Reza Derakshani (Iranian, active in the US, 1952), Green Lily Night, 2014. Oil, enamel and tar on canvas. 143 × 240 cm.
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"I'm Dorothy Gale from Kansas"

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ

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Alisa U Zemlji Chuda
noise dept.
I'd rather be in outer space 🛸

#extradirty
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will byers stan first human second
Jules of Nature
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Misplaced Lens Cap
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YOU ARE THE REASON
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Reza Derakshani (Iranian, active in the US, 1952), Green Lily Night, 2014. Oil, enamel and tar on canvas. 143 × 240 cm.

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Sham Shack - UT
1984
A thrilling collision of no wave, post-punk and avant-garde brilliance
I love the way this track pushes at the boundaries of rock with remarkable confidence.
Untitled, Max Ernst, 1921
Erykah Badu || Didn’t Cha Know
Produced by Jay Dee/J Dilla
https://gallica.bnf.fr/ark:/12148/bpt6k9117634c/f1.item
1917
Wolfgang Adam Töpffer (1766-1847)

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Edgar Degas - cuaderno de viaje (gallica.bnf.fr / Bibliothèque nationale de France)
Shirwa Ascends His Father's Throne by Amir Khusraw Dihlavi. India, 16th Century.
The Nelson Atkins Museum of Art.
Page from the Codex Amiatinus depicting Christ and Four Angels. Created by Wearmouth and Jarrow. English, 688-713.
Accessed via The Library of Congress; original source Medicea Laurenziana Library, Florence.
Animal-Spouted Pitcher. Iran, 9th to 10th Century.
The Metropolitan Museum of Art.
Sir Orfeo, illustrated by Errol le Cain.

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This is London • by Miroslav Sasek https://www.instagram.com/p/DZiASKWjsm5/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==
Gerhard Richter (b. 1932) [Germany] — ‘Fuji’, 1996. Oil on Alucobond (37.5 x 29.2 cm).
sarah gesek
BLANCHE LAZZELL (1878-1956) Provincetown Church Tower (Black Line) woodcut in colors, 1926,
pages from the Offenbacher Haggadah, printed in Germany in 1927
Instead of ending with “next year in Jerusalem, the Offenbach Haggadah concludes with the words: “next year in Worms on the Rhine, our home.”
Illustrations by Fritz Kredel (1900-1973). Font design by Rudolf Koch (1876-1934).

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Robert Walter Weir, The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly, 1830, oil on canvas, 20 7⁄8 x 17 1⁄2 in. (53.1 x 44.5 cm.), Smithsonian American Art Museum, Museum Purchase, 1991.66
Sylvia Stone, Installation Model for Dead Heat, 1978, mixed media: painted wood and paperboard, plastic and aluminum, 21 1⁄4 x 56 1⁄4 x 63 1⁄8 in. (53.9 x 143.0 x 160.2 cm), Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.49.14