Hey followers, apologies for the confusion. In order to keep things simpler, Iām moving my account to what this address used to be (i.e. over at https://otterskin.tumblr.com)
Thanks for following me here, and sorry for the inconvenience. This way I can comment and answer asks at the same account. Hope to hear from you soon there!
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An Archive of Our Own, a project of the Organization for Transformative Works
Loki has a dream that doesn't belong to him; when he wakes, things don't improve.
Really excited to still be bringing you more content. We get to meet a very young Odin in this chapter and begin exploring his relationship with his father. Excited to hear yāallās thoughts!
Loki seems obsessed with becoming King, to the point that he is willing to let Frost Giants into Asgard, fight Thor and conquer Earth.
On the surface Loki fits well into a classic literary troupe: the conniving, scheming younger brother who wants his older siblingās birth right and will do all manner of evil things to get it. Shakespeare deployed this troupe well in many of his plays, most famously in Hamlet.
However, just become Loki has a ālean and hungryā look doesnāt mean that we can just assume Asgard is like a Medieval monarchy. In fact many times throughout the films, we see and hear about Asgard practising a completely different kind of inheritance structure.
āOnly one of you can ascend to the throne but both of you were born to be kingsā ā Odin in Thor 1
I postulate that under Asgardian tradition both Thor and Loki are equally eligible for the throne regardless of age, and Loki competing with Thor is completely legitimate.
I explain:
How Asgardian power structures work
Why Loki believes he should be the rightful King of Asgard
Why Lokiās competition with Thor for the crown is legitimate
How this competition shapes their characters and relationship
One more reason why Loki is devastated when he found out he was Frost Giant.Ā
Wow, so much history in here Iāve got to research. Thank you.
I feel a little bit like a chump since in my longer fic Iām writing now I did decide to default to birth/gender hierarchy, although I wasnāt exactly happy about it. I did think something like this was happening but wasnāt sure how to approach the story in that way. Now I wish Iād read this sooner, I have better ideas now about how to implement it.
I do think that when Odin said āYou were both born to be Kings,ā he was still thinking of making Loki the king of Jotunheim, or, potentially, essentially having him be co-King with Thor by being a chief advisor, which is hinted at in a cut scene from Thorās original script. And it is also possible that Thor was merely admitting that as the eldest, Hela did have a claim, but that it could be contested, which was something younger siblings could do to elder even in strict hierarchies. Plus thereās a chance her gender might weaken her claim in a society that seems to undervalue women.
It could go either way, but Iād put more money on your theory than the traditional hierarchy. In either case, though, it seems like this didnāt work to make better leaders in the end - it ultimately hamstrung everyone and prevented them from trying to be the best leaders they could be, instead seeking the approval of the current king - and indeed putting their self-worth on that.
This essays exists because of a one wonderful, insightful and very determined person who has been asking me to psychoanalyse the Odinsons for many years.Ā
In the course of researching this I binged watched all the films with Thor and Loki in, read as many commentaries, interviews with writers and directors as I could get my hands on, and browsed tumblr.
So here is a psychological analysis of Loki and Thor (the marvel movie versions).Ā
It explains:Ā
why they have such different personalities,
why they are not able to relate emotional to each other
how they feed into each otherās emotional dysfunction, which creates the conflicts that drive the films
Thinkers vs Feelers
Ā Thor and Loki have very different personalities, and often have difficulty relating to each other emotionally. Whilst some of the difference is genetic in origin, the vast majority of their personality differences and relationship dysfunction can be explained by their upbringing.
The development maturation model explains not only why Thor and Loki are different but also provides an excellent lens through which to examine their motivations, and emotions through the films.
The model predicts that during the first years of life, infants learn coping strategies to handle strong emotions. This is a vital part of human development which everyone undergoes but the path an infant āchoosesā determines their future personality, their susceptibility to psychiatric conditions and response to psychiatric therapy.
All infants start off with the basic instinctive need to gain attention; it is an essential survival strategy but there are two broadly different methods that infants learn to use to gain attention.Ā
āFeelersā are infants who learn the best way to cope with emotions is to amplify them because this brings attention/comfort from the primary care giver. āThinkersā on the other hand learn that internalising their emotions in favour of pleasing the primary care giver leads to attention/comfort.
