My latest short film is a all about intimacy and identity and all the bullshit that comes with it filtered through the lens of the digital age. It tells the story of a young woman reaching out in the oddest way via social media to a guy because he visits a city from her past.
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Found this absurdly verbose note somewhere in the writing books of my script, and itâs kind of annoying to find there is a time when I can make seemingly salient and penetrating observations.
I reckon it applies not just to fictional characters, but to real people. Iâd rather die than be boring.
White Male Offended that Opinion probably irrelevant to Conversation
Joseph Calhouln is just a regular Aeronautics Engineering Graduate working on a secondment placement until he can get a job for a military contractor. But last night he got the shock of his life when college age female with hair the colour of Skittles stopped him before he had even had the chance to opine on the subject of conversation with "you don't get to talk, you're a white male".
Joseph, who has in his twenty seven years never experienced any kind of racial or gender discrimination other than not being allowed into a nightclub after 11pm immediately reported this to self-proclaimed New-Minorities Advocate. Lester Baillieu-Moneyworthington.
"This is exactly the same kind of racist, sexist discrimination that we're suppose to be fighting. If we can't accept all races as equal, white, black, Samoan, fast, slow -- then how can we claim progress." argues Baillieu-Moneyworthington The candy coloured woman, who has asked not to be named out of fear of vicious name-calling from basement dwelling angry male rights advocates who in her words "always have anime girls or Guy Falkes masks for Avatars, it's really kinda creepy" Â claimed that she only attacked Calhouln because "nine times out of ten nothing a conformist looking white male has ever said about minorities has ever been of value. And always comes off as condescending."
She also adds "Baillieu-Moneyworthington is a parasite, 'New Minorities' is just a new by-word for the Men's Rights movement - they are trying to preserve patriarchy, his words are at a total disjuncture from his believes. He argues for equality but only wants to preseve the patriarchy"
Baillieu-Moneyworthington in a second interview, or rather a desperate answering machine message when previous calls during out lunchbreak before we usually post articles went unanswered protested: "Why is it that just because I'm a white male with a Degree and drive a BMW my opinion matters any less than any other persons? I studied philosophy for a year goddamn it, and I learned two things: firstly philosophy is fucking pointless, and secondly it gave me critical thinking and the ability to look at a situation from an objective view point. Now, the fact that Calhoulhn last night had nothing of substance to say and made himself look like a complete idiot and fulfilled the stereotype of white male's as being ivory tower dunderheads who have no knowledge of what it is like to experience anything outside of their safe suburban existence"
The rambling message continued after some minutes, "oh yeah, Calhouln may have said something stupid, but that's no reason to discount the opinions of white males entirely. It is racist to assume that he has never met a woman of colour, even if he didn't, but to assume he didn't before he said something so ignorant as to categorically prove he didn't is racist, don't you get it?"
Sometime comedian and full time contrarian Hicks Carlin had this to say:
"Man it's all a fucking beat up isn't it. This dude gets victimized in a weird case of reverse-victimisation, so he cries fowl and this Ballieu-Moneywhiteguyname or whatever he's called jumps to his rescue, in the same way Jesse Jackson or Gloria Allred do, so they profit from this, the chick who rightly assumed he was a jackass will end up getting some blue haired feminist internet celebrity to "support her" and then claim she was victimized or whatever.
and then you scumbags in the media just write aritcle after article of he-said she said⌠it's bullshit man., and make money on the ad revenue. It's a sick cycle man and you're all guilty of it.
In spite of his experience Calhouln has vowed to continue to offer his "two cents" on subjects that he has utterly no personal experience of, arguing it's his right to free speech. "At the end of the day, opinions are like assholes, everybody has got them" he said, quoting something that a thousand people have said before him.
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A couple of months ago I got way too geeky and obsessed with Looney Tunes, so when Iâd read about the history of âDirectorsâ and their âUnitsâ of animators it all became a jumble, so here I decided to arrange them all into a easy to read diagram just for my own sanity. But now I share it with yâall.
Itâs interesting to note that Freleng and Jones ended up with the units with the longest provenance, while the legendary Termite Terrance/Ray Katz Unit founded by Avery was disbanded when Davis was demoted to an animator for Friz.
I did contemplate a role-call of the key animators for each unit, but that would take for ever and would be hella confusing.
These are a few random notes after watching Autumn Afternoon, the last film of Yasujiro Ozu.
