[01x09: 3:00P.M.]
"I don't need a break."
"Yes, you do."
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[01x09: 3:00P.M.]
"I don't need a break."
"Yes, you do."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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PARKS AND RECREATION (2009-2015) 6.07 - "Recall Vote"
totally inspired by enabuns hucklerobbby hollonov crossover
The beauty of Pride and Prejudice.
lmao of course they're gonna say they're like siblings: he's married, albeit unhappily. They're not going to actively promote infidelity. They want them to remain likeable, good people. Good people don't cheat.

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Shippers get a lot of lashings for being annoying and “forcing romance” but not enough is being said about people who force the nuclear family structure on everything. Nothing against found families, but the amount of people who seem to cram every dynamic into a cookie cutter nuclear family mold is driving me insane. It’s another lowkey reductive way of engaging with characters that pretends to less reductive than the shippers they constantly complain about. Not every relationship can be categorized as “sibling coded” or “father-daughter” because most relationships are more complicated than that. Don’t even get me started on the way these people use “coding” *cough* their headcanons *cough* to shut down ships they dislike.
Shippers get a lot of lashings for being annoying and “forcing romance” but not enough is being said about people who force the nuclear family structure on everything. Nothing against found families, but the amount of people who seem to cram every dynamic into a cookie cutter nuclear family mold is driving me insane. It’s another lowkey reductive way of engaging with characters that pretends to less reductive than the shippers they constantly complain about. Not every relationship can be categorized as “sibling coded” or “father-daughter” because most relationships are more complicated than that. Don’t even get me started on the way these people use “coding” *cough* their headcanons *cough* to shut down ships they dislike.
I like that he gives a neutral, clearly PR trained response here.
Is it great that it's pretty much the only ship that's consistently discussed in interviews, showing that clearly everyone is picking up what they're putting down? Of course. But, relationships on a TV show are decided and fleshed out upon by the writers. Actors are payed to portray what's handed to them in a script. We know that the Pitt has some incredible writers. Writers do everything with intent - I know we've lost the plot and people insist that *blue is just blue*, but it rarely ever really is *just* blue.
Asking the actors about their characters' future is asking them to reveal what the writers have planned in their story. They're not going to confirm, they'll often deny, and they'll keep doing what they're supposed to: work off the script and its notes. They definitely don't want to lose their jobs; they're gonna stfu and work.

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Whatever you say ER Ken…
KINGDON IS THE BEST SHIP ON THE PITT
It’s not infantilizing to want someone who has spent their whole adult life as a caregiver to be taken care of for once.
That is the POINT of a RELATIONSHIP. To TAKE CARE OF EACH OTHER. Romantic or otherwise. Like damn.
people should be allowed to have low ambition, and also be able to feed a family on the salary of a cashier at a convenience store.
Only been watching The Pitt for a few days but Mel King is THE best autistic character ever written in a medical drama. She doesn't "make connections no one else can" or "just see things differently" or any other Savant with Special Abilities stereotypical bullshit, she's a resident physician who's exactly as intelligent and capable as any other resident physician in the same year. She hates unnecessary yelling because it's loud and annoying, not because she's completely incapable of handling conflict. She usually keeps her stimming subtle enough to hide but sometimes she can't. She loves having a furry critter to pet. She accommodates an autistic patient by lowering the lights and closing the doors because she understands the sensory nightmare of an active medical setting. She speaks in a straightforward and honest way but she isn't an overtly rude inconsiderate asshole. She misses some jokes and takes things too literally on occasion but she does have a sense of humor and she is funny. She speaks up against misinformation and parent panic about autism and other developmental disabilities. She has emotions. She looks at a video of a lava lamp on her phone to chill. Doctor Mel King you have my entire heart
🕯️ daily affirmations 🕯️
- they knew people shipped it early. if they weren’t considering or planning a romantic route, they wouldn’t have put in all that fanfiction shit in season 2 that they know people will run with
- they canonically changed the entire scene so their could be sparks flying around them in the finale
- the actors don’t know where the story is going past the script they have in their hands
- this is nothing we haven’t faced before
- the ucla panel exists. rewatch it for health
- the history connection is still unspoken and we will see why in s3
- pdeardz have discussions on how they want the relationship arc to take shape, which seems really extra for some casual friends

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So I talked about intentionality in da pitt before in this post, where I said that the show has conditioned the audience into the chaos of the ED. Because of the fast paced nature of the show; we don’t have moments of silence unless it’s bc of a character’s death, or more serious scenes, and all of the background noise and even the interruption of a conversation between characters is all medical related. When we look at the final cut of the ambulance bay scene, even without the scripts full context that we have now, it still feels oddly intimate.
In this moment, we don’t have interruptions, the noises all come from the city and fireworks; which I also argued feels like the scene of a romance film, because when they’re showing us the opposite of what the natural pace of the show is like, we assume and think there’s something different, both about what we’re being shown and the relationship between characters.
Which is something that I always say when it comes to shipping any character: shipping is about exceptions. By this I mean, that the way 2 or more characters interact with the other compared to the rest of an ensemble is what speaks volumes about the relationship but also how it can lead to something more, Langdon is incredibly soft with Mel, and Mel is actually eager to socialize with Langdon because he is the only one that has made her feel safe to do so.
With the added context of the script, it is very safe to say that part of the appeal and reason why people catch a vibe between these two is due to the performances, the chemistry is a little too good.
But it also makes me question what Taylor said about her giving feedback to the writers to change slightly the ambulance bay scene, and mind you @divorcedfranklangdon already talked about this, the rooftop scene with the fireworks clearly was meant to be the only scene with fireworks. But it is clear they scratched that halfway through and decided that Mel and Frank were now watching the fireworks together, why is Mel watching the fireworks twice? Only god knows. But it does make the scenes have more weight of something changing, shifting even in the writers room about the relationship between these two
kinda peaceful out here when there's no incoming...
credits to @divorcedfranklangdon for the s2 script info! (i was INSPIRED)