Richard de Menocal, Calligraphy with Box and Glasses, 1982, oil on canvas, 17 x 28 1⁄8 in. (43.2 x 71.4 cm.), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.14
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Richard de Menocal, Calligraphy with Box and Glasses, 1982, oil on canvas, 17 x 28 1⁄8 in. (43.2 x 71.4 cm.), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.14

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Jim Dine, Untitled, from the portfolio A Tool Box, 1966, screenprint and collage on acetate, 24 x 19 in. (61.0 x 48.3 cm), Smithsonian American Art Museum, Museum purchase, 1967.24.9
Jim Dine, Calico, from the portfolio 11 Pop Artists, Volume III, 1965, screenprint on paper, sheet and image: 39 7⁄8 x 30 in. (101.3 x 76.2 cm), Smithsonian American Art Museum, Gift of Philip Morris Incorporated, 1966.29.25
Jim Dine, Wrench (from suite, Ten Winter Tools (handcoloured)), 1973, hand-colored lithograph on paper, image: 93⁄4 x 81⁄8 in. (24.9 x 20.6 cm), Smithsonian American Art Museum, Museum purchase, 1974.41.1
The Five of Us - "Need Me Like I Need You"

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I'm Not Going Home / The Woodchuck - Billy 'The Kid" Emerson
1954
Early rock'n'roll with one foot in the blues and the other on the dance floor
Emerson's voice rides the groove effortlessly on these irresistible rockers.
Marvin Saltzman, Rake's Progress: the Emasculation of the Golden Bear, 1966, color intaglio on paper, plate: 17 7⁄8 x 24 3⁄8 in. (45.5 x 62.0 cm), Smithsonian American Art Museum, Museum purchase, 1969.181.2
James Lovera, Lava Glazed Bowl, n.d., glazed earthenware, 4 5⁄8 x 10 in. (11.7 x 25.4 cm) diam., Smithsonian American Art Museum, Gift of Theodore Cohen in memory of his mother and her sisters: Rose Melmon Cohen, Blanche Melmon, Mary Melmon Greenberg and Fanny Melmon Liberman, 1998.122.15
Gilberto Gil
Gender: Male
Sexuality: Bisexual
DOB: 26 June 1942
Ethnicity: Afro Brazilian
Occupation: Singer, songwriter, musician, politician (PV), activist

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Georg Wilson (British, 1998) - Strange Pastoral (2025)
Georg Wilson (British, 1998), Strange Pastoral, 2025. Oil on panel, 60 x 50 cm.
Max Ernst, Aurore Boreale, 1956.
Max Ernst - Aurore Boréale, 1956, oil on canvas, 22.2 × 16.3 cm
House On Fire - Wild Billy Childish & CTMF
2026
Fuzz, fire, and first-rate garage rock
Equal parts melody and menace, delivered with trademark Billy Childish style.
Norman Scott ("Butch") Quinn, Electric Fishes, 1974, felt-tipped pen and ink on paperboard, sheet: 19 5⁄8 x 22 in. (50.0 x 56.0 cm), Smithsonian American Art Museum, Gift of Charles Lowell Marlin and James Alan Hollingsworth, 1986.35.2
Syed Haider Raza - Oliviers, 1965, oil on canvas, 114 x 146.5 cm

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Hiroshi Senju (Japanese, b. 1958)
Waterfall on Colors - 2025
Courtesy Sundaram Tangay Gallery
Sunkoo Yuh, Carge (Self-Portrait), 1997, stoneware, 51 x 36 x 27 in. (129.5 x 91.4 x 68.6 cm), Smithsonian American Art Museum, Gift of Helen Williams Drutt English and H. Peter Stern in honor of the 35th anniversary of the Renwick Gallery, 2007.47.35