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For @whumptober 2022, Day 18:Â âJust get it over with.â
CW: Man, I donât know. Jake is weird about religion, contacting relatives who thought you were dead⌠I have no idea what to content warn for this one. Itâs really comf.
-
Kauri sits at the edge of the bed, staring down at the simple rectangle in his hand, with its glittery teal case a comforting soft plastic wrapping, the screen lit up as his thumb inputs the numbers that heâs written down on a piece of paper.Â
He glances back and forth from one to the other, making sure each press is correct, taking his time. Taking too much time.Â
He almost puts the phone down.Â
Almost.Â
Antoni, head laying on his thigh and the rest of him angled away across the bed, right at the edge, offers only the touch that he can stand right now. He tilts his chin up to look almost upside-down at Kauri.Â
Something in the warm dark brown of his eyes is calming. Maybe just that Kauri has looked into them for so long. âDo not be afraid,â He offers, voice low and soft. âNothing bad will happen.â
Jake, seated next to Kauri, huffs soundless laughter. When the other two men look at him in confusion, he sighs, running his hand down his face. âIt just made me think⌠fear not, for I am with you,â He intones in mocking seriousness. It pulls a slightly unwilling smile onto Kauriâs face. âBe not dismayed, for I am your⌠uh, your Jake and Antoni⌠ I will-â
âWe,â Antoni corrects serenely. âWe will, Jasha.â
âWe, sorry Ant, we will strengthen you, we will help you, I will uphold you with my righteous right hand-â
âYouâll do what with your right hand?â Kauri actually giggles, his low deep laughter a relief to both of the other men. âClearly the Bible is sexier than I think it is.â
âItâs really not. Iâve been trying to forget all that shit for years. I mean, the one part is⌠kind of. If you donât think too much about the metaphors. I wasnât allowed to read that bit for a long time.â
âWhy not?â Antoni blinks.Â
âDonât know. Maybe they were worried Iâd start thinking girls could think sexy thoughts, too, and wonder why they were supposedly so bad to have if, like, the wisest king had themâŚâ He trails off. âProbably just because we might read the word âbreastsâ.â
Thereâs a pause. âI donât get it,â Kauri says. âDid they think you didnât know, orâŚâ
âHonestly? No idea. You werenât exactly allowed to ask.â
âWell, I bet the Bible would all be sexy if I read it,â Kauri points out, his thumb hovering over the little phone icon, not quite pressing to make the call. âJust think about what I could do with all the shit Jesus said.â
âProbably would be, but then my relationship with religion would get even weirder than it already is, so maybe not a great plan.â Jake leans over and presses a kiss into Kauriâs black curls, still damp from the shower. âHey. Youâre stalling.â
SCREAMING CRYING ASH MY GOD WHAT HAVE YOU DONE?! How did you create emotional perfection??? This is heartbreak distilt into words. But like, a heartbreak that gives you a hug.
Its so good. Itâs hurting me. Itâs healing me. I vcanât stop reading this.
HIS MOM GREATING JAKE AND BEING HAPPY HE iS MARRIED!!!! HIS MOM NOT SAYING ANYTHING AGAINST HIM HAVING TWO PARTNERS!!!!! JAKE GREETING BACK AND BLUSHING!!! AAAAAAAAHHHHHH!!!!
*continues to have a wholesome meltdown*
*whispers* I canât wait to see his mom and sister becoming part of his life again <3<3<3<3<3<3<3<3<3<3<3
TW: Medical emergency, hospitals, police, use of excessive force, dehumanization, muzzle, Restraints, needles, injection, PTSD flashbacks, dissociation, conditioned response, noncon drugs, unreality.
Yves had made his choice. It was highly illegal, what he was doing. He wasnât supposed to drive the car. It had been decades since vampires were allowed to drive vehicles. He wasnât supposed to leave private property without the horrible collar on. But the labored breaths and thready heartbeat of the woman sitting white-faced in the seat beside him made him bold. Heâd do anything for Miss Edith. And thereâd been no one else at home to get her to the help she had to have. He knew what it was likely to cost him, and he didnât care.
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Would lowkey kill to see Kauri attempting to write poetry in his relationship with Jake era (omg Jake helping him/being the one to write it down) I always forget that he was a writer and loves poetry and I love him 10 times more every time I remember
CW: Some references to past trauma, forced illiteracy, some brief internalized victim-blaming/slut-shaming, Kauriâs low self-esteem
Takes place after Worth the Risk and Kauriâs first glimpse of his own past
âThis is fucking stupid. I canât fucking do this.â Kauri picks up the notebook, hard-backed blue with little golden stars twinkling on the cover, and throws it full-strength across the room until it smacks into the wall and drops to the ground, open to his own scrawling, struggling handwriting.
Chris, wrapped in a big fuzzy blue blanket and curled up in an armchair playing a game on his phone or texting Laken or maybe both, flinches and looks up. âKauri?â
Kauri looks away from the earnest concern in those huge green eyes and kicks ineffectually at the coffee table, hissing when he doesnât actually miss and his toes connect with the hard wooden leg. âFuck. Fucking-... bullshit, Iâm an idiot trying to do this, just-... god damn it. I should know better.â
Thereâs a silence, and then Chris asks, softly, âKnow better than, than... than to what? What were you, um, you doing?â
Kauriâs jaw is set and for a second he considers lying. Heâs a good liar, after all, and Chris is always so ready to believe him, he wouldnât even question it. Safer to lie, hide the ideas inside his head, talk instead about something soft and surface-level.Â
Safer to be stupid, always.
But heâs trying not to do that anymore.
Heâs trying.
âWriting,â He says, finally. âI was... trying to-... write something.â The words are ground out of him nearly against his will. He glares at the notebook lying open on the floor, the scrawling handwriting of the fucked up slut still thinking he can be anything else. Looping and childish, too big almost to fit within the lines.Â
âOh.â Chris pauses, and then brightens, setting his phone aside and straightening up. âYou, you sad you think that you used to, to, to, to write, didnât you?â
âYeah.â Kauriâs head hurts, a sharp punishing ache. How dare he think in metaphor and simile, how dare he try to build the villanelle, how dare he remember vaguely arguing with someone in a coffeeshop over old poetic forms being superior to poems that donât even try to fit within a rhythm, and he just-
This is so-
Heâs so stupid, thinking he could just pick it up again like it hasnât been a decade or close, like heâs still whatever stupid shit lived in his body before he-
signed up for this-
followed a fucking hot guy outside in the dark and got thrown into a van and made into Kauri.Â
âWell, my... my professor for, for, for, for Playwriting says... says writing is a muscle. You, you have to exercise. And you canât do the, um, the, the, the-the heavy weights until you start with, with small ones.â
Kauri snorts, derisive, but itâs not because Chris is wrong - of course heâs not wrong. Part of Kauri knows it, too, that he used to write all the time, around the pounding inside his skull he knows that he used to scribble lines on napkins and paper towels and the margins of his study books, bringing together the poem itself only later, usually alone or with a boyfriend on the other side of the room. He used to be able to do this.
