Scanned from the book Desert Eves: An Indian Paradise; Catherine Clement and photos by Hans Silvester; 2001

Victorine Müller: ‘Timeline’ (2005)

Klassenverhältnisse [Danièle Huillet, Jean-Marie Straub, 1984], based on Franz Kafka’s unfinished novel, Der Verschollene (Amerika)

Junya Watanabe - Fall 2000 RTW

beyond the tree by chen hui-chiao (2012)

Need it….. bad

Visitors watch the Yellow River from the Xiaolangdi Dam (China)

Koji Tatsuno

Mario Schifano in 1967. Photo: Ugo Mulas © Ugo Mulas Heirs. All rights reserved. Artwork: © 2026 Mario Schifano / DACS

Ihi ceremony in Panauti. The head ornament is called sir bandi. Scanned from the book The Jewelry of Nepal; 1999; Hannelore Gabriel

Sang Woo Kim, Ways of Seeing 028, 2026

Courtesy Alain Truong

Hermann Landshoff, Leonora Carrington, Andre Breton, Max Ernst and Marcel Duchamp, New York, with Morris Hirshfield’s painting Nude at the Window (1941) at Peggy Guggenheim’s town-house, 1942

🐮 Kaisenshu. v.1. Kyoto: Yamada Naozoburo, 1914-1915. Original source Image description: Illustration from “Kaisenshu. v.1. Kyoto: Yamada Naozoburo, 1914-1915,” depicting six detailed, colored seashells arranged in two rows on a beige background. The shells vary in shape, size, and pattern, including spiral, conical, and oval forms with distinct markings such as stripes, spots, and ridges. Each shell is labeled with a small number beneath. The image focuses on naturalistic representation with subtle shading, emphasizing texture and color variations. Despite the cow-related keyword, the subjects are marine shells, showcasing historical scientific illustration style.

Kateryna Kosianenko (Ukrainian, b. 1978) – Flowers and Music, 2018. Oil on canvas.