yāknow iāve given up on any real kind of online schedule.

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@phantcmfxcker
yāknow iāve given up on any real kind of online schedule.

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vermilusā:
what are you some kind of vampire
also yeah I have a pretty good idea tho i wasnt there. We had a big fuck off satalite in the atmo that was built to be a big ship-teleporter to reduce the distance from the moon to the earth and it was GONNA be the big launching off point for colonizing mars and then the damn thing expoded
weird lights in the sky, weird irradiated glass raining down, big dust cloud and waaa the world is on fire except it isnāt its getting fucking cold and long-distance communication stops working.Ā
well, yeah. actually. take it as you will or whatever but iām very much dead. itās no big secret.
so youāre basically stuck there until it clears up? except itās been a couple decades hasnāt it? has anyone figured out exactly whatās causing this? it sounds like your sun just vanished or got blown up... how is this affecting where you live? what about the oceans and stuff? do you still have a moon?
uh. you donāt have to answer all that.
vermilusā:
Not really unless you wanna pick up learnin how to farm or machine metal or fix 40 year old engines n synthesize gasoline substitute. Its goddamn cold n very little grows n this town aint big enough for anybody that cant work or aint a baby
the naked cat would prolly die in the cold too tbhĀ
awww, i think dad would be a little upset if wrinkles didnāt make it. maybe a visit would be best sometime, i still think a vacation from the sun would do me some good at least.
what happened to your home? do you know?
vermilusā:
sun aint come out in abt twenty years
the sky comes in the colors of pitch black, slightly less black, gray enough its almost black, n then pretty damn gray durin theĀ āāāāsummerāāāā
hey...iām packing my bags. you got room for three people and a naked cat over there? because that sounds awfully convenient.

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vermilusā:
disgustin!Ā
its abt like 6pm but it hardly fuckin matters on my world
im ashĀ
youāre telling me!
what do you mean it doesnāt matter? share with the class, ash. jongkyu. freelance journalist? i guess? and bat enthusiast. nice to meet you!
vermilus replied to your post: i know itās 8:30 in the morning but consider the...
that sounds gross
the risks i have to take for conversation is whatās gross.
hi! i live on the other side of the world! everyoneās online at ass in the morning!
i know itās 8:30 in the morning but consider the fact that i thrive off attention.
i canāt tell if being awake during the day is worth the conversation or if i should just stick to my nightly schedule.
thatsillyjohnkidĀ replied to yourĀ post:Ā "dancing"
from what i remember, youāre a great dancer, too!
you wouldnāt be saying that if you saw me when i first started out. iāve had years of practice after all.