He used to do this all the time.Â
âI wish Owen had wanted someone who could write a fucking poem,â Kauri says, voice breaking on the tears that threaten. âMaybe then Iâd still be able to.â He pushes himself to his feet and stomps over to scoop up the notebook almost violently. âWhy are you taking Playwriting, anyway? I thought you wanted to do set design.â
âI, I do.â Chris shrugs, eyes on Kauri, watching him walk back towards the doorway that leads to a hall and then to the kitchen. âBut I thought-... I, I, I figured-... maybe if I learn how to, to write a play, it would help... visualize. For, for, for set-building. You, um. You know?â
Kauri exhales, slowly, and then nods. âYeah. I get it. Thatâs a good plan - I mean, not that I would know, Iâm a college fucking dropout, right?â He laughs, bitterness in every word, in every sound.
âNo,â Chris replies, simply. âYou, you were... abducted. We were, um. We, we, we were stolen. Your words were, um, were stolen, too. Thatâs what Dr. Berger-â
âFuck Dr. Berger,â Kauri snaps, and leaves the room before Chris can make any more sense and possibly break apart Kauriâs determined self-loathing while he still wants to soak in it.Â
Hating himself for what he canât do - or what heâs been told he canât do - is so much easier than trying to do it anyway.
Everything was easier than trying to get better.
So why is he still trying?
Notebook clenched in white-knuckled hands, Kauri climbs the stairs like a man moving to the gallows, one by one, his thoughts a swirling morass of self-hatred, and then he moves into the bedroom he shares with Jake here and stares at the rumpled covers on the bed.
He sleeps here every single night, wakes up to the same face pressed red on one side from the pillow, hears the same deep voice rumbling good morning, feels the same arm slide over his waist, the same scratchy stubble rubbing his jaw when heâs kissed.Â
I have generally found, in my work, the fucking therapistâs voice echoes inside him, that when you begin to do the work to rebuild, you will find yourself dedicated over time to reconstructing not just a room, Kauri, but the entire city that was once leveled. Does that make sense?
Heâd told her it didnât.
Kauri spent years dodging therapy whenever Nat didnât talk him into it, and he hates going. He hates having to spill all the darkness inside him to someone who never stops being so goddamn calm.
But the first time sheâd said, have you ever heard about the effect that solitary confinement has on the human mind? He had told her he didnât know, but heâd started crying, too, and hadnât been able to explain why.Â
Part of you knows, Dr. Berger had said gently. Part of you always knew.
He had never really wanted to know the person who had inhabited this skin, or try to be him again. But standing here looking at the evidence of the life he is slowly building - his clothes in a crumpled heap on the floor by the bed, his toothbrush in the little cup in the bathroom, a picture of he and Jake in a frame by the bed now, the very small silver ring he wears sometimes even though theyâre not and they probably wonât but it kind of feels good to wear it sometimes...Â
He wonders if Liam Harker wanted a life like this one.
---
âItâs really dumb,â Kauri mutters, pulling the pillow over his face, burning red with embarrassment. âI didnât even really mean for you to see it-â
âItâs not dumb,â Jake says, gently. Kauri feels the dip in the mattress as he sits down, feels the warmth of his hand resting on Kauriâs thigh through the blanket. âIâm sorry I read it. I didnât know what I was looking at. If it was supposed to be a secret-â
âNo. I didnât. I forgot I left it out on the dresser. Itâs not your fault. Itâs so fucking stupid. I donât know why I even-â
âKauri.â Jakeâs voice sharpens, a little. âStop. Stop calling yourself stupid. Youâre not, and you never were, and you donât have to repeat what that asshole told you about yourself anymore, remember?â
Kauri swallows, hard, a lump in his throat he canât quite breathe around. âWhen does it stop being his voice,â He asks, muffled, âand start being my own?â
âWhen you let it,â Jake says, rubbing his leg soothingly. âJust like my dadâs voice. Youâre not stupid. Youâre one of the smartest people Iâve ever met in my life. Iâm sorry I read it, but thatâs because it wasnât mine to read, not because it was dumb, or bad. It wasnât.â
Kauri hesitates, then pulls the pillow to the side, looking at the sincere affection in Jakeâs face, his slight smile. âYeah? Youâre not just-â
âSaying that? No, Iâm not. I mean, Iâm not, like, a poetry person-â
âItâs not even a real villanelle, anyway.â
âI have no idea what that means. I just... I thought it was pretty good, actually. When I realized-... I put it down when I realized you were writing about-... you know. Yourself.â
âLiam,â Kauri says, hoarse, barely able to pronounce the name. âI wrote-â
âYeah.â Jake takes his hand, pulls it to his lips, presses a kiss to Kauriâs knuckles. âI know. Itâs really good, Kaur. You should keep writing. I promise I wonât look at any stray papers I find anymore, yeah?â
Kauri takes a breath. He feels almost dizzy, in a way that is both terrible and wonderful. The way you open yourself to the people you love is a horrible, amazing risk. The way you spill the darkest parts of yourself, not things youâve done wrong but the things you are afraid of allowing back into the light, in case it washes them all away again.
But the light he lives in now isnât cold, and it isnât taking him away from himself. The light he lives in now is sunlight.
âWhat?â Jakeâs eyebrows raise slightly. âWhatâs that face for?â
âJake. What if-... what if I ask you to? Read them?â
Jakeâs lips press together, and he nods, smiling slightly, closing his eyes and leaning his forehead against Kauriâs hand. Heâs always warm, Jake, even on the coldest days. Heâs always warm. âIâd be-... be fucking honored, or something that sounds less bullshit than that, but I mean it. Iâd be... I love you, Kauri. Seeing inside your head is what I want to do for-... for forever.â
âMaybe Iâll ask then,â Kauri says, and pulls Jakeâs hand and then Jake himself, the taller, larger man settling on top of him, holding himself up on his elbows, careful not to rest all his weight. âI love you, too, you know.â
âYeah.â Jake kisses the tip of his nose. âItâs pretty fucking great.â
Kauriâs eyes glimmer, but he closes them so Jake canât see, and kisses his forehead. âItâs nice to think that Iâm lucky and mean it.â
âI think you should read your poem to Dr. Berger,â Jake says, and when Kauri groans, he pulls back. âI mean it. She should know.â
Kauri wants to argue, but he looks into Jakeâs eyes, and sighs, and says heâll think about it.
