Jean Grisot (French, born 1944)
Beach I, N/D
Oil on paper, 150 x 99 cm

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One Nice Bug Per Day
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let's talk about Bridgerton tea, my ask is open


roma★
todays bird
sheepfilms
trying on a metaphor
NASA
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Janaina Medeiros

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hello vonnie

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@orbitalencounters
Jean Grisot (French, born 1944)
Beach I, N/D
Oil on paper, 150 x 99 cm

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“Perú and other places...”
photography by Rosalind Fox Solomon
Maternity in Cameroon by Gabriele Galimberti
‘Shadow Consciousness’ One does not become enlightened by imagining figures of light, but by making the darkness conscious. #Jung
Radha Krishna in the winter by B.G. Sharma

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Simone Rea
Fred Tomaselli
Domingo Garcia Criado
Oil paitings by John Revill
Pedro Covo - Swimmers

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Karel Cudlín
Margaret Burroughs - Black Venus (1957)
“Burroughs had a vision of doing more to preserve black heritage. With her husband, Burroughs converted the ground floor of their old Chicago mansion into a small museum in which they could display a variety of artifacts. More than 500 people toured the museum during its first year. Heartened by the public’s interest, Burroughs devoted herself to raising funds for the museum. She firmly believed that this museum would enrich lives, especially those of young black people. “A museum …shows kids they can be somebody,” Burroughs stated in Black Enterprise.
By emphasizing the cultural and racial roots of black people, Burroughs hoped to teach young people that not only could they be somebody but that they came from a proud and strong black heritage. Besides serving as a repository for black art, papers, artifacts, and memorabilia, the museum also met the needs of its visitors with youth activities, essay contests, art festivals, and poetry festivals. By 1970, museum attendance was more than 30,000 annually.” [Source]
Margaret Burroughs - Black Venus (1957) Linoleum block – Edition 50 14 x 10 ¾ inches
Acrylic paintings by Sean William Randall
Luke Stephenson - An Incomplete Dictionary Of Show Birds
Paintings by Peter McConville
"The fallen leaves and deadwoods feed the forest a reminder of the cycle of life. When I look into the forest, it reveals a wonderful range of deep rich colours. The bright orange, red and green leaves found in the forest make up a natural, complementary palette."

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Small Chest of Drawers with Decoration of Flowers, Birds, Insects (early 20th century). Lacquer inlaid with mother-of-pearl, with incised design. Korea.
Images and text courtesy The Met.
http://www.metmuseum.org/art/collection/search/73210?rpp=30&pg=34&rndkey=20160210&ft=*&what=Pearl&pos=1002
by florastarkey