An aye-write guide to Showing vs. Telling
Iâll bet that if youâve ever taken an English class or a creative writing class, youâll have come across the phrase âShow, donât tell.â Itâs pretty much a creative writing staple! Anton Chekov once said â Donât tell me the moon is shining. Show me the glint of light on broken glass.â In other words, showing should help you to create mental pictures in a readerâs head.
Showing helps readers bond with the characters, helps them experience the emotions and action more vividly, and helps immerse them in the world you have created. So âshow, not tellâ is definitely not bad advice - in certain circumstances. But it has its place. More on that later.Â
So instead, of telling me âHe was angryâ, show me how his face face flushes red, how his throat tightens, how he slams his fist, how he raises his voice, how his jaw clenches, how he feels hot and prickly, how his breathing gets rapid, how his thoughts turn to static, etc.
Instead of telling me âThe cafeteria was in chaosâ, you could show me someone covered in food and slowly turning crimson, children rampaging under the feet of helpless adults, frenzied shouting, etc.Â
Handy Hint! Try to avoid phrases like âI heardâ, âI feltâ, âI smelledâ, etc. These are still âtelling wordsâ (also known as filters) and may weaken your prose, as your readers could be taken out of the experience and you may lose their attention.
Is Showing Always The Right Thing to Do?Â
No! Absolutely not! Showing is not always right and telling is not always wrong! Itâs important to develop the skill and instinct to know when to use showing and when to use telling, as both can be appropriate in certain occasions.Â
So, âShow, donât tellâ becomes âShow versus tellâ.Â
What is Showing and Telling?Â
Showing is âThe grass caressed his feet and a smile softened his eyes. A hot puff of air brushed past his wrinkled cheek as the sky paled yellow, then crimson, and within a breath, electric indigoâ
Telling is âThe old man stood in the grass and relaxed as the sun went down.â
Both of these excerpts are perfectly acceptable to use in your writing! But both do different things, although their meanings are pretty much the same. The first example is immersive, sweeping, visual, engaging. The second example is much more pared back and functional. But both have their places in prose!Â
Telling is functional. Think about when you tell people things. You tell your children dinner is ready. The news reporter tells you thereâs a drop in crime rates. Your best friend tells you sheâll be late because her car broke down on the way to yours. These are brief and mundane moments in everyday life.Â
So, do these deserve multiple paragraphs with sensory detail and action/feeling/thought for every little thing? Do you need to spend an entire paragraph agonising over a minor detail when thereâs a sword dangling (physically or metaphorically) over your MCâs head? No. And Iâll explain why.Â
As before, telling is functional. Itâs brief. Itâs efficient. It gives a gist of a situation without getting bogged down in detail.
Showing is slow, rich, expansive, and most certainly not efficient!Â
Hereâs an example of some telling:Â
âYears passed, and I thought of Emily less and less. I confined her to some dark dusty corner of my brain. I had to elbow my memories of her to the side. I was too busy with other things. Finishing school, then university a year later. Life was full and enjoyable. But then, one dark cold September nightâŚâ
You canât show this example, unless you wanted to waste page after page of your MC waking up, going through everyday life, to get to the point your actual story started. If you do that, you will likely kill off any interest a reader would have in your novel and likely, your book itself.
Should be used for anything dramatic
Uses thoughts, feelings, dialogue, action, and visual detailÂ
Will likely be used more than telling
Delivering factual information
Glossing over unnecessary detailsÂ
Showing the passage of timeÂ
Adding backstory (not all at once!)Â
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