---
AN APOLOGY
I am built from the hollow air left after your heart stopped beating
Your hands still gripped tight to the life they were ending
I know you thought of home but I donât know where your home is
The sound of my voice is a green valley that only sends back screaming
Covered in smoke and dust that I told myself smelled like cologne
Pathways that remember your laughter silent in the years that followed
Have I done enough to build a life you would have enjoyed living?
I am built from the hollow air left over when your heart stopped beating
The heat of their hands as inevitable as a river tore down every foundation
Their cruelty buried you so deeply that only I remain
I donât deserve the love that should have been yours to receive
The sound of my voice is a valley echoing back your screaming
I owe you an apology for walking around inside you
Crumbling ruins with my touch and calling it preservation
Iâm sorry for every blade of grass growing through our bones
Am I nothing but hollow air from when your heart stopped beating?
-
Wildflowers grow inside me from soil windswept over ash
Is that life worth everything not quite dead so deep below?
Is Kauri Grant good enough to make up for Liam Harkerâs loss?
In the valley of my body, does anyone but me still hear you screaming?
I owe you an apology and have to hope the life I live provides it
I wish I could ask for forgiveness from the shape of you Â
Weâre both ghosts, in the end, mosaic pieces shattered in shadows
Iâm sorry that Iâm all thatâs left.
I built myself from hollow air in the shape of a heart still beating
The sound of my voice will always carry the echo of yours screaming
Sooo this might not be chronological or have much of a plot but I am apparently a bit compulsive when it comes to writing and I Gotta. I was thinking about Box Boys, and a conditioning problem I wrote for rp, and how theyâd look in my world of Tsanet⌠and this happened.
This is more D&D 5E based Whump.
(Itâs Fih-DEY- lee-us, if youâre curious)
TW: mind control, memory loss, conditioning, drugs mention, battle gore, death
âHeâs shaking.â
âSide effect of the herbs. Itâs fading already. See his breathing steadying? Heâs going to wake up. Yours will be the first face he sees.â
âIs that important?â
âThe words are the trigger, but him seeing you as you say them may help solidify the binding.â
âHow will we know if it works? Might it work only partially?ââ¨
âNo, Lady, if the spells have taken effect it will either do as I promised, or nothing at all. Free will is a very powerful force to bind.â
writing request for whenever: Laken and Chris go to a dinosaur museum/exhibit
CW: Referenced past pet whump, mentioned negative stimming resulting in self-injury, pet whump (different character) with intimate whumper, grief, referenced parental death, trauma response, brief reference to true crime
Timeline: Chris is 25 years old in this piece
Rafael (Raf) first appears, unnamed, in this drabble from Chrisâs early college days
Lakenâs hand is warm in his, their fingers intertwined, as they stand underneath the hanging bones of an enormous ancient thing like a whale but entirely unlike it, too. Chris closes his eyes, swaying lightly side to side, humming softly as he imagines it, rows of teeth with some as big as his hand, moving through oceans older than anything he can imagine, chasing down prey.
The sun shines in through the all-glass windows that make up the other side of the atrium, warming against his shirt without prickling his skin. The lights are far up and away, and the sunlight is stronger.Â
âWow,â Laken murmurs, and he glances over at them to see their chin tipped back, liquid dark eyes focused on the recreated bones not so far above their head. âIâve never been here before. Have you?â
Chris feels the hint of pain at the question, and for once itâs not in his head from memories but simply the aftermath of what he knows. âYeah,â He answers, voice low and soft. âWith my, my dad and mom. Long, um, a, a long time ago.â
Lakenâs expression shifts, too, and they wince. âSorry. I didnât think about-â
âNo,â Chris says, insists really, giving their hand a squeeze. They squeeze back, looking him over with the face they make when theyâre reading his expression. He knows itâs going to happen for a while - the cut across his forehead is still bright and obvious against pale skin, although the one on his cheek is nearly healed up and gone. Theyâre searching, now, for signs itâll happen again - that heâll pull back into his head again, maybe take longer to come back out this time.
Itâs-... itâs funny, now that he has the memories, he can remember his mother worrying over it, too. And his fatherâs soft reminders that the worry wouldnât fix him, because fixing wasnât what needed done.
Itâs funny. To have been told no one loved him, and that was why he had to be remade into a pet, a sort of breathing toy, only to have it all break through with the constant reminders of what a fucking lie that had been.
Heâs been reading about people who were kidnapped, lately. Staying up with Wikipedia open on his phone finding names and faces. The girl in Utah, the ones in Ohio, the boy in Nevada, that guy from the famous billionaire logging family who disappeared in California... all of them say, they told us we werenât wanted by anyone else, for anything else. After a while, we believed them. What else could we do?
Itâs... soothing, almost. They werenât drugged to make it happen, but it did, anyway. It wasnât Chrisâs fault - there was no way he could have kept himself.Â
But getting all of it back came at the cost of scaring everyone who loves him now, leaving them all worried heâll hurt himself again.
He doesnât think thereâs anything else in there that can hurt any more than whatâs already come out from behind the flat, cold white light in his mind. But theyâre not certain.
âDonât worry,â Chris says, tilting his head and giving them a smile. âIâm, Iâm, Iâm okay, Laken. I promise. I, I, I, I-I-I like thinking ab, about them now.â
âWell... good. Okay. Just, let me know if I cross a line, okay?âÂ
âI, I will.âÂ
Laken gives his hand another squeeze and steps away to read a freestanding plaque below the bones of the belly of the creature over their heads. Chris picks up the feather necklace heâs always wearing, moving himself over to look outside, at the brilliant green lawn, the landscaping studded with blooming tulips along the walkway. There are plastic sculptures of dinosaurs out there, and Chris watches a little girl in a dinosaur-themed dress and leggings clamber up on one, giggling as she sits on the triceratops like sheâs riding it and her father looks on, amused, nearby.Â
The world feels strange and thin, for just a moment. He feels like heâs on the other side of a wall, and if he took a hammer to it he could step through and see himself, small and gangly and young, his mother nearby with a giant purse full of all the things he might need, her jaw set and ready to fight a battle on his behalf. One she didnât always have to fight - but she was ready for it, anyway.
His eyes roam the green area outside, scanning, looking over every child, every parent, every friend. Heâs looking for her, he realizes, his hand squeezing tight around the plastic feather, rubbing his thumb hard over the vanes. Heâs looking to see if sheâll be there, ten years after she was gone.Â
If all heâll have to do is look hard enough, and she wonât be dead, sheâll be here, ready to load Tristan into the car to get his chicken nugget kidsâ meal and go home.