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tm-eiā:
September Love (Daft Punk x Earth Wind & Fire)
"dancing"
well yeah. but itās not like i donāt actually dance, too.
now that iāve wrapped up my weekly vlog episode iām probably gonna go out dancing when it gets darker.
you know where to reach me!
āŖ How to Ride the Train When Youāre a Lesbian
Sometimes in the morning, me and my girlfriend ride the redline together. Only when sheās running late. (Sheās running late a lot). Our eyelids are heavy, hair frizzy. She always looks different than she did an hour ago, her arms around me, warm. Itās not that her hair wasnāt frizzy- itās that sheās vibrating now, winding up for the day. She looks beautiful, chewing on her chapped lips. We wait for my train, that comes at 7:12 everyday. I check my email. She sneezes. Somebody else on the platform says bless you. I keep reading my email. It smells like piss. I donāt reach for her hand. We sit together on the train. I smile at her, put my headphones in, pull a book out. I sneak peaks at her, sometimes, like a kid with a crush. Count the freckles on her cheek. Laugh at the way her hair is sticking up. Quick though, always quick, when nobody is looking. I promise you, when nobody is looking.
When the train pulls up at my stop, I pause. I always pause. Sometimes, I just tell her to have a good day. āBye, Beth,ā I say. āHave a good day!ā Nothing else. Barely a smile. On the way home, I see other lesbians on the train. Other people see them too. Handsome, butch. People stare. They are unmistakable. Loud, vibrant, visible. They cannot hide. Still, they smile at me, in my patchwork jean jackets and long, floral skirts. They see me when nobody else can. I wonder if they can hear me too. If they could, Iād say this: Let me hide us both. Only for a moment, only until the woman with the pursed lips and sharp perfume gets off at Thorndale, or the man in the Cubs jersey glaring at you finds something else to be mad about. I can make it so we only see each other. I can make it so youāre safe. But I canāt. Iām not sure youād want me too anyways. I just smile back. I love you, I say. And you say it back. Itās not enough. I get to say āBye Beth! Have a good day!ā Sometimes, I am so lucky, it makes my bones sticky, like a kid whoās gotten away with sneaking candy late at night, no chocolate mustache or grimy fingers. I get away. Bye Beth! Have a good day!
Sometimes, have a good day isnāt enough. Sometimes, I test my luck. I say I love you, squeeze her hand. I do it quick. Iām scared. Iām not brave. I made a call on the train, late at night. I said, āmy girlfriendā on the phone. The man across from me licked his lips. When I hung up, he asked me if I was a lesbo, or something. I pretended I couldnāt hear him. He said it louder. I shook, slightly, closed my eyes. The seat seemed smaller, like it was trying to suffocate me, stained and still. He got up, sat next to me. Wanted to know if I heard him. Put his hand on my leg, calloused fingers. My heart was in my throat, heavy, strangling me. He gave up. Thank God, he gave up. I give up too. I just squeeze her hand, calloused, in a way I know, in a way thatās soft. I tell her I love her. Sheās the only one who hears me.
Sometimes, I cup her face. Iām chicken. I donāt kiss her. I say I love you. I say it braver. I say it with everything in me. I look at her, so she can see all of me. The wrinkles in my heart and creases in my soul. She says it back. Once, a man pushed me, while I waited on the platform at Harrison. I was chatting with a friend. āIām so gay,ā I said. I think. Something. Had a stupid pin on, big letters. Something that broadcasted myself to the world. I was young, soul smooth, unblemished. I thought I was made of steel, the way I did when I was a child- skipping, running, shouting. I wanted to say excuse me, I wanted to say, what the fuck, but I couldnāt find my voice. I stared instead, misty eyed. āFuck you, dyke, ā he said. I crawled into myself, walked back up the stairs, forgot where I was going. I felt like the little girl who stopped running and skipping and shouting when she fell on the sidewalk, two kneecaps scraped, the pain hissing and boiling. He got on the train, not a scratch on him.
Sometimes, Iām furious I canāt have more. Sometimes, my stomach feels like the sun, like itāll burn me, like Iām glowing. I want more. I want it all. I kiss her. Cheek, mouth. It doesnāt matter. I kiss her. āI love you, have a good day.ā I tell her, proud, squeezing her hand. Shining. I push past the sardine pack of people to the train door. Iām smiling, up the escalator. Until Iām not. One time, my girlfriend rode the redline next to a guy who spent 12 stops talking about how he wanted to kill a gay person. Any gay person. He was just in the mood, I guess. She held her breath for 12 stops. Donāt make any sudden movements. Donāt let him see me. A week ago, some teenage boys beat the shit out of a lesbian couple on a train in London. Iāve seen their picture everywhere. Bloody noses, one looking straight at the camera, mouth agape. The other staring at her own hands, face scrunched up. I havenāt read the details. I donāt need to. I need to. I canāt. Iām too chicken. When I get off the escalator, I think Iām going to be sick. The sun inside me has burnt her- left her in a train car where everybody knows sheās a dyke. I am safe. Brave, arrogant, safe. Sheās not. I keep checking her location, until I see sheās arrived at work. I want to say Iām sorry, I want to say fuck sorry. I donāt say any of it- I donāt think any of it. When weāre both home, I kiss her freckles and her chapped lips and her silly, messy hair. I stare at her for as long as I want, until she blushes and tells me to fuck off, laughing with a snort. I hold her face in my hands, I hold her hand in my hand. I say I love you over and over again. Until sheās asleep, arms warm around me. The next morning, I get back on the train. The platform still smells like piss.
color me curious
it might just be easier because iām dead, but you guys were really onto something with theĀ āobjects of importanceā stuff.
but thatās only one of two things youāre gonna need. sure, if you have an object the spirit recognizes as something it valued in itās living life youāre not gonna be seen as a threat.Ā but limbo isnāt just one place. thereās a copy of limbo for every spirit out there to live in separately.Ā
so this object is gonna help the two of you find each other among all the limbos out there, but thereās still the matter of getting them to see you. to them, youāre the mysterious spirit. you have to create a bridge to their universe, so you can appear before them.the idea of a bridge is vague, though. which is why a lot of mediums use themselves as the connection--but i wouldnāt recommend that. being the only ghost in limbo gets lonely. theyāll probably do anything to be able to see other faces again, which includes making themselves at home in your body.
this is why the simplest way is to set foot on their turf. find where they died, and the ground beneath your feet and theirs becomes a literal bridge that allows the both of you to see one another. if you canāt do that it usually helps to introduce yourself and call out the name of the one youāre looking for. the connection between your names becomes a verbalĀ ābridgeā that works in the same way, as long as the one youāre talking to can speak your name back to you.if either of those ways wonāt work--say your spirit had their tongue removed or thereās a reason they canāt speak and you canāt get to their death site--itās a little trickier. Youād have to either know them personally before death or find someone or something you both had a mutual connection to to use as your bridge.i donāt think iāve done that yet though, so donāt quote me on that.

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are you /actually/ talking to ghosts or just making out what you wanna hear?
iām actually talking to them! i get them to appear and i sit down to keep them company. itās a much easier process than you think it is.i could explain if you wanted.