-NATURAL-

1. borrowing misery from future

2. carrying grief of the past

I fuckin LOVE dialogue as a first line. I adore it. whenever I flip open a book and the first line is dialogue I’m like hell YES this is my SHIT

there’s lists of, uh, TOP TEN WAYS YOU SHOULD NEVER START YOUR NOVEL EVER and “opening with dialogue” is always on them

the gist being that it’s bad bc the reader doesn’t care about this character yet so why are they gonna care about this dialogue, right, they don’t have any context for it, you should start with something that gets the reader invested and emotionally pulled in, so on, so forth

(and I’m not here to argue or call bullshit on these lists or anything…… 99% of the time, the reasons listed of why you should Maybe Not Do The Thing are perfectly valid concerns and dangers that should be taken into consideration)

(this post is more a ramble about personal preference with a nice moral at the end)

(and definitely not a TOP TEN REASONS “TOP TEN WAYS YOU SHOULD NEVER START YOUR NOVEL EVER” LISTS ARE LIES AND SLANDER post god could you imagine)

but yeah, for me, dialogue opening lines pull me right the fuck in emotionally. for real. nine times out of ten they’ll yank me in and have me engaged instantaneously. always have, probably always will

(like come on. have y’all never just started eavesdropping right in the middle of some total strangers’ conversation on the bus. especially if it’s somethin weird. it’s so good)

but ANYWAY, the moral is uhhhh

whatever Mortal Writing Sin you wanna commit, there’s probably at least one weirdo out there possibly named logan who digs it

do whatever the fuck you want, honestly

you can write an opening scene that does everything every advice page tells you to do with an opening scene and it can still be shit

you can write an opening scene doing everything every advice page tells you NEVER to do with your opening scene and it can still be fabulous and engaging