He deleted it so quickly but I need everyone to see this Chris Fleming video because it has fundamentally changed me
Referring to Taylor Swift as a "sentient Lisa Frank notebook" is a burnnnnn that will require immediate attention.
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He deleted it so quickly but I need everyone to see this Chris Fleming video because it has fundamentally changed me
Referring to Taylor Swift as a "sentient Lisa Frank notebook" is a burnnnnn that will require immediate attention.

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Andy Warhol's photographs of his boyfriend Jed Johnson at the HĂ´tel de Paris in Monte Carlo, 1980.
The Amnesty International report that JK Rowling is trying to censor through legal threats.
It can also be found on Google Drive here and on Bluesky here.
Please save and share this info where possible. This report has since been removed by Amnesty International due to legal threats of libel from JK Rowling. This information is no longer easily accessible.
i sent this gif to a black cowowker at work then later asked my white manager if he likes apple fritters and he was like "i fuckin love apple friters" and she laughed so hard she got a migraine

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Tina Turner photographed by Marcelino (1972)
Shot by Chris Von Wangenheim for Valentino F/W 1971
Egon Schiele (1890 - 1918) Man Lying On His Stomach, 1910
Cher photographed by Harry Langdon for her album Prisoner, 1979.

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David Wojnarowicz by Richard Kern
KEITH HARING
OUTDOOR FRIEZE, PS 22, NEW YORK, 1981
Beach Umbrella  -  David Hockney, 1971.
British  b.1937-
acrylic on canvas, 49 x 36 ½in. (124.4 x 92.7cm.)
New York, Photo by Helen Levitt. ND

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FĂŠlix GonzĂĄlez-Torres, Untitled (Perfect Lovers), 1991.
Bonfire (1910s) ⲠAna Mendieta, âSilueta en Fuegoâ (1970s)