On Becoming a Guinea Fowl Rungano Nyoni. 2024
Library Unza Library, Lusaka, Zambia See in map
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Show & Tell

roma★

JBB: An Artblog!
art blog(derogatory)

titsay
wallacepolsom

blake kathryn

Jules of Nature
h
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
Monterey Bay Aquarium

#extradirty
Cosmic Funnies
Cosimo Galluzzi

❣ Chile in a Photography ❣

Love Begins

JVL
seen from United States

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seen from Malaysia
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seen from Iraq
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seen from United States
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seen from United States
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seen from China
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@nochede
On Becoming a Guinea Fowl Rungano Nyoni. 2024
Library Unza Library, Lusaka, Zambia See in map
See in imdb

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He’d always wanted better words for what it felt like to live, and to suffer, and to love it all so recklessly as to hate how it couldn’t love you back the same.
Tommy Orange, Wandering Stars
Roser. / Barbens, octubre de 2025.
#fotografia #fotodautor #35mm #fotoanalogica #kodak #kodakportra400 #vmfoto #intimitat #elmeufotodiari #elmeudiariintim #elmeufotoalbum
the ghost of Harman Phoenix got into my Cinestill
Cinestill 400D - Nikon FE2
Natalie Diaz, from Postcolonial Love Poem

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James Baldwin.
mary oliver, upstream
“The internet is the flattening of time. It is the place where the past and the present exist on one single plane.”
— Ling Ma, Severance
— September 1, 1914 / Franz Kafka diaries

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elisabeth.buu
Stephanie Foo, What My Bones Know: A Memoir of Healing from Complex Trauma
Mary Oliver, from “Of Love”, Red Bird
“I reach inside my empty house: as far as I’m allowed to go. / I reach outside my empty house: as far as I’m allowed to go.”
— ‘5’, an excerpt of “An Empty House Is a Debt” from ‘Ghost Of’ by Diana Khoi Nguyen
— Clarissa Pinkola Estés, from Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype.
Eartha Kitt photographed by Carl Van Vechten on October 19, 1952.

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"I would like to be remembered as a filmmaker who enjoyed life, including pain. This is such a terrible world, but I keep the idea that every day should be interesting. What happens in my days – working, meeting people, listening – convinces me that it’s worth being alive.”
–Agnès Varda in the last interview of her life
FIRE OF LOVE (2022) dir. Sara Dosa