If he only looks hard enough-
âWhatâs this one, sir?â The voice is soft, sweetly charming, and sends a chill up Chrisâs spine with its perfect familiarity. Not that heâs ever heard this voice before - but he knows the tone, the way of rounding your mouth around each syllable, the subtle flirtation built into each word.
His heart stops beating - and then starts again, as he slowly turns to look over his shoulder.
Laken is across the room, now, off to one side. He can see their black hair, the way they stand with one hip slightly out is as familiar to him as his own skin. The soft blue sweater theyâre wearing over black jeans and boots is his, they pulled it on this morning with a laugh when he said it looked better on them. Heâs wearing one of their shirts over his compression shirt, fairâs fair, sweetheart, you get mine if I get yours. Theyâd laughed and said he looked so good in t-shirts for bands he never listened to. Theyâd both laughed.
Between him and his partner, though, is a couple - an older man with a much younger one. Itâs the younger man who spoke.
The older man has a hand at the small of the younger manâs back, casually possessive, but itâs the black leather collar worn openly around the young manâs neck that catches Chrisâs breath. He can almost feel the constriction around his own throat. Can almost feel the breath against the back of his neck as itâs buckled there, safe and sound, the collar means-
The collar-
The older man frowns, looking up at a large predator skeleton, then down at the plaque in front of it. â Ac-... Arcanthosaurus,â He says, confidently mispronouncing the name. Chris knows how to say it. He knows exactly what it is. He could say everything on that plaque without looking. Therpopod, Early Cretaceous, fossils found primarily in Oklahoma, Texas, and... somewhere else, Colorado or Wyoming. He could describe its habitat, its likely diet, what its life looked like from birth to death.
The man says the name wrong, and his pretty pet, illiterate and dependent on him for every scrap of knowledge, doesnât know any better. He only smiles and says, âThatâs a pretty name.â He sounds satisfied.
But Chris sees his dark eyes flicker to the plaque and away, the curiosity quickly stifled and shoved down. Heâs seen Kauri do the same thing, force himself into safe ignorance to avoid asking too many questions. Heâs seen himself do it. Heâs seen them all do it, if they werenât allowed to read, to know, to ask, to think.
The younger man, Chrisâs own age, has close-cropped black hair and wears a black shirt and pants clearly tailored to skim, to fit tightly without being indecent. To be a show of wealth without being ostentatious. Thatâs when it clicks - heâs seen the pet before, in a cafe with his friends.Â
The younger man must feel someone looking at him, because for just a moment, his head turns and he looks right at Chris. Their eyes meet, and Chris knows the man recognizes - if not him, then what he was, what he used to be - in a second.
The pet mouths, hi, and tries for a slight smile. He lifts one hand, just a little, and his fingers move in a slight wave.
And Chris had pretended not to see, hunched down in his seat with his heart racing until the two were gone. What were the odds heâd see the same one again? What were the fucking odds, heâd get to be a coward again, to hide from his own life. What were he odds heâd see one here?
Chris had forgotten the museums are all pet-friendly if you call ahead. So many of the places he goes now arenât.Â
Suddenly, he wants to leave, to never come back, not to let the reality of his life intrude on the moment where heâd been so, so close to the memory of his mother, had nearly seen her on the grass.Â
âStay here, Raf, Iâm going to step over to the water fountain.â The older man kisses the younger manâs cheek, and they smile at each other, but Chris knows a petâs smile when he sees one. Heâs made the same expression, again and again, felt the snap of white-hot pain on his back or his hands whenever it wasnât believable enough for the handler staring down at him.
The older man walks away.
For the second time, Chris is faced with the same pet standing alone in a room of people, the two of them know each other in a way no one else here ever could, not really, not without losing it all, too.
He takes a breath.
Raf - the pet - turns to look out the window at the sunlight, and for the second time in his life, Chris meets eyes with a stranger who is, in many ways, exactly like him.Â
The pet maybe doesnât recognize him - without his long hair, and they only saw each other once - but he recognizes something, because his expression changes. Chris isnât the only one staring - there are children asking soft questions in stage-whispers who are admonished by their parents, older kids staring openly in silence, two adults who see Raf and just as quickly leave the room.Â
In a wide, round room full of people, Raf is utterly isolated from all of them, from anyone but the man who keeps him. Chris knows the feeling.
He tells himself to move. All that happens is that he pulls on the feather necklace so hard the cord snaps, comes free, and he stares down at it, before slowly raising his eyes again.
The pet gives him a faint, sad smile.
He mouths, hi.
Itâs a circle.Â
Somewhere just behind him, he feels the warmth of her, a hand around his shoulder. His eyes blur with tears. Sheâs so close, here. With the world she brought him out into comes all his memories of her, crowding in on him. Kisses to his forehead, a hand to check for a fever, arms around him to block out the heavy weight and shrieking noise of a hungry world with its jaws open to hurt him.
He can feel her hands on either side of his face, leaning her forehead to his, whispering, youâre okay, Tris, weâre going to get out of here and somewhere quiet, youâre okay. Just hold onto me.Â
Just hold on.
Sheâs so close.
He can hear her, feel her. If he could just move the right way, she wouldnât be dead at all. If he could just undo everything, if he could fix his mistakes, if he could stay still in the closet and hide just right, if he does it just right nobody has to die and he doesnât have to lose them and no one has to die-
One step, and then another. His motherâs voice, not forgotten, although blurred by time and loss. Thatâs how we start, Tris. One step, and then another. You can do this. Iâm right here if you need me, but listen - you wonât. Youâve got this, baby. Theyâre going to love you, all those kids in there.
How, how, how, how, how can you, what if they, they donât-
They will.Â
But-
One step, Tris, and then another. Weâve done it all that way, and weâll do this that way, too.
He looks back at the green grass outside, the courtyard with the playing children and watching parents, the faint sounds of their happiness through the glass. Her hand is at his back, and Chris takes one step, and then another. His heart is in his throat, his hands shaking, his stomach is twisted in knots and a cold brick of ice inside him.Â
One step, and then another.Â
Sheâs so close, and if he does this just right, sheâll find him and take him home.Â
No.
Sheâs already here, no matter where he goes. Home is Jake, and Laken, and Antoni, and Kauri, and Nat. Home isnât a place, itâs people, and heâs his motherâs home, now, the place where she lives after sheâs gone.
