Alessandro di Mariano di Vanni Filipepi aka Sandro Botticelli (Italian, 1445-1510, b. Florence, Republic of Florence, now Italy, d. Ibid) - Madonna of the Magnificat (detail), c. 1481, Paintings: Tempera and Gold on a circular Wood Panel (Tondo)

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Alessandro di Mariano di Vanni Filipepi aka Sandro Botticelli (Italian, 1445-1510, b. Florence, Republic of Florence, now Italy, d. Ibid) - Madonna of the Magnificat (detail), c. 1481, Paintings: Tempera and Gold on a circular Wood Panel (Tondo)

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Researching composite horse Mughal miniatures
Mails shirt with rings inscribed with the names of Mohammed and the five leading imams of Shi'a Islam, possibly Iran, 15th-16th century
from The Metropolitan Museum of Art
Gold Turtle Necklace from the Kingdom of Colchis,
(modern-day Georgia/South Caucasus), c. 450 BCE,
Length: Approximately 33 cm (13 inches).
Composition: It consists of 31 gold pendants (one large central turtle and 30 smaller turtles).
Georgian National Museum, Tbilisi, Georgia.
facial expressions Luttrell Psalter, England ca. 1325-1340.
British Library, Add 42130, fol. 104r

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Detail of paintings from Nebamun's tomb chapel. Theban Necropolis, Egypt.
Aboriginal Design Pattern on a La grange aboriginal shield from Kimberley
Iron door of Sagrada Familia (2009) by Josep Maria Subirachs
neptune with his entourage
miniature from a copy of evrart de conty's livre des échecs amoureux, illuminated by robinet testard. the manuscript was produced in cognac (france), c. 1496-98
source: Paris, BnF, Français 143, fol. 130v
the God Horus of Behdet in His form of sacred falcon spreading His wings in protection and holding the ‘Ankh’ (Life). Detail from the White Chapel of King Sesostri I at ‘Ipet-Sut’ (“Karnak”), the highly sacred Precinct of the God Amon-Ra at ‘Uaset’-Thebes

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pauta saila (1917-2009), owl, 1964-5, stonecut print
Detail from Tryptich of the Adoration of the Magi Hieronymus Bosch 1494
digitally enhanced
sweeping up the alphabet
border illustrations from the hours of marguerite d'orléans, france, 15th c.
source: Paris, BnF, Latin 1156 B, fol. 135r
The eye of a marble statue from Herculaneum, with surviving paint. Roman before 79 AD.
Datail — Ecce Homo, c. 1674 by Pedro de Mena † Agnus Dei (Lamb of God), circa 1635 - 1640 by Francisco de Zurbaran

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~ Pectoral ornament with human profiles and pendant discs.
Cultures: Minoan
Date: 1850-1550B.C.
Place of origin: Attica, Greece, Aegina
Medium: Gold
Pedro de Mena - Ecce Homo (c. 1674). Detail.