Crown on thorns
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Crown on thorns

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Here we see a pair of common white morphs of dieseltruckus-longbedinus japonicus. The diminutive male of the species has been successful in his courtship rituals and has lured a strong female to his nest with low rumbles and a distinct acrid, burnt diesel-like scent emitted from his specially developed exhaust pipes. After their courtship, the pair will separate back to their own places of parking and may never meet again.
Nestless
#WorldMentalHealthDay
NOW. Relevant right now.
#pascalcampion

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Sometimes, outside is necessary.
The Job Economy
Ever notice how the most $ to be made is in exploiting people & resources: đŒBig Business âœïžOil đ°Finance đInvestment đ”Banking đ±Advertising đąReal Estate
While the least $ to be made is in supporting people & resources: đ©âđ«Teachers đ©ââïžNurses đ€±Caregivers đ·ââïžConstruction đ©âđłCooks đ©âđŸAgriculture
The most lucrative positions are: đŒCEOs đLeadership
The least lucrative positions are: đService đAdministration
The structure of the job economy reflects the underlying priorities driving our system & culture.
In this structure, people are reduced to commodities whose primary function is to generate profit within a static system of competitive markets rather than revered as priceless investments in the progression of an ever-evolving system oriented around regenerative cohabitation.
This dis-orientation is the root cause of the climate crisis
It reflects the length of the dissonance between our current culture & the reality of nature.
A fundamental law of nature is change.
To resist change is to deny an undeniable element of our own nature.
This dissonance is reflected in the modern relationship to nature itself: Our entire system is centered around land *ownership* (mine!) instead of land *stewardship* (ours!).
Land cannot be owned by- It can only be cared for and shared with-
Through land ownership, power becomes a commodity to be conquered. The worldâs fortunes are built around this self-serving ideology - it produced slavery which American capitalism built its own fortune with. The ownership ideology believes that power is a finite resource, that itâs either given or taken and that itâs survival-of-the-fittest. Its nature divides & separates.
Through land stewardship, power is understood to be inherent in all things and shared freely. This ideology acknowledges that everyone & everything is rich & powerful by the very nature of its existence. The stewardship ideology understands that an openness to giving & receiving creates abundance for both the giver & receiver. Its nature multiplies & integrates.
We can no longer have a system & culture that relates to the world through: đ«Ownership đ«Control đ«Possession đ«Greed đ«Codependency
We require a shift in the way we orient our entire system & culture to enable: â Stewardship â Mutuality â Co-creation â Adaptation â Harmony â Interdependence
This is a glimpse at the magnitude of the transformation required to address climate change and restore a harmonious relationship with nature.
Itâs a complete transformation in ideology from being *separate from* nature to being *an element of* nature.
This ideological shift will reflect itself in our job economy because it will naturally transform our entire system & culture.
This shift in perception is the call that beckons us home. Within it lies the redemption of our species.
Vacationing
The War on Waste
Via Nat Geo
Diary entry 3/12/2016
Toshio, Rato, Camelo, eu, Arroz, Camelinha
đ§ČUsing Benção as part of a controlling movement: partner is in diagonal or entre (parallel). Your Benção should aim to where their face is (not off to the side) then become meia-lua to make them move across to the other side (into escĂva, esciva basica...)
â±ïžmaculelĂȘ rhythm.
đ Uma sequĂȘncia