I think the best analogy for Thinkers and Feelers is:Ā
If emotions were fine wine, the Feelers would all be drunk and the Thinkers utterly sober.
The functional Feelers would be amusingly tipsy, bringing joy and laughter to the party, whilst the functional Thinkers would be savouring all the subtle aromas of the bouquet and discussing the quality of the vintage.Ā
The dysfunctional feelers would be smashing up the wine cellar in a drunken rage, whilst the dysfunctional Thinkers would be stoically standing the in the middle of the carnage refusing to acknowledge that wine can stain their suits.Ā
Most well-adjusted adults exist somewhere on the spectrum between two extremes. They are able to retain the good parts from their original āpathā and learn the beneficial strategies of the opposite āpathā.
Thor the Feeler
From this model we can see that Thor is very much a feeler. He clearly expresses and amplifies his emotions throughout the films. At first, we see him doing this regardless of how it affects other people around him but as Thor develops, we see that he learns to control how and when he expresses his emotions. He is learning the āThinkersā strategy of coping with emotions and applying it to balance out the negative impact of his āFeelersā strategy.
Thorās āFeelerā instincts to express and amplify whatever he is feeling is part of the reason why he is seen as an honest and open person because he never tries to disguise his emotional state. We are hardwired to respond to other peopleās emotions and thus superficially at least Thor is often easier to relate to than Loki.
When Feelers must deal with stressful emotional states, their instinctive strategy is to simply amplify their emotions. We see this clearly in Thor 1, when Thor has a screaming match with his father, and then flips a table over in anger. We see this again when Thor fails to pick up Mjolnir on Earth and cries rather dramatically in the rain. Even without an audience, Feelers instinctively over express their emotions as a coping mechanism. Some psychiatrists believe this is actually a helpful stress release mechanism, and Feelers are less likely to develop stress related psychiatric conditions. Ā
Loki the Thinker
Loki on the other hand is definitely a Thinker and, like all Thinkers, he experiences emotion, but that experience is superseded by his conscious thought process. A Thinkerās relationship with their feelings is far more complex than a Feelerās. Instead of simply feeling the emotion and then expressing it, thinks see emotions as tools to be utilized in social interactions. Functional thinkers tend to only express emotions that are acceptable and appropriate to help lubricate social interactions. Other emotions that are not deemed to be social acceptable are suppressed and ignored.
Thinkers when confronted with stressful emotional states, first tend to over-analyse and then inappropriately contain their negative emotions. This containment allows the Thinker to feel in control, and projects the illusion of emotional control to others. However, Thinkers pay a high psychological and physiological price for this containment. Their strategy for emotional management creates more stress for themselves. Thinkers are more likely to develop depression, particularly treatment resistant types, anxiety and other stress related psychiatric disorders.
The best example of Loki containing his emotions is after he returns from Jotunheim and works out that he is a Frost Giant. Thor, the Feeler, would have screamed the place down and demanded answers immediately, but you can see that Loki keeps his negative emotions contained and does not express anything.
The scene in the weapons vault between Loki and Odin is an excellent example of a Thinker having what is essentially a nervous breakdown.
Loki starts off in control of his emotions and the conversation but swiftly we see the containment of his negative emotions crumble and collapse. The ensuing emotional outburst from Loki is like a dam breaking. It is not just the emotions that he has been holding back for the last few hours that breaks through but all of the negative emotion he has likely contained within himself for years. The emotions wash over him, and completely overwhelm his ability to analyse or contain them. What we then see is the Thinker finally Feeling emotion.
Moments like this, if handled well, can be very cathartic for Thinkers because for the first time they truly loose control and just experience their emotions. With that loss of control comes the chance to express emotion in its raw state. It can be a very liberating feeling, and during this process the Thinker is learning how to be more of a Feeler and balance out the negative impact of their chosen coping strategy. Ā With acknowledgement, and positive reception, dysfunctional Thinkers like Loki can incorporate Feelers strategies when managing their negative emotions.
Unfortunately for Loki, Odin falls asleep in the middle of his emotional catharsis, and Loki never gets the chance to truly express his emotions and be acknowledged for doing so. Therefore, he never learns the benefits of expressing his emotions. Instead we see that after Odin falls asleep Loki immediately feels guilty and reverts to the Thinker strategy of containing his emotions once again. His voice drops, he crouches down to touch Odin. Once again, he has forced himself to put his own emotions aside for the sake of someone else and from a psychological point of view this is both tragic and damaging for Loki.
