the more she regains her legitimacy, because she exists in darkness like all the members of the Troupe lost in Eclipse.
So when she sees Guts again, it's as if she's picking up where she left off: she suffers
But finally, by existing
She suffers in full consciousness
Not as an empty body
This time it's her mind that has to take the blow
Because she is once again part of this fight
Guts blames his sword for failing him, but he forgets that the weapon has always been Casca, and he will not succeed.
When Griffith gains the upper hand in his fight against Guts, it is symbolically by holding Casca: because it takes two to have the advantage.
And Casca is the key.
Casca, whose existence was denied to the point of being deemed unworthy of sacrifice, gave birth to a fetus conceived through rape, which is the only means for her tormentor to materialize in this world that he should have left.
Her tormentor, who denied her existence, owes his material existence to her
And is now forced to see her
Casca is the key to preventing the merging of universes
When Jax told Caine “You messed with my head!” —I don’t think he was trying to insinuate that he was ‘mind controlled’ into pressing the red button. Nor do I think he was trying to cover up his selfishness and using Caine as a scapegoat.
I think the “messing with his head” thing he meant, was that Caine managed to convince him that the adventure was real and there was a way to leave. He wouldn’t have exposed his decision to stay (even at the expense of 5 other people) had he known –and stuck to the belief– that the whole thing was fake.
NOTHING EVER HAPPENS!!!!

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I liked the new tadc quite a lot
Why is hardly anyone on here talking about Wytchwood? 😭
It's such a cute game and the art style is absolutely gorgeous.