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✧ The enemies-to-lovers pipeline is not just “we yelled once” and now we’re making out. Where is the tension? Where is the mutual respect beneath the knives? Where is the unbearable yearning while they patch each other up post-battle, covered in blood and unresolved feelings?

✧ You do not have to pair everyone off like it’s a high school dance and the chaperones are judging. It’s okay for characters to stay single, or in situationships, or be in love with someone who doesn’t love them back (ouch, but delicious).

✧ If they fall in love because they’re “both hot and there,” I am going to demand emotional receipts. What do they see in each other that nobody else does? Give me the specificity. “He brings her tea when her hands shake.” “She doesn’t mock his cursed poetry.” That kind of slop.

✧ Consent is hot. I don’t care if they’re vampires, enemies, rivals, or literal gods at war. “Do you want me to kiss you?” with the voice drop is sexier than 87 pages of unspoken tension ending in a sudden smooch that makes no sense.

✧ A love triangle is not “who is hotter.” It’s “which future does this character want.” One boy represents safety, the other chaos? Great. But we’re picking identities, not abs.

i was not planning on posting this but whatever

Prints

Prints

Spicy Fencing Shenanigans pt3