Brotherly Love and Dysfunction
Why is Thor and Lokiās relationship so dramatic and dysfunctional?
The root cause of their relationship problems is not Lokiās jealousy or Thorās disregard for Lokiās feelings, those are merely symptoms.
Just like the Holmes Brothers, Thor and Loki have opposite coping strategies for emotions and therefore they have very different emotional needs. Both of them are firmly entrenched and dysfunction Thinkers/Feelers. Whilst Thor does develop a more comprehensive and balanced approach to his emotions, this only happens when he gets thrown into a completely new environment and meets new people. Loki never get this chance.
Their dysfunctional Thinker/Feeler coping mechanisms significantly affect their relationship with each other. Unlike the Holmes Brothers, even as adults Thor and Loki spend most of their time together, they have the same social circle and that exacerbates their inability to grow and change.
Thor is locked in a perpetual cycle of expressing and amplifying his emotions without any kind of filter. This is because no one has managed to convince him that his emotions are not the most important things in the world. I can imagine that Thor, as Odin and Friggaās longed for son got a lot of unconditional love and attention as an infant. He only had to cry to get the attention he wanted. As he grew older, crying turned to screaming and shouting. Essentially Thorās emotional outbursts have always been rewarded with what he wants, eventually. Therefore, Thor has never had to learn the Thinkerās strategy of modifying his emotional expression to relate to other people.
It is not that Thor doesnāt understand or care about other peopleās emotions: he clearly has the capacity to do both when he falls to Earth. He just doesnāt do it on Asgard because he doesnāt need to. In nearly all situations his emotions have been treated as being of paramount importance. The world almost revolves around Thorās feelings. It is only when his outbursts are directed at Odin that they fail to get the effect he wants. Therefore Thor, instinctively shouts louder which escalates the situation and ends up getting him banished to Earth.
Apart from Odin, no one ever holds Thor to account for his emotional outbursts. When he flips over a table after his argument with Odin, no one even comments except for some light protesting about wasted food. Instead, Loki actually comes closer to acknowledge Thorās feelings and provide him with comfort and advice.
Here we see that Loki is perpetually stuck in the cycle of enabling Thorās dysfunctional Feeler strategy.
Loki has become a Thinker probably by necessity. He only got attention, comfort and acknowledgement when he displayed the right emotions. This is most likely because his parents had already got into a bad cycle of providing unconditional attention to Thor, and did not have enough capacity, when Loki arrived, to give him the same undivided unconditional attention. Therefore Loki learned to display emotions to please the people around him in exchange for attention. As he became older, Loki necessarily became the diplomat, the person who smoothed things over in disagreements. He puts his own emotions into containment so that he can display what other people want to and need to see. This is completely instinctive by the time we meet him in Thor 1.
Unfortunately, a dysfunctional Thinker like Loki simply feeds into Thorās perpetual cycle of amplifying his emotions. He always has a captive audience in his brother, he always gets the acknowledgement he wants from Loki. He never has to acknowledge Lokiās feelings because his brother never appears to be inconvenienced by any negative feelings.Ā
This is probably why Thor loves Loki so much and just assumes Loki must love him back. This is also why Thor is so surprised when he finds out Loki actually resents him at the end of Thor 1. Loki is very good at containing his feelings, and a Feeler like Thor is completely ill equipped to read between the lines and see what emotions Loki isnāt expressing.
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Thank you to @aphrodaisyacs and @mercia-lachesis for the tag!
