Look, I get that a lot of people love Kenny because he's an OG from season 1 and im not ignoring that Kenny went through some horrible traumas. Losing his wife, his son and second love is what exacerbates his behaviour.
But this doesn't excuse his actions, treatment of others and failure to cooperate in a group, in a survival situation.
One of Kenny's defining flaws is that he treats friendship as transactional.
If Lee disagrees with him—especially over Larry—Kenny becomes openly resentful, despite Lee saving his family one more than one occasion (the dairy farm and motel evacuation) and may even refuse to help rescue Clementine later.
Perhaps Kenny's ugliest moment:
If Lee hasn't sided with Kenny enough throughout the season, Kenny initially refuses to help rescue an eight-year-old girl because of past disagreements.
He can eventually be convinced, but only after arguing with Lee.
And i think that Season 2 was his absolute worst.
Almost immediately Kenny stars insisting his plans are correct, everyone else is stupid, disagreeing him with is betrayal. For example, Nick questioning Wellington, Kenny snaps at him. He often loses him temper, this made him unreliable as a teammate when emotions were high.
If Clementine decides she wants to go back South like the rest of the group, he guilt trips her in the car. "What was that back there? I expected more outta you, Clem."
He was completely hypocritical when it came to Sarita's death. Killing Larry, he could justify because he believed he would turn in a locked room. Yet no matter what Clem chooses to do after Sarita is bitten, he chooses to blame a child.
He doesn't think before he does things, he rushes into situations putting others in danger.
For example, the radio situation with Carver. There is no way of knowing how Carver would have reacted if Kenny had just handed it over. But he decided to insult, a clearly disturbed man, resulting in himself getting mutilated and Clementine getting caught in the crossfire. He often responds to conflict with shouting, intimidation or violence. But I think Jane said it best, in regard to Kenny's state.
I've seen that look before... Clem, he beat that boy within an inch of his life. We are way past fine. I know Kenny's a nice guy, Clem. I bet Carver was a nice guy too, once. Probably had a nice job and a nice, pretty wife. Then all this happened. And one day, he caved some kid's face in and realized he could sleep at night."
Jane's point isn't that Kenny has literally become Carver, but that she believes Kenny is on the same path and his outbursts make him no longer safe to be around.
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Today, Heartstopper finished.
And I can honestly say it is one of the comics, I have enjoyed the most.
I started reading in 2020, at a horrible time in my life. But having a new update to read gave me something to look forward to, and I felt that my life, resembled Charlie's. And reading his story, gave me some hope that things would get better.
Now, all endings are bittersweet. And I will miss the six years I had of reading. But I understand that Alice has finished with this project, and I hope she goes onto create something that they are proud of and happy with. Thanks, Alice.
Duty is the death of Love. Love is the death of Duty.
The quote "Sometimes duty is the death of love" is a poignant reversal of the more well-known phrase, emphasizing how a deep sense of obligation or responsibility can force someone to suppress, abandon, or even destroy the love they hold dear.
Carmen grows up believing she belongs in V.I.L.E., only to discover its true nature. This revelation shapes her into a rogue agent, committing her life to stopping V.I.L.E.’s global crimes. Her new duty—to justice, to righting wrongs, to protecting the innocent—becomes her core identity.
But this mission often comes at the expense of personal connections.
Carmen’s bond with her found family—Player, Zack, Ivy, and others—is deep, but she constantly keeps them at arm’s length emotionally. She rarely rests, rarely opens up, and often carries the weight of her mission alone. Her duty to dismantle V.I.L.E. consumes her, leaving little room for vulnerability or a normal life. Even the mystery of her parentage—especially the truth about Dexter Wolfe—represents a personal longing she postpones, or sacrifices, in service to her larger cause.
There are moments where Carmen shows glimpses of love: for her friends, even for her enemies when she refuses to harm them unnecessarily. But these feelings are often sidelined. She walks a lonely path not because she wants to—but because her duty demands it. In this way, her sense of responsibility kills or delays the love she might otherwise embrace.
“Sometimes duty is the death of love” perfectly encapsulates Carmen’s journey. While love motivates her—love for justice, for those harmed by V.I.L.E., for the team who supports her.
She sacrifices connection, rest, and emotional fulfillment in service of her mission. Unlike her father, who chose love over duty and paid the price, Carmen chooses duty over love—and pays a different price: isolation, longing, and emotional restraint.
Yet, this sacrifice also defines her heroism. It shows that Carmen’s strength lies not just in what she fights against, but in what she’s willing to give up to do what’s right.
