points and squares through a coffee machine

Sneeze Manifesto

2 e-guitars, trombone, cello, double bass

The reminiscence of a conversation with Woody Vasulka, is about designing the heart of the machine... and afterwards “let it talk”.

Once, I used to believe in "moire”

Composición serial :: Marcelo Gutman

In this series, the voices of Yoko Ono, Kazimir Malevich, Tristán Tzara, Carl Andre, are re-enacted through a digital interpretation of their scores, played in an empty space at the gallery of bb15, registered by the sound-based durational installation Minute/Year from Kovács/O’Doherty.

“There is no absolute silence unless is zero vibration. Silence means that we can hear no sounds. Silence is the space between us”. - Deep listening, Pauline Oliveros

Minute/Year is a durational, process-based work by Kata Kovács and Tom O’Doherty, ongoing since January 1., 2016. It consists of an automated, sound-based, multi-year installation that makes a one-minute recording every day, and adds it to the one the day before. In 2020, Minute/Year is installed at bb15, in Linz, Austria. From January 1. until December 31., 2020, the work will record one minute of audio, at 20:20 each day. The daily archive is constantly updated through Twitter, Vimeo, or Telegram. The recordings are also available as a weekly podcast (via RSS, iTunes, and Google Play). see more details on Kovács/O’Doherty website.

Fitzroy Square :: Francis Alÿs (2004) 

For chorus, Deep Listening publications

Performed by Nam June Paik 

via preparedguitar - [Composition 1960: #7] evoked a large number of ancillary sounds (mostly audience noises) but also revealed to those who continued to listen a whole inner world of fluctuating overtones in the open fifth as sustained by the players.

Composition 1960 #7 :: La Monte Young 

Composition 1960  #5  :: La Monte Young 

Performed by Zac Gvi at Open File: Symposium, Milton Keynes Gallery, June17th, 2012