yeah so i watched casablanca (1942) great energy between two of em original post i took the template from
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yeah so i watched casablanca (1942) great energy between two of em original post i took the template from

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A Twitter mutual and I were discussing the idea of a Dracula!Dean AU where he's fluffy and old when he doesn't feed, but when he does- he's back to youthful 40s-50s Dean (refer to images below)
And yes, Jerry is Renfield. BECAUSE EVERY DRACULA NEEDS A LOYAL COMPANION. >:3c
OH MY- the things you got me staying up to 3am doing. If you needed proof I’ll draw anything as long as it falls within one of my interests here it is.
First off I’m in loooove with this whole concept. It’s genius how well it suits them, but now I have to go lament the fact I’m never getting a M+L Renfield movie. Dean would’ve made a perfect Dracula (the clip of him singing that Bela Lugosi parody of Besame Mucho is *chefs kiss*)
Sorry this took so long I couldn’t settle on one thing and went a lil overboard doing them all + The bonus doodles are abundant.
Not sure what you were looking for Moonie but hopefully something in here hits the mark.
AND if you come up with any other ideas (im practically begging) send them my way bc I had waayyyy too much fun with this.
Rio Bravo 1959
Frank Sinatra not being able to perform properly because Dean Martin kept talking/singing/screaming in the background (1965)

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“Money from home” (1958)
Stella Stevens and Dean Martin in “How to save a marriage (and ruin your life)” 1968
Martin and Lewis try to reconcile as a couple in the 1953 MDA telethon
Martin and Lewis library sketch (1951)
R.I.P. Donald Sutherland (1935-2024). He is, was, always will be one of my favorites.

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Frank Sinatra not being able to perform properly because Dean Martin kept talking/singing/screaming in the background (1965)
Martin and Lewis try to reconcile as a couple in the 1953 MDA telethon
The kids on TikTok think that just because he was a classic country singer, Johnny Cash was conservative??? My babies he covered a Nine Inch Nails song in his seventies.
Classic country singers (the majority of which came from poor roots) were always talking about how much The Man sucked because they were taking money from poor rural folk. You’re gonna tell me that’s conservative?? Get outta here.
And somehow on the opposite side of the scale with the same exact opinion the conservative kids say “I like the old country music, because there’s no politics to it” Woodie Guthrie’s got a “this machine kills fascists” sticker on his guitar? You think there’s no politics in 9 to 5 or Folsom Prison Blues?!
For anyone confused there was a sudden and dramatic shift in the country music genre. It used to be a genre fixated on the experiences of people. Lived or common experiences that resonated with the common people. It was music that you listened to and it thrummed in tune to your soul because you had lived it yourself. And a lot of that was about ordinary people getting ground up in the gears of society.
The hyper patriotism, beer, and trucks chimera we have now didn't show up until after 9/11 and the world is lesser for it
Allow me to post the entire lyrics to the Johnny Cash song "Man in Black", released in nineteen goddamn seventy-one and written about why he always wore black onstage:
Well, you wonder why I always dress in black
Why you never see bright colors on my back
And why does my appearance seem to have a somber tone
Well, there's a reason for the things that I have on
I wear the black for the poor and the beaten down
Livin' in the hopeless, hungry side of town
I wear it for the prisoner who has long paid for his crime
But is there because he's a victim of the times
I wear the black for those who've never read
Or listened to the words that Jesus said
About the road to happiness through love and charity
Why, you'd think He's talking straight to you and me
Well, we're doin' mighty fine, I do suppose
In our streak of lightnin' cars and fancy clothes
But just so we're reminded of the ones who are held back
Up front there ought to be a man in black
I wear it for the sick and lonely old
For the reckless ones whose bad trip left them cold
I wear the black in mournin' for the lives that could have been
Each week we lose a hundred fine young men
And I wear it for the thousands who have died
Believin' that the Lord was on their side
I wear it for another hundred-thousand who have died
Believin' that we all were on their side
Well, there's things that never will be right, I know
And things need changin' everywhere you go
But 'til we start to make a move to make a few things right
You'll never see me wear a suit of white
Ah, I'd love to wear a rainbow every day
And tell the world that everything's okay
But I'll try to carry off a little darkness on my back
'Til things are brighter, I'm the man in black
That right there is an anti-war, anti-bigot, anti-mass-incarceration, anti-war-on-drugs (Cash was an addict in various stages of recovery who was pissed as hell about how this country treats people with substance issues), eat-the-rich protest song. And it was arguably his signature song, his personal manifesto. Notice that even the Jesus reference, which today would be a signal that the song is about to drop some racist dogwhistles, segues immediately into a line about "the road to happiness through love and charity". As in "Motherfucker, our shared god said love thy neighbor and care for the poor and the outsider, and we both know he didn't fucking stutter." He's throwing shade at self-described Christians who use his religion as a cudgel to beat people with.
Johnny Cash wasn't a conservative. I'm pretty sure if he were alive and in reasonably good health today, he'd knock Jason Aldean's teeth out (or, failing that, write a song so devastatingly memetic about how much Aldean sucks that Aldean would never work in music again).
Johnny Cash was punk rock. He just happened to be punk rock in the body of a country singer.
I’m sorry but no modern comedy will ever top this
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I’m sorry but no modern comedy will ever top this
x

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Sammy Davis jr, Harry Belafonte and Sidney Portier for LIFE magazine 1966
Betty White photographed for Look magazine 1954