Rules: Bold your fic preferences because why not, gotta choose one (near impossible, but go with your first gut instinct).
slow burn or love at first sight
fake dating or secret dating
enemies to lovers or best friends to lovers
oh no there's only one bed or long distance with correspondence
fantasy au or modern au (I prefer non-au settings but if I had to choose...)
smut or fluff
mutual pining or domestic bliss
alternate universe or future fic (especially if it's a canon-divergent au, my fave)
one shot or multi-chapter
kid fic or roadtrip fic (both. roadtrips are the best but also kiddos)
reincarnation or character death (resurrection? 100% into it. reincarnation? not so much)
arranged marriage or accidental marriage (not a huge fan of either but I chose accidental for the comedy aspect)
high school romance or middle aged romance
time travel or isolated together (always a fave)
neighbors or roomates
sci-fi au or magic au
bodyswap or genderbend
angst or crack (both. both at once is even better)
apocalyptic or mundane
No pressure, but I'm tagging @writernotwaiting, @otterskin, @celestialsilhouette, @mykingdomforapen, @untitledfirbolg, @adhdasianaroace, and @iguessyouregonnamissthepantyraid
slow burn or love at first sight - Neither, Iām too Asexual.
fake dating or secret dating - Gonna have to pull my Ace card again.
enemies to lovers or best friends to lovers - Geez this card is wearing out
oh no thereās only one bed or long distance with correspondence - Nothing wrong with snuggles.
fantasy au or modern au - I mostly read fantasy so a fantasy au of a fantasy seems silly. Modern is more fun because you can translate things with more thought. Ā
smut or fluff
mutual pining or domestic bliss
alternate universe or future fic - Both? Both is good.Ā
one shot or multi-chapter - There is nothing so terrible as an unfinished multi-chapter, unless it is the one shot that should have been so much more...
kid fic or roadtrip fic - I mean most stories are roadtrip stories. A story is about leaving one place to get to another.
reincarnation or character death - Reincarnation? Like, as something else? ...then itās not the same anymore.Ā
arranged marriage or accidental marriage - Not a big fan of either but accidental sounds more modern at least.
high school romance or middle aged romance - More old people in everything, please
time travel or isolated togetherĀ
neighbors or roommates - I guess family, so...long term roommates?
sci-fi au or magic au
bodyswap or genderbend
angst or crack - But only because I write jokes in my angst
Loki no longer remembered just what it was he had done to earn it. It had been many millennia since, of course, but in truth, it was likely the sheer scope of his little mischiefs that made identifying a specific bit of discipline for a specific bit of fun near impossible.
Perhaps it had been for turning Thor into a frog. He recalled Odin saying something along the lines of āIf you have such an interest in animals, you can study them closer up.ā
That was how he came to be ankle-deep in horse manure.
It was dirty work - a lot of mucking out stables, treating infected hooves, plucking off ticks and scrubbing and oiling the tack. Yet Loki could not wholly resent the tasks, as it did allow him time closer up with the animals. Heād always liked beasts - often preferred their company to that of the court. They did not expect much of you, and there was no sense in putting on airs. You could be honest with a horse in ways you could not be honest with yourself.
His favourite part was grooming. Sleipnir would press his nose against his chest and snort, and Loki would stroke his cheek with one hand while the other, clad in the brush, heād pull down the horseās neck. It brought him a great deal of peace to do this.
Which is why he didnāt at all appreciate it when he was interrupted by a boy his own age telling him āYouāre doing that wrong."
āThis is how Sleipnir likes it,ā Loki had said, stubbornly. āI think I know my fatherās horse better than some random stablehand.ā
The boy had sidled in to stand beside Loki, and to the young princeās irritation Sleipnir didnāt at all seem to mind.
Looking sideways at him, the youth said with a smirk āWhat nobles know to do on horses is the same thing they know about everything else, because it's all they ever do.ā
āAnd what might that be?ā Loki played along.
āSitting.ā
That had actually made him laugh. āDid you work that one out a while ago and were just waiting for the right opportunity?ā
āWell, to be honest, Iāve used it before; never had the chance to tell a nob themselves, though.ā
Heād frowned, it suddenly occurred to him that there had to be a reason this servant thought he could get away speaking thus to the son of a king. āAnd you figured I was in such a powerless position that you could risk it?ā
āYes. Any complaint you could make about a rude stableboy at this point would likely be seen as you trying to get out of your punishment, or cause further trouble. And it is hardly an offence worth hanging me for; I am the best stableboy youāve got, and thatās not nothing.ā
He reached out a dusky hand and took Sleipnirās nose from Loki, blowing into it gently. Sleipnir puffed his own breath back in his face with a friendly snort. āI am one of the only people around here the kingās horse likes. And the king probably has a better opinion of his horseās opinion right now than yours.ā
āFor a moment, I almost liked you there. Thank you for curing that in such short order,ā The prince sniffed.