I've been meaning to watch Ozu's films for a while, mainly because Vincent Gallo lauded the loneliness of the final scene -- he claimed that after watching all of Ozu's films it was that last scene in his last film which summed up the entire sensibility of the artist's work.
I waited almost two hours for that moment and wasn't disappointed. It's two shots and it hits you like a tonne of bricks, but to be honest I don't know if it says more about Gallo's sensibility and weltanschauung or Ozu's.
Incidentally for those who have seen Buffalo '66 the dinner table scene borrows extensively from Ozu's camera work - notice the use of illegal cuts.
And this is where I feel like Ozu is the counterpoint or the intaglio of Bergman - they both favour clean compositions, shoot wide shots from low angles (both probably borrowing from John Ford). However where as Bergman shows the disintegration of facades as people devolve into emotional wrecks such as Liv Ulmann's character in Scenes form a Marriage, Max Von Sydow in Hour of the Wolf, Bibi Anderson's character in the first half of Persona -- in Autumn Afternoon characters such as Michiko always maintain their pleasant façade -- leaving their outbursts for off screen, or never out bursting but instead expressing emotion in a solemn, devastated, non violent way.
Then there is the fact that in later Bergman films Sven Nykvist, possibly the greatest camera man who ever lived would do amazing whip-pans and crash zooms -- allowing the actors to dictate the movement of a scene, unleashing them from some of the shackles of blocking. However in Ozu's world characters, like in Barry Lyndon, are almost frozen, even their body language expresses very little -- instead of a wild gesticulation you might have the scrunching of a blanket, or the bobbing of a head. But they are still locked onto their marks so as to not force Ozu's camera to pan, pull out or in any way move. Every frame is locked.
Bergman was a serial monogamist, a lover of women. Ozu apparently had one affair with a Geisha and lived with his mother almost until his death (she died months before him). Only if Bergman came from Portugal or England could they have been from more polar opposites of the Eurasian landmass.
This is the most realistic, bittersweet, and BEAUTIFUL film ending Iâve ever seen. They donât reconcile with a passionate kiss before a plane leaves, they donât even hold hands as they walk into the sunset - itâs not even sunset, itâs dusk.
But without a word shared, only through the shift in their expressions - the shadow of a smile on each of their maudlin faces, both humiliated, ashamed, knowing they shouldnât trust one-another they canât hide their love â and despite everything they continue, side by side with the circus.
There is no better example of how a picture speaks a thousand words â it accomplishes it not through some ham-fisted symbolism such as they start tying a rope, mending their relationship, or two sides of a ceramic plate are brought back together: thereâs no need for symbolism because the human emotion, the gesture, the expression is enough! This sequence, even if the rest of the film is mediocre, this thirty second sequence alone encapsulates why Ingmar Bergman was one of the greatest film directors ever. And certainly the one with the greatest insight into relationships.
This is a quote from Jerry Lewisâs really good book âThe Total Filmmakerâ - however what I love about this is not only does it reveal that the king of wacky comedy had a intimate understanding of the technical process behind the historic Three Strip Technicolor system that produced psychedelic imagery like you see here -- but more than that it speaks to  two things about the artistic process that you must always carry with you: do your research and embrace mistakes.
This is one of the most important lessons you can ever learn as an artist, to work within the parameters of mistakes (although in this case it wasnât a âmistakeâ that the footage came out like that, it was Kubrick preceding the âglitch artâ movement, deliberately screwing up the photo-chemical process) to embrace âflawsâ -- Kubrick himself liked to quote Joyce as saying âmistakes are the portals to discoveryâ
6 PARROTS THAT LOVE LED ZEPPELIN B/C OF PIRATES I ASSUME
Youtube is a fucking weird place - I know that's a tautology but before I continue I'm just going to remind you of that before we continue - I mean only on Youtube will you find such amazing things like an entire genre of videos where people replace the sound effects in games with the TIM ALLEN NOISE, or the charmingly ironic videos of Mars Argo or the most paredolia inducing montage you will ever see: Jason Derulo sings âJason Deruloâ over and over. I mean when I hear that I start hearing him say "Chasing the Real Low" "Jake's on the Roof, no?" "Can't stand the Truth, no" and other weird shit.
But what I thought would be an experiment in getting hits, and left's face it in this content farm era when eyeballs are currency and we all need to hustle and make our livelihood not through weaving out way up the corporate hierarchy it's through the bastion of all that's wrong with the internet: ANIMAL VIDEOS
So here are six videos of parrots, yes, fucking parrots doing things to do with Led Zeppelin.
