Is this anything
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Is this anything

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summer sufferers poll: would you rather have…
the ability to repel all bugs so they can’t touch/bite/sting you
the ability to always be at a comfortable temperature while outside
no chafing ever again
When Grace is on Rocky’s ship, we see Rocky showing Grace designs on the ship wall, which I think are insignias that represent the original crew of 23 Eridians.
He’s telling Grace about his crew members.
Shermie!
Honorary eridian

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The clowns get to dress up for once AND get ice cream coz summer
(I kinda went for a 70s vibe but idk)
Close ups
I want to hug and SQUEEZE Caine so hard OMGGGG my babyy
WHY HAVE I SEEN NO ONE TALK ABOUT HOW THE GRACE SCULPTURE LOOKS LIKE THE LITTLE DUDE FROM THIS MEME
THAT WAS LITERALLY MY FIRST THOUGHT UPON SEEING IT IN THE MOVIE
I had to xD
hmmmmm finished the book and I'm chewing on Stratt characterization choices . . . already reblogged a post about how in the movie her sending Grace on the mission even though he begs her not to feels more like a betrayal and in the book it feels more like an inevitability, and this feels indicative of how in general the two versions take somewhat inverse approaches to her arc.
Which is to say, the movie tries to play a bait-and-switch, acting as if it's going to take the "stern, non-nonsense woman learns to open up" route: the slow build towards the vulnerability of the karaoke scene, shots of her and Grace looking at each other that seem like they might be headed for a romance plot—and then it plays her ruthlessness as a reveal. No, you were wrong about where this is going. They aren't going to kiss. She's going to drug him and send him on a suicide mission against his will for the good of the planet. And this is really effective!
But in the book we've known how ruthless she is for a long time. We see her taking drastic actions on-page and we know she'll do anything for the mission (and Grace knows it too). What we haven't seen is any hint of vulnerability . . . until their very last conversation. That's the first and only time we see the cracks in her facade, as she wraps her arms around herself and talks about how she studied history, how she knows that death and war and famine are coming and that the Hail Mary is their only hope for survival. She never explains herself, but she tries here, finally, desperate to make Grace understand what's at stake. She's frightened. She's spent years in control of everything and the only thing more terrifying than that is that as soon as the Hail Mary launches she'll have no control anymore. It will be out of her hands and in his and he doesn't even want to do it. She's been the picture of iron self-control for the whole book and it's only at the very end that we get a glimpse of all those messy human emotions that she keeps tamped down. For the most part I think the book struggles to evoke the same intensity of emotion as the movie does, but this scene hits.
I don't have a snappy conclusion I am mostly just rotating her in my mind but I think it's really neat how despite having some similar elements the two versions take such opposite approaches to them and that they both work as well as they do!

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my favorite deep-fried science guy
I kinda merged movie and book here (tw: his chemical burns)
been seeing a lot of human rocky designs around so i thought i'd try making one myself :]
design thoughts under cut:
talking about film stuff alone to the exclusion of book elements for a minute: it really reads to me that the thing actually getting to stratt in her last scene with grace isn't that she has to ask him to die for the cause, we've already established that it's not difficult for her to do that under these circumstances, it's that she has to do it against his will. her voice doesn't start going thin like she's holding back tears until she starts to explain that that they're going to force him despite his refusal, and three times over she asks him to stop fighting back, escalating to violence against him is the specific part she doesn't like. if he stays then he dies in thirty years with everyone else, if he goes then he dies in thirteen years as part of saving everyone else and also probably goes out less painfully, the death is broadly the same either way so it's not part of her arithmetic, but she didn't want to have to make his last memories on earth so distressing.
I saw a post around somewhere that I wish I'd saved about how it might have been less painful for grace if stratt had just told him from the get-go that he didn't have a choice about getting on the ship, and I think I agree; subjectively I feel like having a "no" ignored rather just being ordered into something in the first place is a worse experience. stratt not being upfront about it contradicts her usual "you now live on a boat" modus operandi, it prolongs the process and adds extra steps when they're already running on so little time, and I think it might be the one genuinely selfish decision she makes, letting grace believe he has a say in the matter for those three hours gives him time to agonize about it in his Dish Antenna Array Of Despair and opens him up to really feel that betrayal and removal of autonomy as hard as possible. and, let's be real, she goes into that meeting 99% sure he's not going to agree, that's why she has a doctor on standby and guards ready to give chase, but up until his last "you just can’t talk me into it" she's hoping that maybe he'll just say yes and she won't have to do something awful to someone she likes. keeping the opportunity open for the easy way instead of immediately taking the hard way also leaves the door open for the significantly more likely hardest way.
Tags from @carlyraejepsans !
#i know this is about the film but i think it's also relevant to the way stratt projects her responsibility on grace in the book #yao's refusal to force anyone on the mission against their will gives her a practical reason to proceed the way she did #but that final scene in the prison? that's all her. see it. please see what the world is about to face. please see why i had to do this #this isn't about your ego this isn't about your life this isn't about me you said it once a long time ago this is about those children. #in the same way movie stratt didn't need to prolong the experience like this book stratt did not need to yknow #force her presence in the prison room of the man she was sending to his death to make him understand why she did it #it's simultaneously an attempt at kindness/resect and the most selfish thing we see her do in the book #(guy who has been thinking about the prison scene for a week straight) i have only normal opinions about this
people drawing rocky like this is literally my favorite thing ever never stop

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ever hear a song and get the urge to make a phm edit
it's a universal experience right
this is my contribution
(It's 100% Grace centered btw enjoy!)
and out of the darkness - you you you you you