Downtown Connector

[The Legend of Zelda: Ocarina of Time - N64]

The game has been modified in the following ways in this gif:

HD TEXTURE PACK , WIDESCREEN MOD

Here's how I do it:

The process I use is called rug hooking (not latch hook or punch needle or tufting, though it is the forerunner of the latter two techniques). Rugs are hooked by pulling loops of fabric strips or yarn through the holes of a base fabric with a coarse open weave, like burlap, or linen, or rug warp. The loops are pulled through the fabric with a squat-handled hook whose business end is shaped like a crochet hook.  There are no knots and the loops aren't sewed down in any way.  The whole thing stays put just by the tension of all those loops packed together in the weave of the foundation fabric.

This isn't a true detailed tutorial but a walk-through of my particular process. The same information is on my web page, emilyoleary.com .

I hook with yarn, rather than with cut strips of wool fabric, which is what many rug hookers use.  I can get a looser, more organic distribution of loops with yarn than I could with wool strips, which are hooked in neat lines. 

Mostly I use wool yarn. In terms of yarn weight, I can use DK, worsted, or Aran.  If I'm using thicker yarn, I leave more holes un-hooked; if I'm using finer yarn, I hook more densely or double up lengths of it.  I particularly like using single ply yarns (like Brown Sheep Lamb's Pride or Malabrigo Worsted).  I don't keep count, but I think I usually use around two dozen types and colors of yarn per dog.  

This is my yarn wall in my apartment. Mostly brown and gray yarn!

I start from a small drawing in my sketchbook, then I head to FedEx office to use a copy machine, blowing up the drawing repeatedly and experimenting with how big the dog rug should be. 

After transferring the image onto my linen, I immediately go over it with Sharpie, because the Saral is really difficult to see and really easy to rub off.

The rug is held taut by a PVC quilting frame that I set on my lap.

I push my hook down through the fabric with my right hand and my left hand stays below the fabric and guides the yarn while I pull it up and through with the hook. Not every hole in the fabric is hooked. Hooking every hole would make the rug too dense. I do hook pretty densely, though-- If you pick up one of my rugs you’ll see they have a slight curl to them, which is because they’re hooked pretty tight. I'm using all different weights and types of yarn, so it's a challenge to keep the overall tension even.

I hook my loops at varying heights to create a very low relief. Sometimes I trim the loops to make them fluffier or wispier or to shape a particular part. I look at a reference photo while I work and pull out and redo sections a lot.

My q-snap frame can accommodate the growing dog rug. I have extenders to make it bigger and I can clamp around my hooking.

The back of a rug looks like lines of little stitches. The lines are little worm trails snaking around because lines of hooking are not supposed to cross over each other. It's important to start a new length of yarn rather than cross over a stitch you already made! I read this when I first started and took it to heart. It makes it much easier to undo and redo hooking if you have to (and I redo sections A Lot). It also keeps the back from getting too bulky and resulting in uneven wear on the back of a functional rug that gets floor use.

When I’m done hooking everything I turn the rug over and brush watered-down Sobo glue on the edges of the dog, making sure to get one or two of the outermost lines of hooking. I do a couple coats of this thinned out glue. I'm careful not to use so much that it seeps to the front of the rug. When the glue is dry I cut the rug out, but I don't cut so close that the loops don't have any linen to keep them in.

​ It generally takes me at least several months to finish one dog rug. My hooking frame and yarn bag are very portable (though bulky) so I can hook out and about at coffee shops or the library or a brewery if there's enough space and light.

Hooking in the wild makes me an ambassador for making things in general and rug hooking in particular. I answer people's questions and always emphasize how relatively easy it is to get started hooking. Sometimes I get anxious that other people will hook rugs that look like mine but better, but I think that working in a traditional medium means you should share your knowledge for the good of the craft.

by Darin Givens, Oct 22, 2025

The combo of suburban sprawl and a compromised rail plan has worked to limit the reach of MARTA rail for Atlanta’s regional residents, but that doesn’t mean we can’t have a brighter future for the rail that exists.

"The successful 1971 vote allowed MARTA’s board to move forward [in Fulton, DeKalb and the City of Atlanta], but the rejections by Clayton, Cobb and Gwinnett voters forever changed how the system would look. With Clayton out of the picture, the southern line to Forest Park was shortened. Without Cobb, the northwest line to Marietta was cut. Without Gwinnett, the northeast line to Norcross was trimmed."

The above quote comes from a great article by Sara Gregory this week in the AJC titled "MARTA was meant to go more places. Here’s why it doesn’t."

It includes an animated map of the original rail plan, showing how it shrunk over time.

Here's a still that shows the plan as of 1961, with rail extending to Cobb, Gwinnett, and Clayton (the dotted lines are for possible 'future extensions').

And while this article demonstrates the sad loss of MARTA's potential reach, in the end we still have to make the best use of what we have while we hope and plan for new rail in the future.

That means turning an eye inward and finding all the successes we can find with producing walkable density (including affordability components) near our existing rail stations, whether that takes the form of a Transit Oriented Development (TOD) on one of MARTA's property or just one nearby. It could also take the form of street redesigns near stations that prioritize the pedestrian experience.

That may feel like small comfort to the many people who are stuck in the metro area's massive amounts of car-dependent sprawl, far away from rail. Atlanta's vast, sprawling suburbs were where the biggest gains in population growth happened for a long time. But things are changing. According to an Atlanta Regional Commission report this summer, Metro Atlanta's average annual population growth rate has slowed to a rate of 1.2% in the last five years, but the City of Atlanta has bucked that trend, growing much faster in recent years than in previous decades, driven in large part by multifamily housing developments.

Dame Patricia Routledge (17 February 1929 – 3 October 2025)

One month before her 95th birthday, Patricia Routledge wrote something that still gently echoes:

“I’ll be turning 95 this coming Monday. In my younger years, I was often filled with worry — worry that I wasn’t quite good enough, that no one would cast me again, that I wouldn’t live up to my mother’s hopes. But these days begin in peace, and end in gratitude….

My life didn’t quite take shape until my forties. I had worked steadily — on provincial stages, in radio plays, in West End productions — but I often felt adrift, as though I was searching for a home within myself that I hadn’t quite found….

At 50, I accepted a television role that many would later associate me with — Hyacinth Bucket, of Keeping Up Appearances. I thought it would be a small part in a little series. I never imagined that it would take me into people’s living rooms and hearts around the world. And truthfully, that role taught me to accept my own quirks. It healed something in me.

At 60, I began learning Italian — not for work, but so I could sing opera in its native language. I also learned how to live alone without feeling lonely. I read poetry aloud each evening, not to perfect my diction, but to quiet my soul.

At 70, I returned to the Shakespearean stage — something I once believed I had aged out of. But this time, I had nothing to prove. I stood on those boards with stillness, and audiences felt that. I was no longer performing. I was simply being.

At 80, I took up watercolor painting. I painted flowers from my garden, old hats from my youth, and faces I remembered from the London Underground. Each painting was a quiet memory made visible.

Now, at 95, I write letters by hand. I’m learning to bake rye bread. I still breathe deeply every morning. I still adore laughter — though I no longer try to make anyone laugh. I love the quiet more than ever.

I’m writing this to tell you something simple:

Growing older is not the closing act. It can be the most exquisite chapter — if you let yourself bloom again.**

Let these years ahead be your *treasure years*.

You don’t need to be famous. You don’t need to be flawless.

You only need to show up — fully — for the life that is still yours.

With love and gentleness”

Patricia Routledge died today 3rd October 2025

Thomas Cooper Gotch