First there's Izzy who is either in mortal pain because of John Bonham's Jovian sounding drumming - or he digs it as much as I do: seriously though, seeing the silhouette of a bird grooving to Kashmir will either make your day better or you're an idiot.
Oh but that's nothing, Izzy you suck, your dancing skills are been officially superseded, you should pack in your nascent Zeppelin dancing career and become a stripper, taking off your feathers one at the time for a menagerie of leering budgerigars, cuckoos, and various other birds (oh my god wouldn't that be so funny: a strip club full of birds and a plucked naked bird on the stage while Flo'Rider plays!)
Because this parrot is a bonefied headbanger, seriously he's like me when I was a confused 16 year old and whenever someone would play a cover of Metallica I swung my shoulder length hair around like a helicopter and probably broke someone's nose, I don't remember, I was too into the terrible cover of Master of Puppets⌠anyway - here's a dancing Parrot
Now by this point you're probably thinking that's simply a curious coincidence, that there is no correlation between the greatest post-Beatles band of all time and Parrots -- but then I remind you that Robert Plant has a very distinct voice, a at times shrill voiceâŚ. And then I show you this video:
Laszlo likes Led Zeppelin
Yes! It's a Parrot singing along to D'yer Ma'ker!! How can this be! Sure he can only sing the "uh oh⌠oh oh" part, which by the way is almost certainly where BeyoncÊ ripped off the hook for Single Ladies- fuck you BeyoncÊ - actually I don't care, I just wanted to be provocative and see what would happen if I attacked her -- so where was I? Hmmm Zeppelin⌠Parrots? Pirates? Caribbean? Reggae -- oh that's right D'yer Ma'ker.
I mean the Parrot is actually singing the hook! It's not just bopping along to Bonham's drumming, it's actually mimicking a vocal melody from the song - this is mind blowing. This is another dimension of Zeppelin's music which is appealing to Parrots - is there some sort of animal cognitive science I'm missing out on here. Maybes it's because Led Zeppelin being debaucherous rockstars have imbued their music with a sort of intrinsic Piratical nature - after all the working class communities they came from would have been where Pirates came from centuries before - and Parrots, which in my childish mind are interwoven forever with Pirates are always, and forever attracted to anything Piratical?!
No, absolutely not⌠but here's some other videos of less talented Parrots getting their Plant on:
Parrot loves Led Zeppelin!
Don't quit your day job - which I assume is eating seeds and shitting them out.
Turn your volume down for the next one
Is he trying to sing the song, or mimicking the guitar solo. You know what I mean when you go "beeeskidiplididododod likeel likeel likeel likeel likeel wahhh! Weeeee!" - What you don't do that when you want to play a guitar solo but don't have a guitar⌠okay ignore that.
So in conclusion. Parrots love Pirates. Rocks stars are modern day Pirates. Parrots love Led Zeppelin.
Thanks for reading this listicle. Now I'm going to go try and read James Joyce's Ulysses for the umpteenth time again and fail and read a Borges short story because I have the attention span of a freaking goldfish GOOD NIGHT INTERNET!!
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George Soros, the filthy rich self-made multi-billionaire says of his track record:
"the role of intuition is so great"
Tom Ford the darling of the fashion world who turned Gucci from bankrupt to a multi-billion dollar empire boldly declares:
" Intuition, if you are fashion designer is really the key to everything"
Hell, even Pharrell says:
"Some people say there's nothing new under the sun. I still think that there's room to create, you know. And intuition doesn't necessarily come from under this sun. It comes from within."
Wow, I feel so inspired, I just like need to listen to my heart and just follow my gut feeling and I'll naturally achieve, yeah? Jeez it's so simpleâŚ
...provided I have like 10 bazzilion hours of craft, experience, and trial and error!!Â
Here's the thing, whether you're an artist or a currency trader, or a Machiavellian entrepreneur intuition isn't enough. Just like getting a piece of beautiful marble doesn't make a sculpture, it takes hours and hours of methodical but aesthetically inspired carving, sanding, chiseling to produce the Winged Victory of Samothrace.
(Iâve edited most of these quotes to cut out the bits about expertise)
And also years and years of development of talent behind.