He closes the distance between them, and stops next to the pet, holding the broken feather necklace in his hand still. The weight of the sun on his back is warm, and not too heavy.Â
They stand next to each other, and he looks just to the side of the petâs eyes, focused on something else, to avoid the way looking right at him would overwhelm, be too much to take.Â
âYou were one,â Raf says, in a low voice, sounding stunned. âBut youâre not... not now.âÂ
Chris inhales, slowly. His body screams at him to run, to move, and his mind demands he be silent, be still. Instead, he rocks, forward and back, feels the air move around him. Reminds himself he could do - could be - anything with his body that he wants to, now.
And maybe this pet can, too.
âI, I, I named myself, um, Chris,â He whispers, hoarsely.Â
âHe calls me Rafael,â The pet replies, and his eyes move over Chrisâs face. Thereâs an expression Chris canât read well there, a subtle desperate want, but expressions are hard for Chris and right now the static crackling in his mind, the trains of his thought careening wildly around each other, make it even harder. âI would have liked to name myself.â
One step, his mother says, urging him into the gym, where some other kids are already doing backflips and tumbling on mats. One step and then another.
âYou can... can do that. If you, um, if, if, if you-you... run.â
âI-... I couldnât do that.â The pet looks off to the side, but his owner is still in the bathroom. Thereâs fear in his voice - that Chris can read without trying. Fear, he knows so well. âWhere would I go?â
Chris manages a faint, thin smile. He wants to shake apart. He settles for holding out the feather. âHome,â He whispers.
Come on, Tris. You can do this. I believe in you.
âHome is-â
âHome is, is, isnât this. It isnât-... it, it, it isnât him. Itâs not an, any of, of, of of of them.âÂ
âBut-â
â5-5-5,â Chris says softly. Sweat sticks his compression shirt to his back, cold trickles down the back of his neck. His heart pounds so hard his lungs have no room for air, his voice is breathless, barely even a whisper, now. â7-2-3-3. Theyâll, theyâll help you. Call them.â
Rafael looks down at the feather, and slowly takes the soft purple silicone into his hand, rubbing his fingers over the carved plastic, then looks back up. âI love him,â He says, softly. âI was-â
âMade for, for him,â Chris finishes, not wanting to hear it in the other petâs voice. Hating the idea that they both know every single phrase by heart, forever, and they canât undo that. âBut... I was, was, was, too. And Iâm not, now.â
Rafael slides the feather into his back pocket, looking to the side, at the pristine, cloudless blue sky visible above the courtyard through the thick glass. â5-5-5,â He says, softly, â7-2-3-3.â
âCall,â Chris says, his voice failing him as his fear keeps rising. He has to swallow and steady himself to speak again. âSomeone... somebody, somebody l-loved you.â
âBut-â
âThey, they, they lied to us.â It feels so weird to say it out loud, but he does. He canât stop himself. âThey lie to, to, to to-... to-to... to us all. Someone, somebody loved you.â
He has to go, he canât be still a second longer, and he walks away without waiting for a response. His timing is perfect - he steps up to Laken just as the petâs owner comes back from the restroom, sweeping past Chris - pretty but scarred, nothing special, please god donât look at me - and moving back to Rafael, who smiles up at him with the same perfect, pristine affection Chris has seen in himself and in Kauri and in every single one of the ones like them.
Practiced at the edge of a knife, the lash of a whip, the crack of a cane, until they can turn it on and off on command, at will, whenever they need the smile to keep themselves safe.
Laken turns to him as he stops next to them, looking him over, eyebrows furrowing slightly. âYou okay? Oh, hey, your featherâs gone. What happened?â
He allows himself a glance over his shoulder, sees the pet and his owner moving to another room, walking together. The hand at the small of Rafaelâs back.
The broken cords from the necklace just barely visible sticking out of his pocket before Chris watches him push them further in to hide them.
âI, I, I gave it to, um, to someone,â He says, turning back to them, leaning over to kiss their cheek, barely a brush. âI, I, I need to go outside. The, um, the everything... can, can we, um, can we go-â
âYeah, sure. No problem. Do we need to, like, go go, or...â
âNo.â Chris looks up at the dinosaur Rafael had been looking at. âOh, I, I, forgot to tell him itâs acrocanthosaurus.â
âWhat?â
âUm, noth-... nothing. Letâs, um, letâs go outside for for for a while.âÂ
Laken hand slides back into his and they walk out the opposite door that Rafael went through, Chrisâs hand moving to tap on his own hip as he walks, calming himself with each quick rush of sensation.Â
âHey, hey Laken?â
âYeah?â
âRemind me, um, remind me to, to, to-to-to call Nat later. Okay?â
âSure. Why?â
They walk down a set of stairs, people moving quickly past or around them. He misses the weight of the feather over his chest, but he has more at home. And now thereâs a pet with proof, tangible and real, that thereâs a life to be made by leaving.Â
A life worth living.
A life worth running without looking back.
âI, I, I want to tell her to, um, to tell the groups to... to see if someone calls them. I want to, to, to... to know if he does.â
Somewhere inside him, as his pounding heart calms, his mother says, Iâm so proud of you when he tells her that he spoke up.Â
He knows Nat will say it, too.Â
They surprise a bird in a burst of red wings out of a bush as they move outside, and Chris watches it fly across the courtyard and disappear into the canopy of a tree.Â
One step, and then another, to build the man he is out of the boy he was before.
---
Tagging: @burtlederp , @finder-of-rings , @endless-whump , @whumpfigure , @astrobly @newandfiguringitout , @doveotions , @pretty-face-breaker , @boxboysandotherwhump  , @oops-its-whump  @cubeswhump ,  @whump-tr0pes  @downriver914 @vickytokio
Frat(ernity)House Boxboy: Cam, Alex, and Zee. In Camâs room.
CW: some internalized homophobia, coarse discussion of sex and hookups, discussion of m/m/f threesome, consensual marijuana use, food mention, boxboy universe, human pet.
****
Sometimes, when Cam and Alex were lying lazily about and passing Camâs weed pen back and forth, they would forget Zee was there. Not entirely, of course. But in those late spring days when everything got hot and slow and Cam put a box fan in his window to move the air, they would say the strangest things in his presence.
 It was then, lying half-under Camâs desk on his back and fanning himself with a flimsy one subject notebook, he knew for sure that he was right about Alex and Cameron; something had shifted between them. Something had changed and he couldnât remember exactly when it had happened.Â
âI heard something about you.â Cam said, suppressing a cough as he blew skunky vapor out of his lungs.Â
From the floor, Zee could see Alex propped up against Camâs pillows, eyes low and stoned. âItâs true.â He accepted the pen and took another hit. âWhatever you heard.â
Cam ignored him. âI heard you slept with Claire from Gamma Phi. And then, and this is the good part, her jealous boyfriend, too.â
Alex laughed silently, visibly only by the subtle way his chest shook with it.