The stableboy brushed that aside. āItās impressive how much this horse likes you, despite how badly you brush him.ā
āI am not doing it wrong -ā
But the youth then materialized a series of different brushes from his belt and spent the next hour lecturing Loki on the use of each one, the order he was meant to go with, and how to untangle the mane and safely comb the tail.
Loki hated being told what to do, but he hated not knowing how to do something even more. So he had listened. At one point, the boy had slipped his hand on top of Lokiās inside the brush to show him the correct amount of force to apply to the brushing. It wasnāt as simple as following the hair. It was about flicking the dust loose, sweeping and much as stroking.
That had been the first time heād felt it. The smallest flutter, in some gangly, unformed part of himself. A spark that would soon light a shameful flame in the lowest parts of his guts.
But, at the start, there had been no shame.
āMy name is Sialfi,ā the boy had said.
Loki met him two weeks into a three-month punishment. Oftentimes he wished theyād met sooner, that theyād had that time as well.
But at least theyād had time at all. So much wasted on his part - halting, nervous. Unsure of himself or his feelings. It was near the end that he had at last kissed Sialfi.
Allowed to go riding after a day of hard labour, theyād taken a lonely path long past the boundaries they were meant to stay within. When theyād finally reached a vantage point where they could see the edge of the very planet, they were gasping and sweaty, as were their horses. Manure was still stuck to their boots, a few stray pieces of hay in their hair, and a particularly dogged fly ignored their every attempt to shoo it off.
It only made the kiss all the sweeter.
Sialfi. He could remember the name; he could remember his deadpan sense of humour, often mocking and aloof. He could remember the way the sun used to hit his hair, absorbed by the center but always diffused around the edges, creating a halo about his head.
But he could no longer truly remember his face, or what he had tasted like.
After his discipline was over, Loki found every excuse he could to go to the stables. He went riding often, or would claim to be going elsewhere and slip away. Like this, he managed to have a few more weeks with Sialfi. A few more clandestine kisses. A few more moments where they pressed against each other as they groomed their horses together, hands joined in the brush.
Then had come the day he came to the stable and found Sialfi missing. Sleipnir had been agitated; no-one was soothing him. There was no point in searching the place - Sialfi would never have allowed Sleipnir to be in distress. Heād spoken immediately to the stablemaster. All he would say was that Sialfi was a lucky boy, so very lucky, to have been promoted like that. How unexpected. He was lucky to have met you, the Kingās son, and gotten a chance to so impress. Odin himself had asked after him, and next thing you know, along came a chance to squire for the Lord Dagur himself. Of course, Lord Dagur was such an itinerant - never in one place for long, always travelling the Nine and beyond, never in one place for long. Off to Vanaheim already, and likely not to stay there for more than a day after that. He never rested, that Dagur.
But how had Sialfi, a boy from such a low family, managed to catch the eye of Dagur?
He wanted to run to his fatherās study right then and there, bang on the door, accuse him - accuse him of what? What could he have said that wouldnāt have admittedā¦did that mean he knew? Or merely suspected?
What if it were purely chance? Dagur had one of the most magnificent mares in all of creation. Skinfaxi, with her mane of light, twice as many hands as the tallest horse - that would surely have caught Sialfiās attention. Perhaps heād taken good care of the beast, as he always did, his affection and talent plain for Dagur to see. And on a whim, the Lord had requested him, and who would Sialfi be to refuse such an honour?
After all, it wasnāt like he and Loki would ever be able to continue as they were. Why would he sacrifice his future for a few more moments with the stringy second prince, risking his life for the simple pleasure of besmirching royalty? Why even risk telling Loki, who might be expected to sabotage everything out of spite?
Perhaps it was as simple as that.
So he had waited. In a few more months, he had brought it up at the end of a family meal when it happened to be just him and father left at the table. Asked casually after that stable boy heād gone riding with a few times. What had ever happened to him?
