Otter Delight

Joy to the World.

I’m gonna say this again just so you don’t think it was a mistake the first time I said it: for me, success is not about the wins and losses. It’s about helping these young fellas be the best versions of themselves, on and off the field. And it ain’t always easy, Trent, but neither is growing up without someone believin’ in you.

sir thats my emotional support holistic detective agency! (cases solved with arguable efficiency)

so ive been Obsessed with dirk gently for the past month, 2 YEARS TOO LATE, and it’s SO GOOD it deserves more love

edit: you can now buy prints of this!

details under the cut!

to go along with my drawing of five i had to draw my original favorite evil space ginger too!

The World's End (2013)

Director: Edgar Wright

Cinematographer: Bill Pope

Tech Specs:

— Aspect Ratio: 2.39: 1

— Cameras:

Arriflex 16 SR2, Zeiss Super Speed, Vario-Sonnar and Canon Lenses

Arriflex 235, Panavision Primo, B-, C-, E- and G-Series Lenses

Arriflex 435, Panavision Primo, B-, C-, E- and G-Series Lenses

Panavision Panaflex Millennium XL2, Panavision Primo, B-, C-, E-, G-Series, Zeiss Super Speed and Angenieux Optimo Lenses

— Negative Format:

16 mm (Kodak Vision3 500T 7219)

35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219)

— Cinematographic Process:

Panavision (anamorphic, source format)

Super 16 (source format)

Does anybody else see the white star stepping at my side? It doesn’t make a track like a shadow, never breaking stride