Yesterday we had a great opportunity to attend a workshop of Massimiliano Sagrati, a guest designer and art director of Humus_Design, a company located in Rome, Italy.
A theme was restaurant logos. So, we were advised to do some research on our favorite dining places, and analyze the work that the designers have done for them. In the beginning, we were introduced to logos that were created for some fashion brands and a dental clinic. Then, the most exciting, and, at the same time, challenging part began: practice.
Our task was in the period of an hour and a half to design a logo for one of the new restaurants that is located in the heart of Italian capital, near Vatican and Castle Sant Angelo. Frizzo was the name of the dining facility. Industrialism, antiquity and joy had to be combined in one definition in the design production. (Frizzo means joy and sparkle, from the Italian)
First, I did some research on the concepts, the location. However, the more I thought about what should be incorporated into the work, the more frustrated I became. How all this things could be combined in one recognizable and unique logo?
I decided to bring the idea of laureate wreath, an internationally recognized symbol of antiquity, into the letter F merging it with R, represented in industrial typography.
Unfortunately, my lack of much experience in InDesign or Illustrator did not allow me to finish the work on time, making the presentation unsuccessful. I had all the ideas in my head and in my sketchbook but they were never correctly presented to the client.
However, this small failure gave me an opportunity to think more about graphic design. Is the simplicity better the complexity and, if not, in what cases? How to make the design meaningful even if it is simple? If the design is created for a one-word company, is it better to work with the word as a whole rather than taking specific letters out of it?
The more we practice, the more we think of the things that we can improve. The more we learn from others and personally grow.