āAh,ā Odin had said. āI heard that you were close with that boy. I should have said something sooner. Lord Dagur dropped by quite unexpectedly one day, you know how he is. He needed someone to help with his horse; his last squire got himself kicked in the head, and then fell in love with his nurse. No-one quite wants to volunteer their highborn children to a traveller like Dagur, and few of those are any good with horses. But I recalled you once mentioned your friend and spoke highly of his compassion for Sleipnir, which the stablemaster confirmed. I knew that if he were a friend of yours, Loki, he would be of good temperament and sound mind, nevermind his low birth. Such individuals deserve the chance to rise above their station. When Dagur asked for such a companion during that brief stay of his here - I wonder if you even had a chance to notice, he didnāt even stay for the evening feast - I recommended the lad, though I never did hear if heād accepted.ā
āOh,ā Loki had said.
He had lain awake that night wracking his brain for a memory of having ever mentioned Sialfi to Odin, even off-handedly. Yet he was sure heād only ever said he wished to go riding and take a companion servant along. Sure heād kept Sialfiās name obfuscated.
But perhaps all Odin had to do was ask the stablemaster.
And perhaps Lord Dagur would return soon.
He did. Eventually. Many decades later, when Loki had nearly forgotten what that should mean.
Heād stayed for the feast that time, and when he saw Loki heād clapped his back and told him what had become of his old friend. āNatural with horses, youād think he had a centaur for a grandfather! Iāve never had a better squire. That is, until he and my sisterās squire ran off with Skinfaxi and Hrimfaxi's foal. But knowing your growing reputation, my boy, I shouldāve assumed any friend of yours would be a wily one! I almost admire his gumption. Iām glad Odin asked me to take him on, in the end; a foal is a small price to pay after his years of excellent service. Though heāll truly need her if he ever shows his face around here. Canāt be letting the small folk get away with such behaviour, or weāll hardly have a single horseshoe between all of us in a century.ā
Dagur had wandered off after that, leaving Loki to wonder about what he meant by āglad Odin asked me to take him onā.
He never confronted his father about it. Perhaps Dagur had simply meant to imply that Odin had mentioned Sialfi, perhaps asked Dagur to give a lowborn boy a chance he would not otherwise have. Perhaps that was all it meant.
Or perhapsā¦perhaps his father had known. And sought to protect Loki from himself.
Loki was old enough to hear how people talked of such things now. Old enough to know to bank that hideous flame and quell half his desires. It wasnāt like all of him was bent like this; there were avenues yet that were perfectly acceptable.
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āWhat might happen if I expressed an interest in joining your⦠little revolution?ā
The Kronianās expression brightened. āThatād be terrific! The revolution could always use more revolutors. Exceptā¦ā he frowned. āMight be a bit tricky, what with you going to be dead and all. Itād be right tough handing out pamphlets as a ghost. Theyād fall right through your hands!ā
Loki smiled through gritted teeth. āAnd what if I wasnāt a ghost?ā
Korg shook his head. āNo, but Iām afraid we canāt have zombies in the revolution. Not that Iād mind personally, understand, Iām pretty open-minded, but what would the others think?ā
Loki stopped even trying to hide his frustration. āThat isnāt what I mean either. What if I wasnāt dead?ā
āWell, not to be gloomy or anything but I wouldnāt count on that,ā Korg said cheerfully. āIām sorry to say things arenāt looking too good for an escape just now. Those chains, for one thing. Youād have to chew your own arms off or something, and your teeth donāt look quite sharp enough for that, not to mention I imagine youāre pretty attached to them.ā
Oh, forget this. Loki prayed for patience and bit his tongue. āOr,ā he said, āyou could let me go?ā
An Archive of Our Own, a project of the Organization for Transformative Works
Loki smooths over some negotiations with mistrustful alien strangers. His skills are then called for again - to deal with his confused, mistrustful father, to whom he is a stranger.Ā
An Archive of Our Own, a project of the Organization for Transformative Works
First two chapters are up (prologue and what should be chapter one, but apparently AO3 has decided to renumber them for me :/). Iām very excited to share this one. The pitch is thusly:Ā
Odin is missing a raven. Without Muninn, Odin isnāt quite who he used to be. The only thing more dangerous than a man with secrets is one who can no longer keep them.
Thor's become exactly the kind of king he believes his father would be proud of - if his father were still the man Thor thought he was (if he ever was).
Loki knows his place - servant of Asgard, advisor to his brother, and caregiver to his ailing father. Important roles, necessary ones - and yet he feels forgotten. Sometimes literally.
Being forgotten is dangerous when all that you are is someone elseās lie.
