The Silence (Tystnaden, 1963) Dir. Ingmar Bergman
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The Silence (Tystnaden, 1963) Dir. Ingmar Bergman

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“But her grief was silent. She shut the door behind her. When she was alone by herself she clenched her fists together, and began beating the back of a chair with them. She was like a wounded animal. She hated death; she was furious, outraged, indignant with death, as if it were a living creature. She refused to relinquish her friends to death. She would not submit to dark and nothingness. She began to pace up and down, clenching her hands, and making no attempt to stop the quick tears which raced down her cheeks. She sat still at last, but she did not submit. She looked stubborn and strong when she had ceased to cry.”
— Virginia Woolf, The Voyage Out
“I see myself as a fish in a stream; deflected; held in place;but cannot describe the stream.”
— Virginia Woolf, Moments of Being
Jeff Buckley by Merri Cyr

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“Now I think of no one any more. I don’t even bother looking for words. It flows in me, more or less quickly. I fix nothing. I let it go. Through the lack of attaching myself to words, my thoughts remain nebulous most of the time.”
— Jean-Paul Sartre, Nausea
“He attached himself strongly to everything but detaches himself easily.”
— Jean-Paul Sartre, Nausea
“The truth was she did not want intimacy; she wanted conversation. Intimacy has a way of breeding silence, and silence she abhorred. There must be talk, and it must be general, and it must be about everything.”
— Virginia Woolf, from her essay “Portrait of a Londoner” from ‘The London Scene’
“My desire to make a film always starts with a personal event that leaves its mark on me and that I want to translate into images. I create fictions from very personal things… Before being a filmmaker, I am a human being, a person. It is as a human being that I approach my fictions.” Naomi Kawase
“I have always been interested in a person’s inner world. I am interested in man, for he contains a universe within himself; and in order to find expression for the idea, for the meaning of human life, there is no need to spread behind it, as it were, a canvas crowded with happenings. I wanted Nostalgia to be free of anything irrelevant or incidental that would stand in the way of my principal objective: the portrayal of someone in a state of profound alienation from the world and himself, unable to find a balance between reality and the harmony for which he longs, in a state of nostalgia provoked not only by his remoteness from home but also by a global yearning for the wholeness of existence. I wanted to pursue the theme of the “weak” man who is no fighter in terms of his outward attributes but whom I none the less see as a victor in this life.”
– Andrei Tarkovsky, Nostalgia (1983)

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“… and I should feel so set up, that I should lose whatever the pain happened to be—I think in my spine—no perhaps in my head—and toss life like a pancake—.”
— Virginia Woolf, Selected Letters (via wavingtovirginia)
Grace Kelly photographed by Loomis Dean, 1954.
“My sight, which was my power, now blurs Two invisible diamond spears; My hearing subsides, full of ancient thunder And the breathing of the house of my father. The knots of tough muscles slacken Like grey oxen, lax in the ploughed field; The wings behind my shoulders yield No light when evening darkens. I am a candle. I burned at the feast. Gather my wax when morning arrives So that this page will prompt you How to be proud, and how to weep, How to give away the last third Of happiness, and to die with ease— And beneath a temporary roof To burn posthumously, like a word.”
—A poem by Russian poet Arseny Tarkovsky recited in Nostalghia (1983) directed by Andrei Trkovsky.
Autumn Sonata (1978)
“Stromboli” (1950) Roberto Rossellini

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John Cassavetes on his characters from an interview featured in A Personal Journey with Martin Scorsese Through American Movies (1995)
La Haine (1995) directed by Mathieu Kassovitz