
❣ Chile in a Photography ❣

blake kathryn
🪼

@theartofmadeline
trying on a metaphor
Sade Olutola
cherry valley forever
hello vonnie

JVL
he wasn't even looking at me and he found me

roma★

izzy's playlists!
sheepfilms
Monterey Bay Aquarium

Janaina Medeiros
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jamie Lee Curtis by Valerie Chiang for The New Yorker.
By Saul Leiter
Toni at my studio. NYC, August 2019. By Valerie Chiang.
Marylou, fulfilling all of my Italian Neorealist dreams. July 2019. By Valerie Chiang.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Harriet in East Sussex, and bits and pieces of Scotland. Contact sheet from June, 2018. By Valerie Chiang.
Susanne in New York last October. By Valerie Chiang.
Hyun Joo Hwang, 2019. By Valerie Chiang.
Chinatown, 2018. By Valerie Chiang.
Thea at 59th. By Valerie Chiang.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
By Chris Kilip
Los Angeles, 2018. Valerie Chiang.
By Helen Levitt
Photographer Valerie Chiang
By Saul Leiter

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Shailene Woodley for WWD. By Valerie Chiang
Styled by Alex Badia Makeup by Tyron Machhausen Hair by Keith Carpenter Story by Leigh Nordstrom Produced by Jenna Greene
The essential way of seeing women, the essential use to which their images are put, has not changed. Women are depicted in a quite different way from men–not because the feminine is different from the masculine–but because the ‘ideal’ spectator is always assumed to be male and the image of the woman is designed to flatter him. If you have any doubt that this is so, make the following experiment. Choose [an] image of a traditional nude. Transform the woman into a man. Either in your mind’s eye or by drawing on the reproduction. Then notice the violence which that transformation does. Not to the image, but to the assumptions of a likely viewer.
John Berger, Ways of Seeing (via soracities)