Heads up high chance if you see my art here that I also am selling it on redbubble or on my Kofi. That’s where you can buy my stuff.
Hoping to get a good enough response to my stuff to actually set up an online shop.
EXPECTATIONS

if i look back, i am lost
official daine visual archive

shark vs the universe

Product Placement
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
🪼
will byers stan first human second

Andulka

#extradirty
𓃗

Origami Around
macklin celebrini has autism

seen from South Korea

seen from Türkiye
seen from Italy
seen from United Kingdom

seen from France
seen from Türkiye
seen from Germany

seen from India
seen from Switzerland
seen from Malaysia
seen from Spain
seen from United States
seen from China

seen from Netherlands
seen from Denmark
seen from Türkiye

seen from Australia
seen from United States

seen from Australia

seen from Türkiye
@pistolgum
Heads up high chance if you see my art here that I also am selling it on redbubble or on my Kofi. That’s where you can buy my stuff.
Hoping to get a good enough response to my stuff to actually set up an online shop.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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One was put through my phone filters and the other is without it.
Anyway, my sister and I came up with the concept of NRC having an underground trading card ring. Led by Crowley and our Oc/ Ophelia. This is how it started off before Azul capitalizes on it. As originally it was fan made cards of minor league players.
Hiii hello I went down a rabbit role and now I made a guide of (almost) all the fonts used in the game, here's the link for the drive I put them all in:
Weediness as a quality of Art?
something i wrote down while I was at work
When I was walking in the town I saw some cool graffiti, and I thought, Hmm. Graffiti is a lot like weeds. It pops up in neglected and overlooked places, and thrives until someone destroys it in routine maintenance.
Like an ecosystem, art is a living system.
I quickly began to think of ways that graffiti and weeds are alike.
It is perceived as worthless or threatening economic incentives.
There are active efforts to destroy or eradicate it, which are eternally futile because of the aliveness of the system.
It appears in areas of active, violent neglect, disruption, and abandonment.
Its absence or presence can be a visual signal of class.
I thought, what are some other "weedy" artforms?
Fanfiction could be a weedy artform.
Huh, I thought. Are there domesticated or cultivated artforms?
It became clear to me that the answer was yes.
There are two types. One type is the crops: those plants that have daily necessity for all people. They are often monocultures, often highly exploitative, but they are a daily part of existence.
In art terms, this is pop culture and mass media: popular music, movies, tv shows.
The other type would be the ornamentals: those that are cultivated because they are perceived to have intrinsic value or beauty. These are the poems, paintings, sculptures, the arts that are seen as more intellectually important and more restricted in who has daily access.
Well, I thought then, are there "wild" artforms? And I thought that the answer once again had to be yes: that's textile arts, woodworking, pottery, basket making, arts that are often considered according to their practical value and not given the same consideration as fine arts. They are often romanticized and thought of as artifacts of the past to be preserved, and sometimes they are brought into cultivation (appreciation as fine arts), but they can lose their context and everyday usefulness. They are considered as threatened by economic incentives and efforts to protect them are perceived as wasteful.
Graffiti and fanfiction are weedy artforms. Are there others?
In addition to the qualities of weediness I listed up above, there is another quality: They get some of what they are from their antagonistic relationship with the mainstream view of what has value. They emerge in a space that is "owned" by another entity and thrive because there is no economical way to destroy them all faster than they can emerge. Likewise, Weeds are inherently (by some definitions) disrupting the intent of a space: they exist in defiance of what that space is "supposed to" be.
Fanfiction could be compared to weeds in an agricultural crop field: they spring up in the monoculture of popular media franchises and become more powerful and compelling than the environment that created them, even though many people will overlook their value.
Graffiti could be considered like lawn weeds: its presence has intense connotations of class, and the extermination campaigns are intense, but lawns that are neglected long enough (just like the walls of an abandoned building) can become places of diversity and thriving.
Weedy art could also be any art you create for yourself without special skill or economic incentive to do so, purely through intrinsic motivation. Many people kill these weeds before they grow into flowers, thinking that a common weed without any cultivation could never produce a beautiful flower, but if you let them grow you are often surprised. Doodles, drawings, anything you create could be weedy art.
Weeds are invincible on the evolutionary timescale, impossible to fully eradicate. They are our friends and have sustained us in many ways throughout human history. I read in a paper once a theory that true monoculture is only an idea in the human mind, never able to be truly realized, because weeds will always emerge and disrupt this false idea of perfection.
Certainly, our ecosystems are held together and sustained with life within this gap between how we imagine the world should be (clean, perfect, without weeds) and how the world really is (weeds! weeds! WEEDS!). Without weeds, the biodiversity in the world around us would crash dramatically.
Is this also true of weedy arts? Is the art we value the least and often actively try to eradicate, necessary for sustaining us as creative human beings?
The beautiful art of Thomas Blackshear II

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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High res. La Bonbonnière Sebek base
Gradient ink Chinese calligraphy by 爱写字的豆豆
I DREW MY BABY!!!
You don’t understand I love baby scrump. I’ve had my own since birth and currently have several versions of her. The only thing I love close to her is Sportacus and my little sister.
Attention every artists!!
ACGGOODS is here!!
I really liked this scene where it looked like Dionysus was slacking off, but then the camera zooms out, and you can very clearly see that he's distracting the younger kids and keeping them away from the fights

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
These are templates of all the TWST coffin icons. The pattern on the Savanaclaw and Scarabia ones aren’t official because the icons for them don’t have any distinct symbols that all of them share. So I just used some patterns that I saw on their dorm uniforms. Because I felt bad that theirs didn’t have a patterned template. The Ramshackle one is for the Captain Hook based one me and @wolflover10 made. I wanted the patterns and symbols to look like nautical rope and fairy dust.
I haven’t posted in a while. Because I honestly just haven’t been in the mood for anything. But I am making coffin icons for my OCs and just thought I’d post this.
Twisted Wonderland Sprite Eyes type 4 5 6
For the picrew, I plan to only use 2 or 3 of the eye types. I’m not sure which ones I want to use though.
Twisted Wonderland Sprite Eyes type 1 2 3
I finally made some eyes that fit the bases.
These are the patterns I made for the savanaclaw scarves and shirts. They’re really useful since I never want to spend a bunch of time drawing them. I didn’t make the full collar pattern of the shirts. There’s another pattern that starts and the collarbone. But it’s barely seen.

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So I’m working on a TWST fanart with the savanaclaw dorm uniform in it. Because I don’t like painting patterns and I like having patterns ready for later use, I made the entire scarf pattern. I’m not entirely sure if the pattern is meant to be box shaped or go across on an angle, but this is how it seems in the avatar images. Anyways I’m sharing this for anyone who also need it. It’s free to use, all I ask is to be credited.
This is also a way for me to have these images ready in case something happens to my computer or backups. Next I need to make the shirt pattern.
Twisted Wonderland Sprite Zipped Hoodie Parts
I separated the zipper because I wanted it to stay it’s original color when the rest of the hoodie is altered(saturation, hue, brightness, etc.) I also noticed it looks great as a vest too.