If yāall are up for some whump, family feels, drama, a little humour, a sarcastic raven with no time for Asgardian social shenanigans, a Loki trying to keep it together, an Odin falling apart and also trying to keep it together (poorly), and a Thor who will soon find being Thor not enough of a solution for this particular problem, etc. and more, itās gonna be in there. My Christmas gift to you all.
An Archive of Our Own, a project of the Organization for Transformative Works
Yo, Chapter 2 went up. Many thanks to JaggedCliffs for Beta-ing this. Iām incredibly lucky to have such an amazing author andĀ ācomprehender of grammarā looking over my work.Ā
This features Thor picking up Ragna from the school....ās infirmary, after a little incident on the playground.Ā
Iād love to hear feedback on the chapter, negative or positive, constructive if youād like. In general, Iām always looking to improve, and that canāt happen without critique.Ā
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Iāve talked a lot about why I despise interacting with Lokiās āarmyā with how they have belittled other Loki fans and vilified Taika Waititi (going through such great lengths to do so, I might add), but I donāt think I talk much in length as to why I appreciate and love Ragnarok and its handling of Loki.
I see so much of both who I am and used to be in his character: toxic parents, self-hatred, āscapegoat,ā etc. And we see how these things contribute to the bad decisions he makes in Thor and in Avengers. In the past, Iāve said things that hurt other people and I did things that hurt myself. I thought I was in the right. You couldnāt tell me I was wrong. Sound familiar? Even when Thor tried to reason with him in Avengers, he refused to see eye to eye. He was stubborn and self-centered. He continued on with his destructive behavior.
Just to give you all an idea of what I went through before I started to grow, Iāve mentioned before that Iām biracial (Black), and the family I grew up with was mostly white. I was adopted by one Black and one white parent, and the Black side of my family had little influence on me since they lived on the other side of the country. My white parent is very toxic and very anti-Black. I held self-hatred for my āBlack sideā and grew up listening to microaggressions inflicted on me by white members of my family. I wanted as little to do with my Black side as possible, and when people throw this kind of hatred your way, you start to believe it. Even though I would have never labeled myself as anti-Black back then, I now know that I was. Iām now at a place where Iām learning to love my Blackness and Iām recognizing anti-Blackness and calling it out when I see it, even if it makes the toxic people in my life uncomfortable.
And the thing is, I think a lot of people who hold self-hate for themselves go through a self-destructive stage before they begin to learn the errors in their ways. If youāre like me, it takes someone you have a lot of respect for to call out some behaviors youāre exhibiting, and suddenly, you start reexamining your beliefs and the people in your life. Unfortunately, for Loki, it took the death of his mother in TDW for him to start reexamining his actions (it was he who told his motherās murderer the best route after all).
What I see in Loki in Ragnarok is a person who is just starting to see the error in his ways and doesnāt quite know where he stands. Heās more awkward and heās still making questionable decisions, but throughout the movie, I get the impression that heās at least questioning those questionable decisions. And for the first time, heās starting not to see his brother (who was just as much a victim of his fatherās toxicity as he was) as an enemy anymore. I think what a lot of people in the Loki fandom donāt get is that once you start to get out of a dark place, there is awkwardness. You know youāve done wrong, and because of this, you know people are right not to completely trust you. Loki has done some pretty unforgivable things, and he knows this. He knows he doesnāt quite fit in with the likes of Thor and company. Loki of 2012 would never dream of teaming up with his brother, but he knows itās the right thing to do if he wants to save the people of Asgard. So he does it, regardless of how uncomfortable it makes him.
And I think one of the things that makes me so uncomfortable with the fandomās mischaracterization of him is the fact that they treat anything good he does as a way to erase what heās done in the past, and as someone who will always be working to become a better person, I know that even though it was the self-hate and privilege talking, the things Iāve said in the past cannot be unsaid. The choices I made to hurt myself cannot be taken back. Those things will always be a part of me. The same could be said for Loki: The words, the betrayal, the harm he has inflicted on other people, and the lies cannot be taken back. Part of becoming a better person, I think, is owning those things, and so many people in his fandom refuse to let him do that. Itās a real shame.