Dexter Wolfe was a top operative for V.I.L.E., trained in espionage, manipulation, and theft. As an agent of such an organization, his duty was clear: loyalty to V.I.L.E., obedience to its goals, and unwavering commitment to its cause. But when his daughter is born —despite being part of an organization that typically shows no compassion—Wolfe chose to raise her, protect her, and ultimately love her.
That paternal love, over time, eroded his sense of loyalty to V.I.L.E.
His growing attachment to Carmen led him to the abandonment of his work, the methods of V.I.L.E. In essence, his love for Carmen became the "death" of his duty to V.I.L.E., in the most literal and symbolic ways: he began breaking rules, shielding her from V.I.L.E.'s influence, and eventually paid with his life.
Dexter Wolfe’s defiance came at a cost. He was ultimately betrayed by V.I.L.E., showing that love—while noble—was incompatible with the ruthless world he belonged to. His story is a tragic example of how love can compel one to abandon their sworn duties, even in the face of danger, and how systems like V.I.L.E. punish compassion.
"Sometimes love is the death of duty" He was a man trained to serve a cold, calculated organization but was undone by a very human, very powerful emotion: love. His choice to prioritize Carmen over V.I.L.E. didn't just lead to a change in allegiance—it led to his downfall.
AHH HII I LOVE THIS!! I BET YOUR ENGLISH TEACHERS LOVE YOU CUZ DAM I DO!!!!!
I really wanna say more but I’m running to work soon so please know this was phenomenal and so accurate! I love the use of the poem and ahhhh your way of explaining it was brilliant, I’m in love
Would Carmen have also eroded Shadowsan’s duty then to? I love the idea that the cast are on either side of this choice— risking it all for love or dying in the arms of duty. Amazing 🩷🩷🩷
Shadowsan's duty was absolute: train the next generation of operatives, maintain order within the academy, and enforce V.I.L.E.’s codes without question.
Carmen’s refusal to embrace V.I.L.E.'s methods—her compassion, independence, and sense of justice—forces Shadowsan to reflect. She questions the very system he serves, and instead of dismissing her, he listens. Over time, he sees her not as disobedient, but principled—something V.I.L.E. lacks.
By choosing to help Carmen escape, and later joining her mission to dismantle V.I.L.E., Shadowsan commits treason against his own organization. This is the ultimate sign that his duty has shifted—from loyalty to V.I.L.E., to loyalty to Carmen and her cause.
Carmen doesn’t simply break Shadowsan’s sense of duty—she redirects it. He never becomes aimless or disloyal by nature; instead, his sense of honor finds a new outlet. His arc is a classic case of love (in the form of respect, mentorship, and moral alignment) reshaping duty.
So, Carmen eroded Shadowsan’s original duty—but in doing so, helped him forge a more righteous one.
Love is the death of Duty. Duty is the death of Love.
The quote "Sometimes duty is the death of love" is a poignant reversal of the more well-known phrase, emphasizing how a deep sense of obligation or responsibility can force someone to suppress, abandon, or even destroy the love they hold dear.
Carmen grows up believing she belongs in V.I.L.E., only to discover its true nature. This revelation shapes her into a rogue agent, committing her life to stopping V.I.L.E.’s global crimes. Her new duty—to justice, to righting wrongs, to protecting the innocent—becomes her core identity.
But this mission often comes at the expense of personal connections.
Carmen’s bond with her found family—Player, Zack, Ivy, and others—is deep, but she constantly keeps them at arm’s length emotionally. She rarely rests, rarely opens up, and often carries the weight of her mission alone. Her duty to dismantle V.I.L.E. consumes her, leaving little room for vulnerability or a normal life. Even the mystery of her parentage—especially the truth about Dexter Wolfe—represents a personal longing she postpones, or sacrifices, in service to her larger cause.
There are moments where Carmen shows glimpses of love: for her friends, even for her enemies when she refuses to harm them unnecessarily. But these feelings are often sidelined. She walks a lonely path not because she wants to—but because her duty demands it. In this way, her sense of responsibility kills or delays the love she might otherwise embrace.
“Sometimes duty is the death of love” perfectly encapsulates Carmen’s journey. While love motivates her—love for justice, for those harmed by V.I.L.E., for the team who supports her.
She sacrifices connection, rest, and emotional fulfillment in service of her mission. Unlike her father, who chose love over duty and paid the price, Carmen chooses duty over love—and pays a different price: isolation, longing, and emotional restraint.