The reason why in the 1940's Looney Tunes were so amazingly innovative and fluidly animated (despite budgets and turnarounds a fraction of that at Disney) was because by my calculations each A-Animator (animator who produced more than 20 seconds of animation per week) would produce at least 12,000 drawings a year. If you got hired in say 1934, early on in the studio when the animation was crude and unrefined, and were there during they heyday in the early 40's, you perhaps would have drawn up to 96,000 frames of animation! Once you get to that level of experience, your motor skills will be so refined that even the most complex shapes and forms will be almost autonomic.
From this...Â
To this...
Jimmy Page and John Frusciante -- my idols, alongside Miuccia Prada -- were no slackers either, John Frusicante estimates he would spend at least 10 hours a day playing guitar between ages 15 to 19, and anywhere up to 15.
Jimmy Page said at his peak he was doing 3 recording sessions per day 6 days a week.
He's known to have worked on at least 170 music session, and since in the 60's one session could last between 3-6 hours that puts the lower level of his recording, not practicing, just recording at 510-1200 hours over a 4 year period. That doesn't include muzak sessions, soundtrack recordings for films and advertising so the figure could be double that. Plus he would be playing in his spare timeâŚ
That's how you make a guitar prodigy who turns the strings into a natural extension of their emotive capacity, the reason it looks so effortless is because of the hours and hours of dedication turning the muscle movements into autonomic, reflex non-cerebral in the literally "by-passing brain" sense actions.
So too the reason why Tom Ford is such a commercially successful designer probably has an awful lot to do with the fact he went to Parsons and got a degree in Architecture which would have taught him Art History, given him the vocabulary to describe what he intuitively desires in a item of clothing or a collection⌠he also spent like 4 years in New York fashion houses learning how to respond to market trends and demands in a brutally businesslike fashion. All that serves to support his raw talent, otherwise he'd just be some dude sewing the odd piece of idiosyncratic trousers in his converted study, with no-one buying.
I think it's really fucking insidious this notion that we "over think" and we're too "analytical" and need to listen to our unconscious bullshit, it's giving licence for people to be irrational about their life decisions.
It's all part of this internet culture of sleeping in as being the holy grail and shit. It's so icky feeling.
The other side of it is that all this feel-good "follow your heart" maxims totally ignore the fact that when you do something enough it becomes autonomic, it becomes unconscious, it becomes non-cerebral -- like a Formula One driver who instinctively knows the braking points and gear shifts for the next corner without even looking at the apex (the fact these dudes can consistently get it right 50-60 times in a row with an average speed of over 250km/h is a testament to the phenomenal capacity of human reflexes, and what learning your craft can accomplish).
I think it also describes something at the heart of being a "master" in the old Teutonic sense of how you would progress in crafts from being a apprentice, to a journeyman, to a master - it doesn't matter if you want to be a master investor, a entrepreneur, a fashion designer, or a musician - the same principal applies: supporting your raw talent with hundreds and thousands of hours of dedicated honing of your skills, craftsmanship etc.
So in conclusion: Success isn't as simple as following your heart idiots; and hours of honing your craft isn't mutually exclusive with intuition -- if anything it amplifies it; and if someone tells you to listen to your heart -- listen to your foot and kick their ass!!!
This morning it was greyish like spring in Fialta with a morose mist that loomed over the the fragile television aerials and rain rusted corrugated roofs. I pondered and fathomed my future, a parade in Prague, a beautiful girl in Berlin as I brought my mind to the more mundane matter of writing this a treatment which had consumed my thoughts and my life, lingering like that mist -- a metaphor if I had ever saw one. God it was so cold, I couldn't think, and then I stumbled upon a vision, a film which made it all for naught.
I gave up the cinematographic arts this morning. My lungs desperate for air, my eyes moist, my cheek marked by a bead of saline -- I realized I had dreamed about this, this moment, this vision but I was stunned. I was ready to take the pages of this abomination of a treatment I had written and throw them in a bonfire it was all for naught because I had seen Kung Fury.
A skateboard kick sends a cop car hurtling into the air and my dick splits my laptop in half because it became erect so fucking quick when I saw that. Inexplicably a pair of tan coloured aviators with gold frames appeared on my face as I sunk back and watched this marvel of a film on the remains of my dick-splitted half-top.
Little did I realize I was going to be taken on a trip like that dude in the Borges story about the Aleph, except instead of a fly's eye view of every human face in the earth -- it was a fly's eye view of an awesome sandwich on multi-grain awesome bread, with a big juicy patty of awesomeness, liberally jizzed over with a spray of saucesome's awesome sauce - and a dill pickle for taste.
