Peeps

a few doodles

Some gitm guys and other Things YAY

meow

This one is so stupid but I couldn't get the idea out of my head

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are you so scared of learning some of your things actually came from other cultures that were actually not Europeans who live in castles?

I was like, “It’s just a hat. If you like it and you wear it, it’s not a woman’s hat, it’s just your hat. You don’t need to follow what the tag says if you don’t want to.” And it was like I gave him some kind of awe-inspiring wisdom he’d never considered, and he left with that hat on his head.

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

me: sweet hit me with the good stuff

media: so there's this marginalized underclass of people, right?

me: okay

media: and they're like, stigmatized for something that's mostly an aspect of how they are born, or where they're from, or they're badly misunderstood, right?

me: yup, got it, I'm with ya

media: so these people are rebelling against the current social order, because it's the instrument of their suffering

me: oh good great sure

media: but also they're violent and deranged and need to be stopped

me: ...what

media: yeah they're going too far, they're trying to overthrow the system and assassinate the nice cop trying to help them and also they burned down an orphanage

me: ...why? would they burn down an orphanage??

media: extremism is bad

me: still not seeing what this has to do with their fight though???

media: also now they've shot a dog. oops they shot another dog

me: what?! why? I though their motive was to overthrow oppression??

media: yes but their suffering has also made them evil

me: ...???

media: don't worry though, the good guys will defeat them and restore the status quo

me: the status quo that's been killing people?

media: well it turns out it was only killing the kinds of awful people who burn down orphanages and shoot dogs :)

me: oh. this is actually a pro-authoritarian story, isn't it?