eat drink man woman (ang lee, 1994)
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i don't do bad sauce passes
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I'd rather be in outer space 🛸
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Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
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2025 on Tumblr: Trends That Defined the Year

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trying on a metaphor

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eat drink man woman (ang lee, 1994)

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Tshirt Hand painted by Mars Lux
that Inhabit manifesto is a really good read ngl
nah but seriously though
“Leverage data and design without falling into the trap that the internet will save us.”
thealexbox
Isaac Abrams — The Momentary Joy of the Orgasmic Butterfly (acrylic on board, 2017)

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on food/the food writing industry & colonialism/racism
cooking other peoples food: how chefs appropriate bay area ‘ethnic’ cuisine by luke tsai, east bay express
the stark racial divide in pay for restaurant workers by alastair bland, npr
the primal pleasure and brutal history of sugar by ruby tandoh, eater
ole missus vs mammy: who owns southern food? by michael twitty, vice
what happens when a brown chef cooks white food? by khushbu shah, gq
the rise (and stall) of the boba generation by jenny g. zhang, eater
yelp reviewers authenticity fetish is white supremacy in action by sara kay, ny eater
pathology of displacement: the intersection of food justice and culture by shane bernardo, whyhunger
the bon appetit test kitchens race problem by soleil ho, san francisco chronicle
the vegan race wars: how the mainstream ignores vegans of color by khushbu shah, thrillist
whose food is it, anyway? by ann hui, the globe and mail
food, race, and power: who gets to be an authority on ‘ethnic’ cuisines? by lorraine chuen, intersectional analyst
okja (2017) dir. bong joon-ho / lee li-young, “persimmons” / julian merrow-smith, “persimmons on a pewter dish” / li yiyun, “persimmons” / little forest (2018) dir. yim soon-rye / muqi, “six persimmons“

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tokyo compression by Michael Wolf
"Narcissism" By John Yuyi For Self Service Magazine March 2020
chungking express press conference in nagoya, japan, 1994
“pleine lune” by miles aldridge for numérto homme, fall 2007

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source
Woman in the Dunes (1964) dir. Hiroshi Teshigahara