Zeeâs hearing sharpened at the turn of conversation. He knew Claire. Claire had honey-brown eyes and a heart pendant that she wore in the hollow of her throat. Her hair had been in a messy, slept-in french braid and sheâd stayed with him that second weekend, never letting Amber have him to herself. He remembered how familiar Claire and Alex had been with each other, and wondered if they hadnât slept together before. But a boyfriend? He imagined first Alex and this faceless guy, and then his imagination placed Alex, Claire, and the boyfriend all in bed together, with each other.Â
âSo?â Cam asked.Â
âSo what?â
âSo itâs true?â
Alex huffed, lifted himself up to scoot down lower on the pillows in a way that made his triceps flex and bulge. Zee watched, endlessly fascinated by the musculature of Alexâs body, the blond hair of his forearms and the blue vascularity of his wrists. He draped one leg over Camâs lap. âClaire and me, sure. A few times. Nothing in a couple of months though. I didnât even know she had a boyfriend.â
Cam didnât touch Alex, but he apparently tolerated being used as a perch for his calf and foot. That alone wouldâve been unimaginable just a few short months ago.Â
âSo why am I hearing it from two different people?â
Alex sighed. âCoz one of them told the other one. Thatâs how rumors work.â
âYeah. But now everyone is saying how you fuck guys, and you even fucked some straight guy.â
âMmhm.â Alex took the pen from Cam again, hit it with a long, slow drag. When his phone chimed beside him, he glanced down as if he didnât know what it was for a moment.
âThat doesnât bother you?â
Zee winced at Camâs tone, the accusatory and prying one he used to hear often, and could not do much but nod yes or no, whichever response it seemed like Cam wanted at the moment.Â
He accidentally caught Alexâs eye, and Alex smiled at him- that lazy, roguish grin that always made him want to smile back. He rummaged in a plastic bag by his hip from the gas station, came up with a Slim Jim. He held it aloft and raised his eyebrows. Zee nodded and Alex tossed it to him.Â
âDoesnât bother you? Really? Youâre not even going to defend yourself?â
âAbout what? To you? Or toâŚwhoever repeats some weak ass gossip?â
âWeak?â
âHey, I havenât seen Claireâs boyfriend, but I trust her judgement. Itâs sort of flattering. Ridiculous, butâŚâ He winked down at Zee and Zee blushed, busied himself in peeling the plastic apart to get to his snack.Â
âWhat if the rumor was that you and another brother were fucking?âÂ
Fucking. The word sounded dirtier than usual the way Cam was using it. Like it was an accusation.Â
Alex unscrewed the lid to a bottle of soda cautiously, watching the bubbles threatening to rush to the top. âYou meanâŚâ
âLike say thereâs a rumor that you and another one of your brothers are fucking and hiding it.â He over-enunciates rumor, and brother. âPretending to be straight.â
Alex looks at him over the lid of his soda bottle. âBut Iâm not. Pretending to be straight.â
Zee paused mid-chewing to glance at Cam. He didnât reply. He just looked off to the side, at a patch of his floor. He didnât have any of his usual mirth or slyness in his face, even the meanness was gone. It gave away how young he was. He looked alone. Lost, even.Â
Zee climbed out from under the desk, up onto the foot of the bed where Cam had his back against the wall. The fan felt good on his face, stippled with sweat. Heâd take a cool shower later, when the sun went down. Tentatively, making sure he wasnât misreading and about to get shoved to the floor, he crawled onto the bed at Camâs feet. Alex moved his leg, giving him room. He laid his head on Camâs lap, minimizing points of contact so not to share unnecessary body heat.
For a moment, Cam only tolerated him as he had Alexâs leg. He listened to the silence, the whir of the fan in the window and Alex unscrewing his bottle cap the rest of the way. Â
Then Cam laid a hand on Zeeâs back, between his shoulder blades. Slowly, he began to pull his fingers in and out in a soothing motion, something between a pet and a scratch. The red pen came into his line of vision from above. He could tell from the position of his fingers Cam was offering to hold it so he didnât have to move. It felt like just that, an offer. He could shake his head and it would disappear.Â
Alone, with these two boys on an afternoon that promised a hot summer, he didnât mind being a little high, a little impaired. He leaned forward and put his lips on it, let Cam fire it so all he had to do was draw breath.Â
It burned, familiar and earthy, and he only held it a few seconds in the bottom of his lungs. Cam pulled it away and he watched dust falling in a beam of afternoon sunlight, like snow in zero gravity.Â
âIâd deny it.â Alex said quietly, like heâd been thinking about it this whole time. âIf you wanted.â
Through the gentle elevator-ride of his mild high coming on, Zee wondered if that could mean what he thought it did between them. So thereâs something to deny. He knew he should feel strangely about that. It was almost comically unlikely, in his world. Or so he thought. But if they could stand to be in a room together now, he could enjoy them both.Â
Cam didnât reply. If he and Alex exchanged a look, Zee couldnât see it from his position on Camâs lap.Â
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@gottalovethemwriters (wonât let me tag you!) requested:Â I know Kauri said heâd be there when Jake wakes up but could we have a drabble or snippet -or whatever you want, honestly- where Kauri wakes up and has to convince himself itâs okay to stay? please?
CW: Domestic abuse survivor navigating trust and relationships, some trauma response, PTSD references, referenced consensual spice
Jake is still asleep when Kauri slides out of bed.
After years of finding his way into apartments and bedrooms and basements next to a series of men he can barely remember, whose names slip off his tongue like oil or stick like ash or just donât stay at all, Kauri is an expert at getting out of bed without waking the other people in it up.
He inches along the cool sheets and he doesnât allow himself to look back until heâs out, pulling on his pants from the night before, tossed haphazardly with laughter. Thereâs an ache in him, sweet and slight, the stretched muscles of a night spent moving, laughing, arching his back and wrapping his legs around Jakeâs waist, hands on either side of the other manâs face. His fingers twitch at the memory of Jakeâs stubble scratchy against his palms, his cheek, his lips.
He can still hear it, still feel Jakeâs hands sliding along the outsides of his thighs, shifting up to his hips, murmuring things in his ear in that low, deep voice that the really tall guys get sometimes.
He looks back, once his pants are on.Â
He gives himself a moment to love the ache, and mourn walking away from the promise he knows neither of them can keep.
CW: Negative stimming including stimming resulting in self-injury, pet whump, death of parents, grief, ableism, past noncon references, r*pe survivor having severe PTSD flashbacks, memory of shock collars, derogatory language, dehumanization, meltdown/panic attack, whump of a minor referenced repeatedly.Â
This is Chris in a very dark place - stay safe.