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Diary entry 10/9/2016
Toshio, Rato, Bruce, eu, Arroz, Camelinha, LeĂŁo, Ticum.
đ It doesnât matter age nor belt level, every single one of us can learn something from every other one of us.
đUma sequĂȘncia
Diary entry 1/9/2016
Toshio, Queimado, eu, Gafanhoto
2 Fixes today:
đŠEntre/Lateral: Keep shoulders horizontal to the floor. I was always dropping my back shoulder and raising the front.
đCadeira/Balança: Pull chest up so you can easily see in front. This helps your bum to go down into a better âsitting on a chairâ position. I was trying to do this move with my back horizontal like entre, but that makes it difficult or even painful to look forward. Although we might move through the lowered position during balança, that should not be the base.
đ Uma sequencia
Can you follow this description? The arrows generally indicate the direction and flow of the movement.
Diary entry 20/3/2016
âVEM PRA RODAâââ> com DendĂȘ Maruo, Tokyo.
Rato, Queimado, eu, Arroz, Rainha, Ticum, LeĂŁo, berimbaus 1-2-3
đA small group of us went to participate in DendĂȘ Maruoâs open roda, lead by Professor Neguinho.
đąI played my first ever Angola game. Think I was actually just doing Benguela... I tried to stay low, but in hindsight itâs ok to stand tall in angola, but need to be super-loose and free in movement. Drunken-fist FTW!
I was one of the 2nd pair to open the Roda. That was pretty scary, so I tried to allow/reveal no hesitation or reluctance, and of course I enjoyed the Jogo. But my mouth went super-dry, and it became difficult to keep going.. I didnât go in again after that. Almost, several times. But no.
đŠThere were a lot of songs Iâve never heard.
Some I could pick up the basic lyrics.
Some that didnât sound good and I donât care to remember them.
And a few that spoke to me. Unfortunately the only one I do remember is, âVem pra roda pro jogarâ
~~~> This one was aimed directly at my (đ) heart, as well as the many capoeiristas who came just to watch.
đșWhile singing, Neguinho often said, âcadeira (galera?).â At first I thought he was talking to the players in the middle that were standing too tall for Angola... But now I think he was trying to get the people around the Roda - who were sitting on chairs at that time - to sing in the chorus.
However he was still sometimes saying it later when everyone was no longer using chairs. Hmm.
Diary entry 17/3/2016
Queimado, OlĂvia, Coco, eu, Vagalume
đ©RolĂȘ is a good connecting/changing position move, but many people make these 2 mistakes.
At completion of rolĂȘ rise straight up. This is likely to lead to being kicked in the head. Instead stay low in balança until you can see it is safe.
Go straight from rolĂȘ to ginga. What a waste of a good floor movement! Connect some more moves, eg. entrei, negativa, deslocar, esciva-bĂĄsica...
đŹGinga is good for creating/enforcing your own rhythm, but too much ginga is because you donât know what to do with your partner and your movement-vocabulary is too small. Avoid doing more than two gingas together. There are so many interesting and less readable things you can do.
Diary entry 18/2/2016
Toshio, Melancia, eu, PavĂŁo
Uma sequĂȘncia para dois:
A. B.
MeĂŁ lua de frente âĄïž Esqiva na cadeira
âŹïž
Compasso uma poi
âïž âŹïž
Esciva na cadeira âĄïž Queixada
âïž
Esciva de frente
âŹïž
Marteloâïž âĄïž Esciva de frente!
(Or die)
đš Martelo: When rising from esciva to do a martelo, the first step forward determines the range of your kick. Therefore when in close(ish), donât take a big first step. Instead place your foot so itâs right under your body. Also, while setting up the kick bring your knee to the right place so that you donât kick just in the air. đ„No chicken wing!!!

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Diary entry 11/2/2016
Toshio, Queimado, OlĂvia, eu, Rainha
Further advancing last weekâs brief entry about âletting goâ.
đSmile while playing. It may disarm or really disturb your opponent. But it also helps to remove the tension in your body. This is a good thing, because holding your body rigid requires a lot of energy, and will quickly exhaust you. A smile also looks a lot better than a huff-n-puff face..
Become the (non-drunk) đ¶drunken-master.
đ Macaco tips:
Donât jump from your feet, but rather lead with your belly-button. Imagine it pulling the rest of your body and legs through the arc. This will help your body to open up and stretch out.
Leading with the knees or feet makes the macaco very small and closed. Actually there are times for that but in general big and open movements look better.
đȘI had an idea during warmup. While stretching or jogging we can move other body parts. Particularly small flection-relaxation movements. For example, while stretching arms across the chest/shoulder, I squeeze-relax my fingers, or flex-extend my wrists.
In my theory this does various things.
It incorporates extra muscles in the stretch.
So it also (slightly) increases calorie usage.
It might make a passive stretch more active by moving while stretching.
By changing the position it brings more parts of each muscle into the stretch.
Is this all bullshit? I donât know at the moment..
Diary entry 7/2/2016
Rato, Queimado, eu, Rainha, Arroz, PavĂŁo
đ„ Let goooooo
Relax and flow with your partnerâs movements. It will look and feel so much smoother.
I wonder if I can bring this into all my capoeira.....