Pellumair @pellumair - Tumblr Blog

huge fan of the depth of a good purple but another area that draws me is definitely around aquamarine/turquoise/seafoam. you can not go wrong once the green starts getting just a tinge more blue. a gal could certainly do worse than to pull over there and stay a while

charl0ttan

something earth shattering going on here

emily84

this is why one of my favorite all-time paintings is Ship in Stormy Seas by Ivan Aivazovsky... he was really onto something there

a close up to just... light shining through those waves, makes me feel faint with exhilaration every time

is-there-a-boat

THERE IS A BOAT BY IVAN AIVAZOVSKY!!

clayandsorcery

Ivan Aivazovsky could paint glowing water. One of the GOATs for sure.

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wilderbas

brb returning to my roots

#fruits basket #fruits basket fanart

petaltexturedskies

One day you’ll have whatever it is you’re now so confusedly seeking. That kind of calm that comes from knowing oneself and others. But you can’t rush the arrival of that state of mind. There are things you only learn when no one teaches them. And that’s how it is with life. There’s even more beauty in discovering it for yourself, in spite of the suffering.

Clarice Lispector, from “Gertrudes asks for advice” in The Complete Stories

#tr

achillesinhighheels

artbysarf

Guard Dog Cat 🐱

#fruits basket fanart #kyoru

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izukutears

I’m not one of those people who finds Akito’s actions justifiable because of her trauma, but I really appreciate the parallels between her and Tohru. They both have a desire to keep their connections eternal and unchanged. For Tohru, this began after her father’s death. Kyoko was so focused on her grief that she neglected Tohru and nearly took her own life. In an attempt to give her mother something to live for, Tohru took on her father’s polite/formal speaking style and became the perfect daughter. The belief that she needs to act a specific way to maintain her relationships spread to the rest of her life. While Tohru’s kindness is genuine, her motivation isn’t completely selfless. She’s nice to people because she wants them to stay. The show portrays her extreme kindness as a strength, but her motive is cast in a negative light. When Kyoko passes, Tohru is scared to love anyone more than she loved her mom because that might weaken their connection. This fear stopped her from moving forward in life. Bonds are not meant to be eternal. Change leads to growth. (TOHRU IS NOT A MARY SUE BTW!!)

Akito also lost her father at a young age, but unlike in Tohru’s situation, her mother permanently rejects her afterwards. This gave Akito a fear of abandonment and causes her to aggressively cling to the other zodiac members. As the head of the family, she believes that she’s owed a relationship with them. She maintains these bonds with extreme force, lashing out at the possibility of them caring for anyone else.

The protagonist and antagonist having the same core fear allowed the story to explore the theme from both angles. Whether you’re convincing people to stay through carefully crafted kindness or needless cruelty, it won’t guarantee genuine connection. Choice > Obligation. Growth > Comfort.

#fruits basket

tiredyke

the time to be a mean dyke is now. be a killjoy feminist and take things too seriously, we’ve been too nice about girl math and girl dinner and pink jobs and the general infantilization of women and it’s gotten us nowhere. be a buzzkill now, for our future and our dignity

rochichan

earlier in the year, i committed to doing a challenge that i called "rochi's anime of the year" starting from 2004, when I really got into the medium. so here's 2004 to 2009!

dearjasperfrancis

jodie foster on set of silence of the lambs

#movies

letterful

the blessing of lovelessness—

dunya mikhail / wisława szymborska / marina tsvetaeva / margaret atwood

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archbudzar

its gonna be nothing like you planned

primulaceas

Paul Auster, The Brooklyn Follies

ashstfu

x / martha gellhorn

theinternetarchive

great films available on the internet archive part two

first post + the archive collection with all of them

la haine (1995) dir. mathieu kassovitz

carnival of souls (1962) dir. herk harvey

andrei tarkovsky's filmography

a nightmare on elm st. (1984) dir wes craven

possession (1981) dir. andrzej źuławski

the silence of the lambs (1991) dir. jonathan demme

safe (1995) dir. todd haynes

psycho (1960) dir. alfred hitchcock

cops (1922) dir. buster keaton

sherlock jr (1924) dir. buster keaton

when harry met sally... (1989) dir. rob rainer

the bride of frankenstein (1935) dir. james whale

man with a movie camera (1927) dir. dziga vertov

coffee and cigarettes (2003) dir. jim jarmusch

m (1931) dir. fritz lang

it happened one night (1934) dir. frank capra

casablanca (1942) dir. michael curtiz

purple noon (1960) dir. rene clement

carrie (1976) dir. brian de palma

eraserhead (1977) dir. david lynch

they live (1988) dir. john carpenter

female trouble (1974) dir. john waters

do the right thing (1989) dir. spike lee

wings (1927) dir. william a wellman

fallen angels (1995) dir. wong kar wai

velvet goldmine (1998) dir. todd haynes

black panthers (1968) dir. agnes varda

american psycho (2000) dir. mary harron

the manchurian candidate (1962) dir. john frankenheimer

girlfriends (1978) dir. claudia weill

more to come ♡ glad you all like movies.

#tr

theinternetarchive

a few great films that are free on the internet archive

in decent quality too!

here is the archive collection of these films so you can favorite on there/save if desired.

links below

black girl (1966) dir. ousmane sembene

the battle of algiers (1966) dir. gillo pontecorvo

paris, texas (1984) dir. wim wenders

desert hearts (1985) dir. donna deitch

harold and maude (1973) dir. hal ashby

los olvidados (1952) dir. luis bunuel

walkabout (1971) dir. nicolas roag

rope (1948) dir alfred hitchcock

freaks (1932) dir. tod browning

frankenstein (1931) dir. james whale

sunset boulevard (1950) dir billy wilder

fantastic planet (1973) dir. rené laloux

jeanne dielman (1975) dir. chantal akerman

the color of pomegranates (1969) dir. sergei parajanov

all about eve (1950) dir. joseph l. mankiewicz

gilda (1946) dir. charles vidor

the night of the hunter (1950) dir. charles laughton

the invisible man (1931) dir. james whale

COLLECTION of georges méliès shorts

rebecca (1940) dir. alfred hitchcock

brief encounter (1946) dir. david lean

to be or not to be (1942) dir. ernst lubitsch

a place in the sun (1951) dir george stevens

eyes without a face (1960) dir. georges franju

double indeminity (1944) dir. billy wilder

wild strawberries (1957) dir. ingmar bergman

shame (1968) dir. ingmar bergman

through a glass darkly (1961) dir. ingmar bergman

persona (1961) dir. ingmar bergman

winter light (1963) dir. ingmar bergman

the ascent (1977) dir. larisa shepitko

the devil, probably (1977) dir. robert bresson

cleo from 5 to 7 (1962) dir. agnes varda

alien (1979) dir. ridley scott + its sequels

after hours (1985) dir. martin scorsese

halloween (1978) dir. john carpenter

the watermelon woman (1996) dir. cheryl dune

EDIT: part two here + the letterboxd list

edit: part three here

#tr

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