Directly follows Found Out, Akio, and Chris Sees.
Come on, 223499-
Iâm Tristan! My, my, my name is Tristan, Tristan H-Higgs and I l, I, I live at-⌠but, um, no, no, at my, my my auntâs ap, apartment now-
Tristan Higgs is a fucking corpse, kid. You donât have a name anymore.
No, Iâm, my, my name is, is, is-is-
 Your name is for your prospective to choose. Now let me show you how we shut you up.
 The boy is screaming, twisting, writhing in pain on the floor, clawing at the black collar around his neck, desperate to somehow escape it, but there isnât any way out. He digs his fingernails down his skin but itâs still there, the collar never leaves, youâre only safe with your collar on, no wait that hadnât happened yet-
Oh, thatâs nice. Time for the Drip for you.Â
N-no, no-
Welcome home, 223499.
M-my name is, is, is Tristan-
Chris slams the door on his way into the bathroom, locks it behind him, sweeps everything off the counter with a crash, plastic bottles of soap bouncing, a toothpaste container clicking against the tile, the toothbrush holder shattering and sending shards of ceramic pale on one side and rainbow-painted on the other everywhere. He stares at them clicking over the floor before they stop, some of them skimming the tile all the way to the wall.Â
Inside his head, there is a cry, bubbling up behind the wall that his life has been hidden behind, deep inside the cold pale light that all the worst things drown in.Â
The voice is low, with that thick English accent that will make his skin crawl for the rest of his life. The ashtray moves quickly, without hesitation, eyes locked on Mr. Daviesâs face, trying to read every minute change in his expression, to understand whether tonight will be meant for keeping his mouth closed to hold in his need to scream, or to keep his mouth open for something far worse.
Thereâs a good lad. Good as any well-trained dog, arenât you?Â
Thick fingers move through his curly dark hair, and he leans into the touch, eyes closed. When the fingers grip on, grab, force his head to the side, he goes as limp as he can without moving off his knees. He allows his head to be tilted far to the right, baring the left side of his neck.Â
Smoke moves thick in the air around Mr. Davies, sickly-sweet clove cigarette between his teeth, but it wonât be for long.
Mr. Davies brushes a bit of dust off the ashtrayâs shoulder, gives him a little shake with the hand in his hair
Antoni-
No, thatâs not yet his name. The ashtray doesnât have one.Â
Beg, love.
As always, the command is given with soft confidence that he will obey.
As always, he does.Â
He begs, and pleads, and it is never enough. Maybe next time, Mr. Davies murmurs. Maybe next time youâll do it correctly.
His collar bites into the skin of his throat as his head is forced even further to the right, his ear nearly touching his shoulder. His breath catches in his throat, the embered end of the cigarette held tightly between his ownerâs thumb and fingers the only thing he can focus on in all of reality.Â
Antoni, I, I need-
Here you go, love, Mr. Davies whispers. Even the softest whisper from his owner drowns out any other sound. His voice is loving, affectionate, as he grinds the cigarette into the side of the ashtrayâs neck. One sin atoned. If only you were able to stop committing new ones.
The pain shatters him.
He doesnât scream.
His place is not to scream - it is the womanâs place to scream, in the bedroom, at night - while the man listens in his own bed and sings lullabies he canât quite remember to drown out the sound.
He is not allowed to scream.Â
Antoni!
The ashtrayâs mouth opens in a rush of air that he has to catch, desperately, as any sound will lead to far worse than a burn. All that escapes him is a strangled moan, one that could nearly be mistaken for passion.Â
Good, love, Mr. Davies praises, and with tears in his eyes, the ashtray feels so, so grateful for the mercy that comes with the cigarette is put away, the sweet smell of cloves mixing with the scent of burnt skin.Â
The ashtray keeps breathing in pants, eyes wide, and his body shakes as if there are hands on him, he can hear something breaking through. He canât look away from Mr. Davies, though, he canât, he canât or it will be worse, so much worse, there is so much worse than the burns, heâll do anything not to be thrown in the bathtub with ice overnight again, there are too many sins to atone and he has no way to earn forgiveness.Â
The pain is fierce, throbbing, and endless, and he keeps shaking-
âAnt! Antoni! An, Antoni, Antoni, wake-wake up, are you, are you you you awake? Are, are you-... are you awake yet, are you-â
Antoniâs eyes snap open with a gasped inhale. There is weight on him, warm and living, and he struggles in a sudden instinctive fear of it. Weight on him isnât right, there shouldnât be, Mr. Davies would never-
The weight is Chris.Â
Air rushes out of his lungs all at once in a thin, whimpering moan. The scar on the left side of his neck itches with such severity it feels like pain, phantom cigarette searing already-damaged skin.Â
âCh-Chrisha?â His voice wavers more than heâd like. âChrisha, wha-... what are... what are you doing?â
He gets his answer when thunder booms, rattling windowsills, and Chris shudders on top of him, nuzzling into his neck, desperate for reassurance. The redhead rolls off and tucks in against his side before Antoni can even begin to formulate any kind of true conscious thought.Â
His breath is warm against the itching scar on Antoniâs neck. Somehow, the warmth soothes the burn. Antoni breathes in, thin and whistling through a throat that feels closed with an old, old fear, and then exhales again, as slowly as he can.
âSc-scared,â Chris whispers, and then whines, flinching when thunder booms again. Antoni can feel it in the bedframe, rattling right up into his bones. The storm must be right overhead - the thunder comes so fast on the heels of the lightning that there is really no time between them at all.
He moves with creaking slowness to hold Chris, sliding one hand up into the fine, soft red hair, stroking there gently, while his other arm slides behind the boyâs back and holds on tight.Â
âPlease,â Chris whispers. âJake is, is, is, is gone with, with his, um, with the, uh, the the the-the-the girl, he, um, Addie, and I, I just-â
Lightning- flash of blinding light through the window, barely caught by curtains. Squeaking fear from Chris, burying himself with gasping, tearful breaths against Antoni.
âI understand,â Antoni says, keeping his own voice low, unbothered, even as he nearness of the storm sets his own nerves alight in worry. On the side table next to the bed, his phone starts to vibrate, and Antoni gives a thin, slight smile, knowing who the text messages will be from without having to check.
Heâll get back to Jake later. For now, he holds Chris, and feels thoroughly unable to help him. Unqualified, not right for the job. A scarecrow playacting at being a man.
