
taylor price
wallacepolsom
sheepfilms

blake kathryn

JVL
almost home

tannertan36
One Nice Bug Per Day

roma★
Today's Document
ojovivo

Origami Around

Kaledo Art
Stranger Things

@theartofmadeline
AnasAbdin

Discoholic 🪩


seen from Brazil
seen from Türkiye

seen from Malaysia
seen from South Korea
seen from United States

seen from United States

seen from Poland

seen from Malaysia
seen from Türkiye

seen from Poland
seen from United States
seen from Netherlands

seen from United States

seen from United States

seen from United States
seen from United States

seen from Philippines

seen from Germany
seen from Russia

seen from Malaysia
@soundgrammar

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Papa Wemba - "Mère supérieure"
Papa Wemba
Jules Shungu Wembadio Pene Kikumba (June 14, 1949 – April 24, 2016) known professionally as Papa Wemba, was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. Dubbed the “King of Rumba Rock”, he was one of the most popular musicians of his time in Africa and played an important role in world music. He was a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages worldwide.
His road to fame and prominence began when he joined the music group Zaiko Langa Langa. This was followed by his success as a founding member of both Isifi Lokole and Yoka Lokole, and a short stint with Afrisa International. He was establishing a style that blended traditional Congolese rumba and soukous with African sounds, Caribbean rhythms, rock, and soul. He gained international success and status with his band, Viva La Musica, after he took them to Paris. It was there that he achieved a more “eclectic sound” in his work, influenced by Western popular music with a European flavor and style, referred to as “Europop.” #africanhistory365 #africanexcellence

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
scopOphilic_micromessaging_1718 - scopOphilic presents its micromessaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally. (2026)
Gun Slinger - Bo Diddley
1960
Lean, mean, and packed with attitude
A stripped-back groove with all the swagger in the world.
Alice Neel
Alice Neel, Vera Beckerhoff, 1972
Oil on canvas, 60 x 32 in
OLIVIA RODRIGO via livieshq (June 12, 2026)
Carrie Mae Weems, “Mom at Work” (1978-84) (photo Nereya Otieno/Hyperallergic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Remedios Varo (1908-1963) — El Otro Reloj (The Other Clock) [gouache on cardboard, 1957]
"Pool Parlor" (1942) ◇ Jacob Lawrence · gouache
Kandy G. Lopez R ² - Roscoe and Reggie 2024 Yarn and acrylic paint on hook mesh
Orlando Museum of Art’s 2025 Florida Prize in Contemporary Art
Nam June Paik: My Faust-Communication (1991)
Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972-76, Helicopter view, September 8-10, 1976, black and white photograph, 39 3⁄8 x 59 7⁄8 in. (100.0 x 152.1 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, R.RF.3.219, © 1976, Christo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972-76, Marsh Road between Segments 6R and 5A, September 10-20, 1976, color photograph, 28 x 39 in. (71.1 x 99.1 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, R.RF.3.82, © 1976, Christo
Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972-76, 1973, revised 1975, pencil, ink, green felt tip pen on paper, 25 1⁄8 x 48 3⁄4 in. (63.8 x 123.8 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, R.RF.3.287, © 1975, Christo