King Gizzard and the Lizard Wizard - Digital Black
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King Gizzard and the Lizard Wizard - Digital Black

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Nuclear Fusion by King Gizzard & the Lizard Wizard
From the album Flying Microtonal Banana
King Gizzard & The Lizard Wizard -Â Polygondwanaland - another new album, and this oneâs free
This belongs on here

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wouldnât recommend giving each member of the band a microphone during a king gizzard interview
King Gizzard & the Lizard Wizard @futureeyesla
50 YEARS OF LET IT BE
     May 8, 1970
JOHN: We were limiting our capacity to write and perform by having to fit it into some kind of format, and thatâs why it caused trouble. Itâs not that we didnât like each other. Iâve compared it to a marriage a million times, I hope itâs understandable for people. It was a long relationship. It started many, many years before the American or English public knew us. Paul and I were together since he was fifteen and I was sixteen. Itâs a long, long time that the four of us had been together. And what happened was, through boredom and just too much of everything, the pressure of it finally got to us. So, what people do when theyâre together, they start picking on each other. It was like, âItâs because of you, you got the tambourine wrong, that my whole life is a misery.â It became petty, but the manifestations were on each other because we were the only ones we had. PAUL: At one point George went and we had a meeting at Johnâs house, and I think Johnâs first comment was, âLetâs get Eric [Clapton] in.â And I said, âNo!â I think John was half-joking. We thought, âWait a minute. George has left. We canât have this. This isnât good enough.â (âŚ) In fact, what happened is we showed how the breakup of a group works. We didnât realize that we were breaking up as it was happening. GEORGE: I think the original idea of Let It Be was Paulâs idea to do a live album. We were gonna rehearse all these songs, and then make an album out of a live show. The album became us in the studio, rehearsing the songs as they were recorded. (âŚ) [After I left] it was decided that we would get back together and finish the record. Twickenham Studios was very cold, and not a very nice atmosphere, so we decided to abandon that and go to Saville Row into the recording studio. RINGO: It shows on the record that when we were excited, the tracks are exciting. We all put in a thousand percent. When we were working on something good, the bullshit went out the window, and we got back to doing what we did really, really well. (âŚ) A lot of days, even with all the craziness, it really worked still. PAUL: To me, the Beatles were always a great little band. Nothing more, nothing less. For all our success, when we sat down to play, we played good. From the very beginning when we first got Ringo into the band and before, but when we first got Ringo into the band, it really gelled. We played good. We never had too many of those times where itâs just not working. We had them like any other band, but for a great little rockânâroll band, it seemed to work. JOHN: Thatâs the thing I miss most about the Beatles: just sitting down with a group and playing.

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The Rolling Stones: Mick Jagger, Hawaii 1972, by David Redfern
King Gizzard and the Lizard wizard: This cyborg is vomiting uncontrollably and is assimilating the entire universe into a vomit chimera
Me:Â
King Gizzard & the Lizard Wizard at the Greek | Shot for Janky Smooth
KING GIZZARD & THE LIZARD WIZARD

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Stu Mackenzie of King Gizzard
King Gizzard & the Lizard Wizard