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Look through any window, Paloma Salgado Díaz

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Mark Rothko, No. 7, 1951
part of the Macklowe collection
courtesy Sotheby’s/AFP
Copyright Kate Rothko/Christopher Rothko/ARS
This particular palette depicts the goddess Hathor, who is represented in the form of a cow. Stars can be seen around her head of her, displaying her cosmological significance of her. There is a hole to hang the palette.
Photo credit© Sandro Vannini / Bridgeman Images
Predynastic Period Egyptian
Egyptian Museum Cairo
Blotter House, 2021
Acrylic, dye and ink on burlap.
79 x 68 in (200.6 x 172.7 cm)
Evan Nesbit
Tony Linck. A view of the fog drenched streets of London. 1940s

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Vampire (1825) Eugène Delacroix
Lucy Mckenzie, Untitled, 1997, oil on canvas
Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies
Andrea Gibson, Lord of the Butterflies
— Ursula K. Le Guin, from “A Rant About ‘Technology’”

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London By Night #22, London, Photo by Brian Griffin, 1986
Time Out London in i-D ISSUE 209 ‘THE DNA ISSUE’ MAY 2001
Joan Baez, 1963
Della (Street)
Ann Slavit
Oh you sweet thang…
Who me?!

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read frantz fanon's the wretched of the earth for free to download as pdf from the internet archive.
this text is foundational decolonial theory, and uses dialectical materialism and psychoanalysis to argue for the political liberation of colonized peoples.
incredibly pressing issue, and a revolutionary text not enough have actually engaged with.
thank you for listening i beg of you read it, it's quite important.
Marilyn Burns as Sally Hardesty in the 1974 film The Texas Chainsaw Massacre