This is such an incredible insight to the character, about the awkwardness of owning your past mistakes no matter the circumstances you made them in. Lokiās been hiding behind those circumstances for a while now (āI was merely giving truth to the lie I was fed my entire lifeā, etc.). Itās to the point that heās started leaning into the victim role to get his way (āI guess Iāll just go it aloneā¦like Iāve always doneā¦ā). Even if itās not a happy role, it can still become comfortable over time. But by Thor refusing to feed into that, it shows Loki that his choices are entirely up to him. Weāre all in our own circumstances, and regardless of how shitty theyāve been, as adults we can choose how we respond to them. Loki returning to Asgard in the end is him choosing to define who he is, rather than his past defining it for him.
I think sometimes people just want the original version of the character they first fell in love with. I get that. But there is incredible value in the character through a story arc that shows them evolving and growing, especially in a way that mirrors the awkward development real people sometimes go through to grow past their previous mistakes. To reiterate one of my previous posts, I think sometimes people just pick things to hate rather than letting things be what they are. Ragnarok does some profoundly moving things with Loki (in a comedic film, no less!), but either because the film has more jokes or because a movie called Thor finally gives some more interesting moments to Thor, some people decide to see it as ābeing disrespectful to Lokiā or whatever. Whereas I think itās quite the opposite.
This is so beautifully put. It was wonderful to hear that perspective. Thank you for sharing. I am as white as a water-flavoured sno-cone, so I really appreciate hearing your experiences.Ā I think many of us are raised with inherent biases that take as awhile to unpack. Even if those biases are against ourselves and cause us great harm in our efforts to be different than who we are. I certainly had plenty to unpack, and it always seems Iām discovering a new box of toys in the back of my brain attic that I didnāt even realize were influencing me in negative ways.Ā
I breathed such a sigh of relief when I saw how they introduced Loki in Ragnarok. It was so beautifully done and showed how much the director understood the character. My least favourite iteration of the character is in Avengers and TDW, when I feel they were more focused on Lokiās comic depiction, which lacks the things I love in the original mythology. Not entirely - thereās still lots of humour based around emasculation in both (admittedly probably my least favourite part of the myths), but it feels like an unintentional reference. Itās just common to emasculate the bad guy and have your heroes look cool.Ā Ā
In Ragnarok, I never felt that the humour was at Lokiās expense, or to make the heroes look good in comparison. The humiliation was shared, and the purpose was to confront all the characters with their ridiculous posturing; to shake them up. It felt equal and purposeful and thoughtful. It was humiliation with the goal of humility and growth, not just plain slapstick to make fun of the less-physically imposing villain.Ā
Honestly, Iām heartbroken that we lost this Loki. I canāt believe Iāve got Avengers Loki back instead for the Loki series. I remember thinking, after that movie, that we had a lot of work to do...and after TDW, I gave up hope that Marvel and I had the same hopes for the character at all.Ā
Waititi and the writers got back to the awkwardness and subversiveness I found so endearing in the first film and brought it forward. I canāt thank them enough.Ā
I am very excited. Jojo Rabbit is still my most anticipated film of the year. I am sad Akira seems to be in straights again, though - honestly, I was looking forward to that just as much as another Thor film from Waititi.Ā
I hope he gets to write the script this time, and I hope he has a great time doing it. I feel like he paid off most of everything I needed to be paid off from the Thor series in Ragnarok, and while I hope he continues some themes (anti-imperialism and family dysfunction are constants in his own work anyway, so please, do continue with more of that!), he now has a clear field ahead of him. Iām excited to see what he does with it.Ā
Personally, I think the Mangog could be re-imagined as a truly fascinating villain, perhaps paired with a reimagined Gorr the God-Butcher, as a final hurdle on the way to Asgardās redemption. Perhaps the Mangog could be a big blob of lives affected by Asgardian imperialism, and Gorr trying his hardest to rid the galaxy of the gods while theyāre at their weakest, before they can rise to become a dangerous force who continues their imperialist habits again. It would be a matter of Thor at last dealing with how to move forward and do things differently while dealing with those who believe Asgard canāt change or doesnāt deserve the opportunity to. A true moral quandary. Heās spent too much time reacting and scrambling to fixĀ ānowā problems - Iād like to see him deal with a more abstract future and truly challenging his pattern of behaviour.
But those are my ideas. Iām sure Waititi will deliver something all his own.Ā