âI have you,â He whispers. âI have you, Chrisha.â
âD-Donât make me, make, make, donât put put put me outside,â Chris whimpers. âPlease, please donât make me go, go, go-go-go outside, please-â
âNever. Not ever. You are safe here, Chrisha.â
Safe with a hollowed man whose body is coated is evidence of the crimes he can never earn forgiveness for, crimes he canât even recall. Itâs not much of a promise of safety at all.
But he holds on tight, and for the moment - for Chris - itâs enough.
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If youâre still doing the word prompts: nepenthe (n.) - something that can make you forget grief or suffering for Antoni?
CW: PTSD/trauma recovery focus, references to past burns and current scarring
His eyes feel heated, still, as he ducks his head and walks with a determined step back towards the house. The walk from the bus stop isnât all that long - maybe fifteen minutes of winding his way through the neighborhood, swinging past the run-down houses of people out enjoying the way the sweltering summer heat is slowly cooling as the sun begins to set.
The light is gold-tinged, and there are dark clouds building far to the southeast that suggests there will be rain, tonight. For now, though, the neighborhood is full of laughing, shouting, talking drinking eating loving life.
 Funny how he has lived here this long and he still stands apart from them.
Perhaps thatâs not a problem of being a runaway pet, but of something deeper, some core aspect of whoever he has been in his life.Â
The thought makes his burns begin to itch, and he rubs his left hand over his right forearm as he walks, gritting his teeth against the flush of false flame that travels up his arms to his shoulders, itching fires that race down his sides. The burn in the side of his neck, the only one he canât hide.
I have need of an ashtray, and you do make such a pretty one, donât you?
Antoni in his long-sleeved shirt and long pants passes households full of people in their tank tops and shorts, sandals that smack and flap against the concrete driveways where they run and toss basketballs into hoops. Babies and toddlers wearing swimsuits or their play clothes or nothing at all splash in little plastic pools, shrieking in delight. Dogs run in and out of sprinklers. Cats sit on porch railing, tails swishing, watching Antoniâs progress with calm thoughtfulness.
Somewhere, further down the street, he can hear Jaden and his friends howling like a pack of wolves, Jadenâs voice a touch lower than the rest. At barely thirteen, Jaden is already growing like a weed through the summer, seems taller every time he appears at the door to ask if Chris wants to come to the park today.
Antoni wonders, sometimes, if Miss Ruth is putting him up to it - but he canât bear to make himself ask in case the answer is yes. What good would it to do, to break Chris open with information like that?
Thereâs no mistaking the light in Chrisâs eyes that comes with being wanted by someone, thought about when heâs not right in front of them. The desperate affection of someone who is relearning what a friendship is, or maybe didnât have any at all before. Antoni would be the worst kind of bastard if he took that away.
Who knows? Maybe Jaden and his friends fall as deeply for Chrisâs enthusiasm for the world as everyone in the shelter does. It isnât fair to carry his suspicion like this, when Chris doesnât have those sorts of thoughts himself.
Especially when Jaden and his friends stood in the safehouse lying to the... cops? They looked and acted like cops, but Nat maintains they were company men playing dress-up. But Jaden and his friends hadnât known the difference, and still theyâd all lied as one about Chrisâs existence with no motivation but to do the right thing, even when it meant staring fear in the face and setting your jaw against its threats.
Antoni can say no such strong things about himself. He is instead a man who ran through a dark tunnel and left Chris behind.Â
Congratulations, Antoni, you donât have the courage of your average twelve-year-old boy.
Therapy makes him like this, sometimes - his conversations with Dr. Berger in her home office after hours, twice a month or once a week depending on how heâs doing at the time, leave him melancholy. He feels like he has emptied himself of everything, is a man made of hollow spaces and scars and all the things he did not do, when they most needed done.
âAntoni!â
The voice comes from down the block, and Antoni looks up to see the flash of bright copper under the evening sun that tells him Chris is already outside waiting for his return, swathed in his usual uniform of Jakeâs shirt over one of his own.Â
Never - not once - has Chris asked him why it took him so long to come back to see if he was okay, after it happened. He is still a burst of light that makes it way out from behind dark clouds.
He raises a hand in a wave, managing a slight smile.
Chris doesnât wait for him, but instead barrels out into the sidewalk, and Antoniâs eyes catch the shift of a cowboy hat, Jefferson turning to watch while carefully watering the rose bushes heâs convinced he can grow along the front of his house, his partner safely hiding in the shade of the porch and calling out his emotional support while drinking a beer.Â
Jefferson looks up, and then back down again. Across the street, Miss Ruth sits fanning herself in a lawn chair while what Antoni assumes is Jadenâs mother and Miss Ruthâs daughter gestures widely, in the midst of a story.Â
Naomiâs house is closed up, theyâre down in Florida or something and Natâs been going in to water their houseplants, and why anyone would go to Florida in the middle of summer is a mystery to Antoni.
The bigger mystery is why he even knows that Naomi is gone, or that her name is Naomi at all.
How did I come to know these people, and all these things about them?
The answer, of course, is Chris.
Chris makes it to him with striking speed, already beginning to tell a story about the neighborhood stray having a litter of kittens, and Antoni finds some of the tension bleeding from his shoulders as he slides one arm around Chrisâs. The shorter boy walks next to him with a bounce to his step, chattering happily, and Antoni isnât quite sure when he stops dwelling on his own failures, but by the time they make it up the front steps and to the door, his scars donât itch any longer.
He pauses, takes a breath. He has failed in so many ways-
âI made, um, I made... made made made dinner tonight,â Chris says, and Antoniâs attempt to blame himself for something simply shatters as he takes that statement in.
âYou what? Chrisha... what did you make?â
âUm, first, I tried to, to make pizza.â
â... First?â
âWell, when the smoke, the, um, the smoke-... the fire alarm went off Jake said maybe, um, maybe something that, that that that doesnât, um, doesnât use-use the... the oven. I got, um, I got... I was cooking and I went to set the, the timer, but then there was, I saw a thing on TV, and then I heard Jake listening to, to, to-to-to music I liked and then I... forgot.â Chris grins, shamefaced, and Antoni smiles back, shaking his head.
âSo? What did you decide on, after the, ah, the smoke cleared?â
âSalad.â Chris gives a firm nod. âYou, you canât burn a salad.â
Antoni laughs, soft and deep-voiced, and Chris brightens even more at the sound. âThis is true, Chrisha, this is true. I would be very impressed if you found a way to burn salad. Show me what you did.â
He comes back from therapy sometimes weighed down by his own guilt. Somehow, by the time Chris meets him halfway and leads him back inside, he feels less guilty and more like he has a chance to make up for every failure, simply by allowing Chris to forgive him for them.
The teenagers down the street are howling again, Jadenâs voice leading the way.