Shooting at the Moon

𝕾𝖈𝖚𝖑𝖕𝖙𝖚𝖗𝖊𝖘 𝖋𝖗𝖔𝖒 𝕮𝖊𝖒𝖊𝖙𝖊𝖗𝖎𝖊𝖘

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Christian Woman by Type O Negative ☦️

Michelangelo Buonarroti’s “Pietà” in St. Peter’s Basilica, Vatican.

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Wikipedia

The trees Tony Bevan paints are “isolated, like a human. I like the trunk, how it expands beyond and grasps. [The branches] are almost like elbows crossing. They’re very human-like forms and that’s what interests me, creating these spaces… in these tendon-like colours.”

Tony Bevan, born in Bradford, Yorkshire, in 1951, is known for his graphic paintings and drawings, constructed with jet-black charcoal and pigment-rich acrylics. With raw, physical energy, he renders a range of subjects – from self-portraits to architectural forms – through networks of lacerated vertical and diagonal lines, set against vivid backdrops of red, scorched orange, or cobalt blue.

Bevan studied at the Bradford School of Art, Yorkshire, between 1968 and 1971, followed by Goldsmiths College between 1971 and 1974 and the Slade School of Fine Art between 1974 and 1976, both in London.

Tony tells: “I grind my own pigments in acrylic. That came about many years ago when I was a student we used to make our own etching inks. You never realise there are different blacks until you make your own. Some might be charcoal, some might be burnt bone. All are different.”