Yet, this sacrifice also defines her heroism. It shows that Carmen’s strength lies not just in what she fights against, but in what she’s willing to give up to do what’s right.
Dexter Wolfe was a top operative for V.I.L.E., trained in espionage, manipulation, and theft. As an agent of such an organization, his duty was clear: loyalty to V.I.L.E., obedience to its goals, and unwavering commitment to its cause. But when his daughter is born —despite being part of an organization that typically shows no compassion—Wolfe chose to raise her, protect her, and ultimately love her.
That paternal love, over time, eroded his sense of loyalty to V.I.L.E.
His growing attachment to Carmen led him to the abandonment of his work, the methods of V.I.L.E. In essence, his love for Carmen became the "death" of his duty to V.I.L.E., in the most literal and symbolic ways: he began breaking rules, shielding her from V.I.L.E.'s influence, and eventually paid with his life.
Dexter Wolfe’s defiance came at a cost. He was ultimately betrayed by V.I.L.E., showing that love—while noble—was incompatible with the ruthless world he belonged to. His story is a tragic example of how love can compel one to abandon their sworn duties, even in the face of danger, and how systems like V.I.L.E. punish compassion.
"Sometimes love is the death of duty" He was a man trained to serve a cold, calculated organization but was undone by a very human, very powerful emotion: love. His choice to prioritize Carmen over V.I.L.E. didn't just lead to a change in allegiance—it led to his downfall.
Carmen: Hermes- As the god of travelers, thieves, and trickery, Hermes fits Carmen very well. She's constantly moving around the world, outsmarting people, and engaging in clever heists — all Hermes-like qualities. Hermes would probably be the best match that I would choose: clever, quick, elusive, and a master of movement and mischief.
Shadowsan: Hades- Shadowsan is serious, wise, a bit intimidating, and operates in the shadows — much like Hades, ruler of the underworld. Hades isn't evil in Greek myth; he’s stern, just, and cares deeply about order, similar to how Shadowsan often acts as a guardian or mentor to Team Red.
However, I would also link him to Thanatos, the spirit of peaceful death — Shadowsan is quiet, calm, and strikes with precision when necessary, but is not cruel.
Chief (Tamara Fraser) most closely represents Themis, the Greek goddess of law, order, and justice — with some leadership traits of Hera.
Themis is the goddess of divine order, law, and justice. She represents balance, fairness, and enforcement of rightness. Chief’s role in ACME is exactly that: maintaining global justice and keeping crime in check.
As queen of the gods, Hera ruled with authority and protected the structure of Olympus. Chief has a similar commanding, no-nonsense leadership style — she makes sure things run correctly.
Player: Prometheus: Though technically a Titan, Prometheus gave fire (technology, knowledge) to humanity and is associated with empowering others. Player empowers Carmen through information — like a digital Prometheus.
Zack: Apollo- Apollo is the god of many things — including youth, music, and sports. Zack’s energetic, sometimes cocky, athletic vibe fits Apollo’s "golden boy" energy.
Ivy: Nike- The goddess of victory. Ivy is competitive and loves a good challenge — she’s about winning and getting the job done.
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Saw a lot of people doing characters as the Seven Deadly Sins, and I wanted to do it. So, here you go. (I will be posting other parts, like this. With Virtues, greek gods; etc.)
Carmen: Pride (Superbia)—but in a noble, almost heroic way.
Carmen is highly confident in her abilities, always staying steps ahead of her pursuers. She takes immense pride in her work, whether it's outsmarting V.I.L.E. or reclaiming stolen artifacts. She has a bit of a showmanship streak—she doesn’t just steal, she makes a statement. Unlike typical arrogance, her pride is balanced by a strong moral compass.
However, unlike the sinful version of Pride, Carmen’s is more about self-assurance and justice rather than arrogance or vanity. If anything, she embodies the "Virtuous Pride" of someone who knows their worth but doesn’t let it consume them.
Shadowsan: Wrath (Ira)—but in a disciplined and controlled way, more like righteous fury than reckless anger.
Shadowsan is a warrior, trained in combat, and his fighting style reflects precision and intensity.
Early on, he is ruthless as a V.I.L.E. operative, showing little hesitation in battle.
His eventual betrayal of V.I.L.E. comes from anger at their corruption—his wrath is focused on justice rather than destruction.
Unlike uncontrolled wrath, Shadowsan channels his anger strategically, teaching Carmen discipline rather than revenge.