I realized I was being lead to an alchemist's chamber - it's like this dude, whoever the fuck he is had managed to take Garth Marghengi's Dark Place, Superjail!, Black Dynamite, Miami Vice and about a thousand band 80's movies and bended them with the cut off ends of a VHS tape and a sprinkle of coriander to create the most perfect artifact since Prince strummed out the chords to 1999 probably while banging about forfty different women with his relatively large musician's wang - an a Borgesian performance of Aelph-like dickmanship.
But this isnât about Prince and his feats of dicksmanship â although now that I think about it Kung Fury is that degree of dicksmanship, okay, there's GTA like nobodies running around with boomboxed and automatics, Hitler killing an entire cop-station through shooting through a brick phone, and Kung Fury himself falling into his car, but not before shooting the door open of his magnificent Lambrghini Countach -- the greatest car ever made anywhere ever with the possible exception of the Lotus Esprit LOL JOKE MOTHERFUCKERS - AIN'T NO CAR AS DANK AS THE COUNTACH.
This film is like a barrage of fists, or wait was that a scene from the film? Wait yes - it's both - apt metaphor motherfuckers! Because after the deliciously mulleted Hackerman, just one of the amazing characters to have their own fucking 80's themesong in this film sends Kung Fury skateboarding backwards in a goddamn commodore or spectrum ZX or some retro nerd shit which is awesome⌠oh wait I forgot⌠to send Kung Fury on his time-travelling skateboard, he needs to use a powerglove.
A powerglove. A motherfucking powerglove! Gratuitous, yes? Adds nothing to the plot, Absolutely! Pandering to the crowd, again the answer is a resounding yes: but is it more awesome than a date with Cara Delavigne, I'm going to say hell yes (although if you're willing to prove me wrong Cara, maybe we can see a movie together -- I hear Kung Fury is pretty good -- as said in reviews like this one you're reading right now)
So by this point you're probably furiously masturbating to the violet, 1980's, electogasm spectacle that is Kung Fury and now in a post coital haze of regret which I assume you is totally normal, you're probably starting to feel pretty bad about your life.
And you should, I mean seriously what have you done with your life, think about all the missed opportunities in your life such as why you didnât make Kung Fury or go backwards in time and beat Prince to recording 1999?
Now because everyone is an idiot and needs simple soundbites to have ill-informed opinions to live their lives by hereâs my rating out of 8:
I vote this album 8⌠as in all 8 of Led Zeppelin's official album releases. This is the highest honour I can bestow upon any film.
But don't take my word for it! Here are some totally legit reviews from famous people I totally spoke to this morning:
"I came back from the dead just to watch this film"
-Benjamin Disraeli, former something or-other of British Empire
"I may corrupt the good name of Soccer on a daily basis, but nothing can corrupt the splendour of Kung Fury"
⢠Sepp Blatter
"No I won't give you a quote Constantine, get fucked, that movie is just a teenage pandering piece of shit."
⢠My Roommate⌠he's a fool
"It certainly beats getting hit in the dick by a hammer"
⢠'Understatement' Eugene
"When I'm not having creepy sex, I like to watch Kung Fury while eating the thousands of pudding pops I got in the 80's"
⢠Bill Cosby
"The day I stop drinking is the day I marry you off to some  rich, dumb broad and you're out of my life forever"
⢠My Mother (I don't know how that relates to the film either, or relates to anything, but she insisted I included it during her weekly drunken rant mobile call to me⌠come to think of it it might not even really be my mother...)
"Kung Fury. K-uh-ng F-joo-ree. Light of my loins. Fury of my fate."
-the ghost of Vladimir Nabokov
So now that you're totally sold on this gun toting, Viking ridden, time travelling spectacle of transcendence excellence you may want to spare a thought for poor old Constantine.
I mean in the space of thirty movements I was moved from a mundane procrastination, the perfectionist proclivities that have bridled me to the troika of ego, fear, and muse has brought me to a halt. I question how I a mere mortal could ever attain the stratospheric heights of such a creation, something which hath so diligently married my love of the video tape form, the products -- the long forgotten computers of our childhood have been given a brief spark of life, implanted for a brief moment a soul so they can live again.
It has all been done, there is nothing more to me, alas my own creation, Captain Galatikor -- ye shall be doomed to the never realms as your creator is not a genius worthy of Kung Fury. I bid you and the filmmaking world a due as I am forced to reflect on my life.