Shadowsan’s version of Wrath is more like a samurai’s honor-bound fury—cold, calculated, and only unleashed when truly necessary.
Dexter Wolfe: Sloth (Acedia)—but not in the traditional "lazy" sense. Instead, he represents the tragic side of Sloth: missed potential, helplessness, and loss.
Dexter was a loving father but never got to fulfill his potential due to his untimely death.
His story revolves around missed opportunities—he was unable to raise Carmen, stop V.I.L.E., or leave behind a legacy beyond tragedy.
He represents a life cut short before it could achieve greatness, much like how Sloth is seen as wasted potential.
Unlike the typical "laziness" version of Sloth, Dexter’s story reflects a tragic stillness—someone who could have done more but was stopped before he had the chance.
The Chief/ Tamara Fraser: Envy (Invidia)—but in a righteous, justice-driven way rather than pure jealousy.
Obsession with Carmen: Chief is laser-focused on capturing Carmen, partly because Carmen operates outside the law and succeeds where A.C.M.E. fails.
Frustration with Carmen’s independence: While A.C.M.E. is bound by rules, Carmen plays by her own, making Chief resentful of Carmen’s freedom and effectiveness.
Determined to prove A.C.M.E. is superior: Envy isn’t just about jealousy—it’s about wanting what others have. Chief wants the control, knowledge, and success Carmen has but in a lawful way.
She’s not malicious, but she’s relentless. She’s constantly trying to outdo Carmen, expose her, and prove that A.C.M.E. is the real force for justice.
Unlike the corrupt version of Envy, Chief’s comes from a desire to uphold order—but it still blinded her to the fact that Carmen isn’t truly a criminal.
Coach Brunt: Gluttony (Gula)—not just in the literal sense (since she enjoys food), but in a deeper, greed-driven hunger for power, control, and loyalty.
She craves power and control. Brunt isn’t satisfied with just being a V.I.L.E. operative—she wants Carmen to stay under her influence, and she gets angry when Carmen rejects her.
She’s emotionally gluttonous. She demands loyalty and obedience from her students, treating them like possessions rather than individuals.
She indulges in violence and brute force. Unlike more tactical villains, Brunt revels in destruction and direct confrontation, enjoying the thrill of overpowering others.
She has a literal love of excess. From her rough, indulgent personality to her big, boisterous presence, Brunt embodies the overindulgence of Gluttony—never satisfied, always wanting more.
She’s not just physically strong—her greed for control, loyalty, and brute-force dominance makes her a consuming force.
Gray: Greed (Avaritia)—but in a tragic, conflicted way rather than pure selfishness.
He’s torn between loyalty and self-interest. Unlike Carmen, who rejects V.I.L.E., Gray struggles with his desire for a better life and the temptation of wealth and power.
He wants more than what he has. While Carmen steals for justice, Gray remains in V.I.L.E. partly because it offers him security, status, and a sense of belonging.
His greed isn’t just material—it’s emotional. He longs for a connection with Carmen but also wants the perks of his V.I.L.E. lifestyle. His greed for both worlds ultimately leaves him torn.
He makes selfish choices. Even when given a chance to leave V.I.L.E., he hesitates, prioritizing his own comfort and gain over doing the right thing.
Unlike villains who are purely greedy, Gray’s Greed is tied to his internal struggle—he wants Carmen’s approval, but he also wants the easy rewards of V.I.L.E. His biggest flaw is that he can’t choose between them.
Gray's greed extends to Carmen herself. He wants her friendship—but also his V.I.L.E. life. Instead of making a clear choice, he tries to have both Carmen and the benefits of working for the bad guys.
He craves her approval. Even when they’re on opposite sides, he still wants Carmen to understand him and forgive his choices.
He has a hard time letting go. Even when Carmen fully opposes V.I.L.E., Gray keeps looking for ways to stay connected to her.
He regrets losing her, but not enough to change. His greed for both his old bond with Carmen and his current life keeps him from fully committing to one or the other.
Gray’s story is tragic because his Greed isn’t just about wealth—it’s about Carmen herself. He wants to hold onto their past, even when it’s impossible.
I'm re-reading Solitaire again, it's been a while. And I was just thinking about the shorter chapters; I mean, when I read a book it takes me months to finish it because of the long chapters and a lot of things happening in the span of one.
But Solitaire isn't really like that, a new chapter is started each time the setting changes. And it makes it a lot easier to read; because I don't have to force myself to keep up.
Another reason its my favourite. Idk. It's just nice.
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